The United States of Leland

I was looking at the external reviews (Ebert, etc.) for this film and they were all pretty much negative. However, after reading many of them, I noticed that they all made the same point. Critics were upset that the film centers around what appears to be a senseless murder of an autistic child. Certainly, this is a disturbing image. Critics like Ebert want a traditional detective story that uncovers why the killing happened and squarely places blame on the guilty. They want blame to be cast and resolved. Well, that status-quo theme is kind of what the movie is parodying. Just like society, the critics wanted a very quick resolution so they could move on to their next tragic opera. Perhaps there is no simple question to be answered here? There is a whole lot more to what happened then what is on the surface. The film does not seek to rationalize what happens, but rather understand the why. What also steams me so much about these inane reviews is that all they look at in the way of performances is Spacey and Cheadle, who were both great (and generally are). But there are other great performances at work here other than just the two current icons of Hollywood. Gosling gives an incredible performance that really only somebody of his extreme talent could deliver. Somehow, Gosling is able to make the killer of an autistic child sympathetic. This irritates many, I am sure. However, if one watches the film, they see what Leeland's motivation is, it is wrong, but it is not evil. Malone is also on top of her game as yet another confused young character. Basically, the killing of the child in this film is not the main theme of the movie. The main theme is life itself and how people go about dealing with it, the highs and lows, and how they attempt to sometimes help others deal with their lives (which does not seem to work out very well). There is a lot of good and bad in this world and how we handle each has direct impact on how much more good and bad will take place, and sometimes a confused attempt at doing good, can lead to a whole bunch more of bad. I think this is one of the more memorable films in sometime and has an ending that is as touching as anything in recent movie history. I strongly believe people should view this film, with an open mind.

There are subtleties in this film that I think a lot of people may miss if they're not careful. You really need to follow what Leland says and read his character to figure out the intended "why" the movie presents at the end. Nothing it solid, it's not definite, it's about what the individual viewer takes out of it. I think that was the plan from the get-go, people aren't meant to all understand it in the same way, it's almost about forming your own personal relationship with Leland in order to maybe feel him a little better.

The storyline is interesting but its summary could never explain what the movie really is. It's dramatic and thought provoking, a lot of heavy ideas, but the pace of the movie is almost soothing, even with its more intense scenes with yelling. I think it's probably Leland, he's just calm and almost serene, even for all of his sadness. The movie personifies Leland in a way.

Of course it is captivating and draws you in if you let it, but there are some recycled ideas. I mean, Leland has a lot of impressive dialogue, he is anything but typical, but he's not a prophet. Everything he says is not a revelation, many people I know have mentioned things he mentioned, even I have observed a few things he's observed. Leland is the unique and attractive character he is probably mostly for Ryan Gosling's portrayal.

In the end the acting is all exceptional, there are no real bad guys, there is no way to psychologically evaluate Leland, only to maybe understand him and life a little better.

Comparable to Igby Goes Down I think, not comedic, but similar in its general outlook on life.

Leland P. Fitzgerald (Ryan Gosling) has committed an unspeakable crime, the stabbing of the retarded younger brother of his ex-girlfriend Becky (Jena Malone). No one, least of all Leland himself, can explain why he's done what he's done, whether the act was premeditated or spontaneous, done out of hatred or love.

In the detention center, Leland meets Pearl Madison (Don Cheadle), a onetime novel writer who sees in Leland's case a second opportunity. But Pearl also wants to understand Leland's motivation and takes him under his wing as a confidante in the prison.

The film jumps from the past to the present several times, often allowing the past to act as a context to the present, and vice versa. Writer/director Matthew Ryan Hodge shows how Leland's crime - and the events leading up to it - affect the people in his life, from Becky to her family to Leland's mother (Lena Olin) and estranged father (Kevin Spacey) to Allen (Chris Klein), a young man who is staying with Becky's family after the death of his own mother.

