O invasor, l'intrus

When their business partner's ethics prevent their company for working on jobs that may be slightly corrupt, Giba and Ivan decide to have him killed. They are recommended to approach a lowlife hitman, Anisio, who takes the job, killing the partner and his wife. However after the job is done Anisio begins to integrate himself in to the company and the lives of Ivan and Giba. This only accelerates Ivan's descent into panic and guilt.

With comparisons to the wonderful City Of God, I decided to give this film a shot and found it to be a very different beast to the aforementioned film, smaller, not as good but still an enjoyable film coming from Brazil. The plot is not perfect; I found it slightly difficult to accept Anisio sudden interest in this company in particular when he likely came into contact with many rich clients before. I imagine that there is a certain comment about the status of Brazil, where the few good people with money are gradually corrupted or invested by those willing to bend rules and take advantage. If this was the aim, it wasn't totally successful as it damaged the central narrative a little bit. Aside from this, the film still works, not so much as a thriller but as a drama as Ivan falls into guilt over his actions - again the attempts to make social comment is worthy but it moves the film away from dramatics by a few degrees.

The cast are pretty good. I felt that Miklos gave a good performance as the hired killer. He seemed quite natural and at ease - even if I hated it when the soundtrack used his band's awful thrash metal music. He was coached by rapper Sabotage, who also has a small role but was killed shortly after the film was released. Ricca descends well in his role and makes it convincing, Borges is suitably seedy and represents the worst of the wealthy class in Brazil I guess. Ximenes role in both the film and the subtext was less clear; her main purpose seemed to be titillation, which, in fairness, she delivered well!

Overall this film works well because it tries to be more than just a drama and more than just a social comment; however it would be too forgiving of me if I didn't note that it did rather fall between these two stools. Despite missing it's mark, it is still a good shot at the target. The direction and writing are both good and they bring about a film that, although flawed, is still interesting and involving even if these aspects are ahead of it's ability to be dramatic or thrilling.

My short comment for this flick is go pick it up. Chances are you are going to be positively surprised by a diversity of elements superbly explored in this criminal thriller. There is no way the character of Miklos, claiming and pushing for room in every way possible, wont push your nerves to the edge...2 thumbs up!

IVAN (Marco Ricca) and GILBERTO (Alexandre Borges) are partners in a company together with ESTEVÃO (George Freire), but the first ones contract a professional killer, ANISIO, to murder ESTEVÃO (the plot, at least at the beginning, doesn't explain very well why). The guy does it and after receiving his money he starts blackmailing the two partners, appearing in their company and saying he wants a job there (as supervisor or something…). At the same time he meets MARINA (Mariana Ximenes), daughter of ESTEVÃO, and starts dating with her!

In a story like this, where crime, corruption, betrayal and blackmail go hand in hand, no one is innocent or can be victimized, exception made to MARINA, which is the only person who doesn't know what's going on and didn't betray anyone…

This film portrays with sarcasm the sad and cruel reality which exists in big metropolis like São Paulo, where crime is every day's presence. We can feel irony but also veracity in characters like ANISIO (brilliantly played by Paulo Miklos), which does blackmail to the guys who paid him without any scruples, and even flirts with the daughter of the guy he killed! He really must be a monster to do something like that, but of course I know there're people like him out there, in Brazil or any other place…

It's a very good movie, cruel but truthful, about a sad reality… The acting is great and the soundtrack too.

Sao Paulo is such a subhuman city where the life of a man is quite cheap. This movie deals with the fight between two businessmen to control their company. They'll get into a spiral of murder and contacts with the local mafia of Sao Paulo's lower depths.

"El Invasor" moves between thriller and drama, and has some sequences that are really intense. Although the narrative style is quite debatable the history will get you, because everything in the screen is so frenzy and reckless.

It won't change the history of modern cinema, but it's better than most of the thrillers made in Hollywood these days.

*My rate: 6.5/10

Extremely tense thriller set in the urban chaos of São Paulo, the biggest and ugliest third world nightmare in Brazilian urbania. For the sake of making it easy for anyone who is curious about this intriguing and truly well made film, it has the grit of Mexican feature "Amores Perros" with a character not too far off Max Cady, from both Cape Fears, although this is not, by any means, a film about a psychopath. Two partners (Alexandre Borges and Marco Ricca) in a construction company pay hitman Anisio (Miklos) to off their third partner (and majority share holder) in said construction outfit. The murder is blamed on the city, but things begin to look very grim indeed when witty and charismatic walking nightmare Anisio decides he wants to be around the ever so nervous partners in crime, not only trespassing but, more importantly, deconstructing the strict social codes that make up Brazilian society. Anisio turns poverty into an attitude and he wants in. The look is almost entirely handheld, grainy, the performances outstanding throughout, especially so as first time actor (and member of classic Brazilian pop band 'Titãs'), Paulo Miklos, dazzles and baffles the viewer with his pretty funny social terror.

I saw the film at the Brasília film Fest in November 2001. It has since done very well in Sundance and Berlin. Kleber Mendonça Filho