Savage Messiah

The film is an attempt to cross a dark psychological thriller with a profound character study - the result: a film that feels like a stew that has been thrown together and the ingredients don't seem to fit together. The main character is believable and also shows moments of real intensity, but everything else seems to have gotten out of hand like an amateur theater group. The supporting actors deliver an affected acting that invites laughter more than thought. The plot is thus somewhere between exaggerated pathos and clumsy drama. There are unintentionally funny dialogues and the film just doesn't really want to captivate. There is no tension for a thriller about a strange cult and these characters are too weakly cast for an autobiographical character study.

This excellent drama is one of the best films about a cult that I have seen since the early eighties (SPLIT IMAGE and TICKET TO HEAVEN spring to mind from that era). The supporting performance by Quebecois actress Isabelle Blais is Oscar-worthy. Her portrayal of a brainwashed woman who finally sees the light is the film's most memorable aspect, but all of the performances are top notch.

This movie is quite disturbing and not exactly pleasant to watch. However, that is not to say this isn't a very good and important film because it is.

There's a reason why Religion produces more pain, conflict and death than anything else in the history of mankind. It is used as an instrument of fear and power, and of course the weaker minded will always have gravitate towards the unknowable, and those who claim exclusive access to it. Not to say Religious concepts have no meaning or good qualities...and if humanity survives well into the future without destroying itself due to conflicting faiths, it will surely look back upon most Religious concepts as nothing more than unnecessary barbarism and tools for a weaker civilization.

Case in point...Savage Messiah. A psychotic and truly evil cult leader who tortures, kills, maims, molests, abuses...all in the name of "Love" and "God". Obviously this man was a complete lunatic, yet quite brilliant in some perverse ways. It's amazing that a few people still are loyal to him despite all the hard evidence against him, and even his ad hoc confession of guilt. Total brainwashing is a very easy process with some people it does seem.

As for the movie itself, it stays quite close to the known public truth about "Roch" and his self-proclaimed entourage. It is well filmed, realistic, and most importantly has some excellent acting performances by Polly Walker and Luc Picard. It's a movie that is important, even though most people won't ever get the chance to view it.

Savage Messiah is a true story. The story of a Canadian social worker, once beaten by her husband, who discovers the women and children of a small commune are being abused by their leader. This leader, it turns out, calls himself Moses and has made the nine women living with him his concubines, mistreating them in the most violent ways.

This story made quite a lot of noise when it came out during the late eighties, both in Ontario and Quebec, especially because of the cruelty of the acts involved and the outrageous control "Moses" (Roch Thériault) had on "his" people.

While attempting to depict, sometimes with success, how it was like to live on the Church River commune, the movie mostly follows, in a very straightforward way, the social worker who discovers the truth and tries to make everything stop. Thus, it very soon starts to resemble these true stories often seen on tv on Friday night. Of course, the budget here is a little bigger, and the actors quite a bit more talented, but apart from that it just feels like a big made-for-tv movie, very easy to follow, with its few strong emotional moments along the way, but no real character development. And although the advertising prompted the viewer to "be the judge", the movie clearly adopts a subjective point of view. In the end, it's an interesting story, although violent, but a movie that, sadly or not, will not make history.

An excellent, thought provoking film. Well acted throughout, disturbing at times, you feel for the characters. The theme of spousal/partner abuse is primary here, and I do not believe I have ever seen a better description of the "battered spouse" syndrome on film.

While this movie obviously didn't have a 50 million dollar budget, the results do not suffer. Brilliant and highly recommended.