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Barbershop

  • 2002
  • Tous publics
  • 1h 42min
NOTE IMDb
6,3/10
35 k
MA NOTE
Ice Cube, Troy Garity, Anthony Anderson, Cedric The Entertainer, Sean Patrick Thomas, Michael Ealy, Eve, and Leonard Earl Howze in Barbershop (2002)
Regarder Barbershop Trailer
Lire trailer2:11
1 Video
70 photos
ComédieDrameDrame sur le lieu de travail

Ajouter une intrigue dans votre langueA day in the life of a South Side Chicago barbershop.A day in the life of a South Side Chicago barbershop.A day in the life of a South Side Chicago barbershop.

  • Réalisation
    • Tim Story
  • Scénario
    • Mark Brown
    • Don D. Scott
    • Marshall Todd
  • Casting principal
    • Ice Cube
    • Cedric The Entertainer
    • Eve
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    35 k
    MA NOTE
    • Réalisation
      • Tim Story
    • Scénario
      • Mark Brown
      • Don D. Scott
      • Marshall Todd
    • Casting principal
      • Ice Cube
      • Cedric The Entertainer
      • Eve
    • 172avis d'utilisateurs
    • 64avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 17 nominations au total

    Vidéos1

    Barbershop Trailer
    Trailer 2:11
    Barbershop Trailer

    Photos70

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 63
    Voir l'affiche

    Rôles principaux68

    Modifier
    Ice Cube
    Ice Cube
    • Calvin Palmer
    Cedric The Entertainer
    Cedric The Entertainer
    • Eddie
    • (as Cedric the Entertainer)
    Eve
    Eve
    • Terri Jones
    Anthony Anderson
    Anthony Anderson
    • J.D.
    Sean Patrick Thomas
    Sean Patrick Thomas
    • Jimmy James
    Troy Garity
    Troy Garity
    • Isaac Rosenberg
    Michael Ealy
    Michael Ealy
    • Ricky Nash
    Leonard Earl Howze
    Leonard Earl Howze
    • Dinka
    Keith David
    Keith David
    • Lester Wallace
    Jazsmin Lewis
    Jazsmin Lewis
    • Jennifer Palmer
    Lahmard J. Tate
    Lahmard J. Tate
    • Billy
    • (as Lahmard Tate)
    Tom Wright
    Tom Wright
    • Detective Williams
    Jason George
    Jason George
    • Kevin
    DeRay Davis
    DeRay Davis
    • Hustle Guy
    Sonya Eddy
    Sonya Eddy
    • Janelle
    Saralynne Crittenden
    • Big Mamma
    Jasmine Randle
    • Gabby
    Naomi Young Armstrong
    • Grandma
    • Réalisation
      • Tim Story
    • Scénario
      • Mark Brown
      • Don D. Scott
      • Marshall Todd
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs172

    6,334.9K
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    Avis à la une

    10camraman

    MORE THAN A $10.00 HAIRCUT

    Thanks Ice Cube. You did a great job in creating and showcasing a part of African-American life that was true-to-life. There were so many diverse elements that all came together, they seem too many to mention. But all of the main characters had a measure of character development and an intimacy that you couldn't forget.

    Even the minor characters played a big role, such as Lamar (J. David Shanks). Though introduced briefly very early in the movie, he played a major- but again brief- role near the end. Minor character- major input. The robbery of the convenience store: five characters interwoven all with lessons to learn- Craig (Ice Cube), Ricky Nash (Michael Ealy), Detective Williams (Tom Wright), Samir (Parvesh Cheena) and, of course, JD (Anthony Anderson). The timing in various scenes were impeccable. The following sequence: the radio voice of Chicago deejay Howard Magee, Billy's mother (?), Gabby (Jasmine Randle), Billy (Lahmard J. Tate) and JD was wonderfully choreographed.

    I know some will say, "Hey, it was predictable. I knew beforehand the resolution of some, most, or all of the character's plights." And that may be true. But it's the manner in which each character was interwoven- how one touched another and yet criss-crossed each other that gave this movie special meaning. How each character had their strengths or weaknesses to overcome. Great stories being told by Mark Brown, Don D. Scott, Marshall Todd and with Tim Story's direction. Every major character was (and is) a character study.

    Terence Blanchard does an admirable job supporting the scenes with his score.