The chief asset in the movie is Gosling, who is perfectly cast as the 15-year-old pseudopsychopath. Like Bartleby the Scrivener, Gosling's Leland just exists; he shows little emotion during the film, but instead his expressions belie an ocean of guilt, sadness, love, and rage.

Each of the main actors offered perhaps their best work to date, save Spacey (who's not exactly a novice). Special praise is due to Malone and Klein, two young performers who are better known for lighthearted comedy fare than the heavy drama of this movie.

Another huge benefit in terms of the story is that none of the characters is flawless; none are heroes out to save the day. This is simply not a black-and-white movie.

The title comes from an alteration an adolescent inmate in a correctional facility makes on the front cover of his school book on government, titled "The United States;" he adds "of (his name)."

Many characterizations in this movie work well -- the scenes between Leland (Ryan Gosling) and Becky (Jena Malone), Pearl (Don Cheadle) and father Fitzgerald (Spacey) as well as with Leland, Becky and sister Julie (Michelle Williams), among many others.

But the central thread of this movie -- the fulcrum on which everything hangs -- is the character and motives of Leland. He's a somewhat shy, passive, nice high school student who daringly introduces himself to Becky whom (we find) is going to an alternative school because of a past history of drug problems. In Becky's family, she has a sister, Julie, who's just graduating from high school and preparing to go on to college; Julie's boy friend, Julie's age (and whose parents' had recently died) is also living with them.

Leland lives with his mother; his father (Kevin Spacey) and mother have long been divorced and his father is a famous novelist. Leland is very perceptive. The young boy in "The Sixth Sense" saw dead people; Leland sees teenage lovers and recognizes that years later they will divorce, that pain is going to follow many people's present experience of happiness. BUT, for reasons that are never made explicit, his prescient gift seems to operate some times, for some people, some relationships, and not for others. ???

Parts of the movie feel a bit like a derivative quilt -- borrowing from "American Beauty," "The Sixth Sense," "The Graduate," and possibly some others I didn't recognize. That wouldn't be bad if only the character of Leland worked.

I think Gosling did a great job of playing Leland but the script and the story imposed limitations. Would such an observant, meditative young man ever be homicidal? Even for altruistic reasons? Nothing in the film gives a reason for this. I'm a retired therapist with much experience working with families and teenagers; while many of the reactions shown in the film work -- this part, this most essential element certainly does not.

And there is at least one other element which, in my experience, would not fit with real life although it's not as critical. The reason for the differences between the sisters, Becky and Julie, are never hinted at but that's okay. Once two sibs begin occupying different roles (one the all good girl, the other the troubled one), the roles themselves can begin driving each other to more extreme positions. For the troubled one, Becky, it's kind of, "what do I have to do to be loved around here -- give up being me and become Julie?" And the pressure to live up to being the All-Good, parent-pleasing child, is no less intense on Julie. So, why would she break up with her boy friend of long-standing and of whom her parents so obviously approve?

Don Cheadle was good as Leland's teacher; all others were good in their parts. 98% of the scenes were good. What was missing was that crucial slip in understanding human nature.

Good acting; flawed story and psychology; worth seeing; not a total loss.

Don't let any reviews (critics, IMDb users or mine) influence you seeing this movie. I read only the plot premise and became intrigued. After watching, this movie, in my opinion, is definitely worth seeing. It gives a perspective on life that many have probably not contemplated. Its is not however, as Leland himself says, a movie that "can be wrapped up in a neat package with a bow and everything." Other user reviews on this website claim to have a psychological background and imply that the story is not feasible. Quite obviously they missed the entire point of the movie, which is disappointing. to say the least.

In short, it is a well acted, well directed movie. The story is not a feel good one, but I feel if you don't come away from the movie feeling good, you may just have missed something. To characterize it as "art house" is unfair, in my opinion, but as our society likes labels, this is probably the one that fits. If you find you know everything there is to know about the world... I'd suggest skipping this one. If you feel movies should be a form of escape "from the world"... you won't find it here. But if you do watch it... you just might find something in yourself.