    And regarding the Dr. Martin Luther King, Jr. and Rosa Parks controversy, the writers qualified that diatribe very clearly as it progressed. Did people hear just want they wanted to hear?

    Another important feature that I admire was the honesty, sometimes brutal, on other issues such as foreigners owning businesses in the African-American community or how dangerous it can be for anyone living in certain parts of the "ghetto" or how we (yes I'm African-American) help keep each other from prospering.

    It wasn't until I started viewing "Barbershop" a second time (and dissecting it) where I saw additional insightful and valuable revelations. An example being Hustle Guy (DeRay Davis). (Dogs and Pampers?) Many times we see the local hustler as a comedic tool, hustling whatever he/she can get their hands on. But he's only trying to earn a living- void of a storefront for lack of investment capital. And we find out how valuable Hustle Guy is, also, before the movie ends. Minor character- major message.

    If you haven't seen it, see it. If you've seen it, and just saw it for it's entertainment value, see it again for some valuable lessons.

    Not only will it be in my movie collection, but it will be used as a teaching tool for my grandsons (and granddaughters if I'm blessed with any).

    Believe it or not, to me, Eddie (Cedric the Entertainer's character) was the most unbelievable. Not that Eddie wasn't valuable, because he was. It was Cedric's interpretation of Eddie and the lack of age lines on his face that was a pure turn off for me. For those reasons, I wanted to remove 1 point. But because of the strength of the other characters and the story, I'm keeping it a 10.

    The 7.1 rating as of this writing is an injustice to the quality and caliber of this production.

    I give it a $10.00 haircut plus a $5.00 tip.

    Great job Ice Cube to you and your production company, Cube Vision. Great job.
    7Boyo-2

    A little off in the front, leave the sides and back

    The first thing I have to mention is that one day, I don't know when, but one day Michael Ealy, who plays Ricky, is going to be a major talent. He has an incredible relationship with the camera. He has charisma that you cannot learn in all the drama workshops in creation. He has authentic charm. He does not overplay his character and believe me, it would have been easy to go that route. I've recognized some talent before they became stars, and this guy has it. I could not take my eyes off him for a second. I think a star is born.

    Eve is also very good and has a future in movies if she wants one. If she could just keep track of her damn apple juice.

    Cedric makes the movie. He's the heart of the movie, the center, and hilarious to boot. I watched this movie three times to make sure I didn't miss any of his dialogue. I've seen MUCH worse performances receive Oscar nominations, and its a real injustice that he was ignored. He's just great.

    For an old timer like me, it was also nice to hear The Staple Singers over the closing credits, too.

    On the other hand...Ice Cube does not register more than one emotion, the sub-plot w/Anthony Anderson and the cash machine is unworthy of the rest of the movie, and Keith David, who I normally love, is terrible.

    This review is not as mixed as it may appear to be. I rated it an '8' mostly cause of Ealy and Cedric. I may not be seeing "Barbershop 2" anytime soon, obviously not because I didn't enjoy the first one, but because I don't support or have interest in sequels. They're not worth the time and all the producers are really saying is that they had an idea, did well with it, now want to exploit every good feeling you had about the first one. Almost no movies require a sequel anyway.
    vchimpanzee

    Well done, often funny, but uneven

    While this was supposed to be about Calvin's barber shop, I enjoyed the misadventures of J. D. and Billy and the stolen ATM, which became relevant only toward the end of the movie. As for what took place in the barber shop itself, I enjoyed those scenes only part of the time.

    I thought Cedric the Entertainer did a great job, not only with comic lines but also in a couple of dramatic scenes. Of course some of what he said was offensive, but it was probably realistic. I say 'probably' since I'm white and don't really know the culture.

    One well-done scene involved Isaac, the one white barber, and one of the black barbers who had a racist attitude. And another one of the best scenes involved an angry woman, a baseball bat, and a car.

    I liked Dinka, who was from Africa. How could anyone not like him? Well, apparently in black culture, in addition to light-skinned blacks being prejudiced against dark-skinned and vice versa, there are some American blacks who are prejudiced against African immigrants. At least that was the case in this movie. Some really harsh comments.

    Ice Cube did a good job. I think most of the actors did. There were some characters I didn't like and that may have clouded my opinion of the acting performances, but overall a lot of talent was shown here.
    Sargebri

    One Funny Movie

    This is definitely one great film. This film pretty much tells it like it really is in most barbershops in predominantly African-American neighborhoods. I remember what it was like when I would go with my dad to get my hair cut and it was pretty much like it is in the film. The barbershop I went to was the gathering for African-American men of all ages to not only socialize, but to gossip as well.

    Also, about the controversy. I see no harm in what Cedric the Entertainer's character, Eddie, said. If some people were offended by it they really should go to a real barbershop and find out what people really say, especially Jesse Jackson himself.
    tfrizzell

    Talk About a Real Clip Joint....In More Ways Than One.

    Hilarious picture that is held together just well enough by a somewhat mediocre screenplay to be one of the funnier movies of the past few years. In inner-city Chicago barbershop owner Ice Cube hates where his life is at. He has a very pregnant wife (Jazsmin Lewis) and is drowning in debt due to his late father's apparent lack of business sense. He looks at the shop as a burden and wants to unload it to shady neighborhood businessman Keith David (and his very large bodyguard DeRay Davis). What Cube does not realize is just how important the business is to many in the neighborhood and he also fails to realize that David cares nothing about the people and wants to turn the place into a gentleman's club. Some of the other cutters include intellectual Sean Patrick Thomas, West African immigrant Leonard Earl Howze, racially confused white boy Troy Garity, two-time criminal Michael Ealy, lonely and out-of-place Eve (who is involved with two-timing boyfriend Jason Winston George) and priceless veteran barber/loud-mouth Cedric The Entertainer (very politically incorrect as well). Simultaneously two local losers (Anthony Anderson and Lahmard Tate) have stolen an ATM machine from a convenient store near Cube's barbershop. The two try and try to get the money that is not even inside out with painstakingly outlandish results. Unwittingly they have taken an empty money machine. African-Americans like Al Sharpton and Jesse Jackson rubbished this movie as being demeaning and rude to black communities. This was never the intention of the film-makers (I don't think). Cedric has a tongue of acid here as he takes on Jackson, Sharpton, O.J. Simpson, Dr. Martin Luther King, Jr., Rosa Parks, Rodney King and even Walter Payton. I believe the real point of Cedric's character is to show that the titled location is a place of comfort and respect, regardless of an individual's views or perspectives. In this regard it makes you realize just what a close-knit group the characters are to each other. All the players are very different and sometimes don't like one another, but still they respect and welcome everyone else. Overall I liked the project (even though it is not the most fundamentally effective film ever made by a long-shot). Comedic timing and fresh characters make a sub-par script and ho-hum direction look much better than they really are. Watch for former Michigan Fab-Fiver and current NBA standout Jalen Rose as one of the many diverse customers. 4 stars out of 5.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The cast spent a month training at a barber college to prepare for their roles. Only Troy Garity had had previous hair-cutting experience.
    • Gaffes
      When Calvin is driving Ricky, after Ricky throws the gun in the river, he makes a left turn. His hands move and the background scenery changes accordingly, but he only slides his hand over the steering wheel, which stays still.
    • Citations

      Eddie: There are three things that Black people need to tell the truth about. Number one: Rodney King should've gotten his ass beat for being drunk in a Hyundai in a white part of Los Angeles. Number two: O.J. did it! And number three: Rosa Parks didn't do nuthin' but sit her Black ass down!

    • Versions alternatives
      UK video version was edited (for language) by 51 sec. to secure a '12' rating. Additionaly some of the supplementary material for the DVD was cut (47 sec.) to keep the video rating. An uncut '15' was available to the distributor.
    • Connexions
      Featured in Uncensored Comedy: That's Not Funny! (2003)
    • Bandes originales
      Trade It All (Part 2)
      Written by Brandon Casey (as B. Casey), Brian Casey (as B. Casey), Duro (as K. Ifill),

      Fabolous (as J. Jackson), DJ Clue (as E. Shaw), Loon (as C. Hawkins)

      Performed by Fabolous featuring Sean 'Diddy' Combs (as P. Diddy) & Jagged Edge

      Courtesy of Desert Storm/Elektra Records

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    FAQ

    • How long is Barbershop?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 juin 2003 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • La barbería
    • Lieux de tournage
      • East 79th Street, South Chicago, Chicago, Illinois, États-Unis
    • Sociétés de production
      • Metro-Goldwyn-Mayer (MGM)
      • State Street Pictures
      • Cube Vision
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 75 782 105 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 20 627 433 $US
      • 15 sept. 2002
    • Montant brut mondial
      • 77 063 924 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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