Ajouter une intrigue dans votre languePart of the cable series "HBO Theatre", this is a videotaped presentation of the 1980 Broadway revival of the musical.Part of the cable series "HBO Theatre", this is a videotaped presentation of the 1980 Broadway revival of the musical.Part of the cable series "HBO Theatre", this is a videotaped presentation of the 1980 Broadway revival of the musical.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
Caryl Tenney
- Nimue
- (as Jeanne Caryl)
Avis à la une
Having been a fan of the Legend, book and film before hand, I was always going to have a bit of a treat when watching this, but i really did love it. The shows look is beautiful and captures the mood of the story almost perfectly throughout with as good a script the musical has ever had accompanied by some groovy stage effects.
I think its probably easyer and fairer to compare this to the Camelot experienced on stage in London and around the world a few months after filming (how it compares to the live experience) than to the film, which though also great was never going to be exactly the same as this rendition. On this account it comes out beautifully, it was the first time Camelot was turned into an effectual fairytale, and it really worked, adding a mythical quality that really strengthn'd it. The only negative slant i have on this plain, looking at both the film and London staging is how the cast is cirtainly a big weaker on some accounts in terms of performance. Richard Harris is absolutely brilliant as the kindly yet deeply troubled king torn apart by his wife and son. However, though perfectly acceptible, Meg Bussert is to me never really anything more. She is fair looking, and convincing enough, but you never really believe her Guinevere is worth tearing a kingdom apart over. Her voice is also a big operatic for me (though always note perfect) loosing any emotion in the more touching songs like 'before i gaze at you again'. Fiona Fullerton was definitely more suited in that sense. Muenz is also a little lacklustre in his portrayal of lancelot. Although the blind pride and arrogance is there, he really misses the charmming and charismatic side held by Franco Nero in the film, appearing a bit wooden in the emotional scenes. However, these, although a little upsetting, are only blemishes on this gleaming version which (also overlooking a completely OTT Merlin) displays the play in all the majesty and beauty once invisioned by Learner and Lowe.
Another compelling quality lies in how the play starts upbeat and very comic before stripping this slowly away until in the under three hours you spend watching it you get up thinking you've just witnessed a full blown arthurian tragedy.
Great Stuff, I believe its on DVD this month
I think its probably easyer and fairer to compare this to the Camelot experienced on stage in London and around the world a few months after filming (how it compares to the live experience) than to the film, which though also great was never going to be exactly the same as this rendition. On this account it comes out beautifully, it was the first time Camelot was turned into an effectual fairytale, and it really worked, adding a mythical quality that really strengthn'd it. The only negative slant i have on this plain, looking at both the film and London staging is how the cast is cirtainly a big weaker on some accounts in terms of performance. Richard Harris is absolutely brilliant as the kindly yet deeply troubled king torn apart by his wife and son. However, though perfectly acceptible, Meg Bussert is to me never really anything more. She is fair looking, and convincing enough, but you never really believe her Guinevere is worth tearing a kingdom apart over. Her voice is also a big operatic for me (though always note perfect) loosing any emotion in the more touching songs like 'before i gaze at you again'. Fiona Fullerton was definitely more suited in that sense. Muenz is also a little lacklustre in his portrayal of lancelot. Although the blind pride and arrogance is there, he really misses the charmming and charismatic side held by Franco Nero in the film, appearing a bit wooden in the emotional scenes. However, these, although a little upsetting, are only blemishes on this gleaming version which (also overlooking a completely OTT Merlin) displays the play in all the majesty and beauty once invisioned by Learner and Lowe.
Another compelling quality lies in how the play starts upbeat and very comic before stripping this slowly away until in the under three hours you spend watching it you get up thinking you've just witnessed a full blown arthurian tragedy.
Great Stuff, I believe its on DVD this month
10Boland
I love this Cable T.V. broadcast of "Camelot"! Richard Harris was outstanding and Meg Bussert was Beautiful! The singing far surpases the Original film version and the supporting cast is wonderful.Barry Ingam's Pellinore is a riot! Find this production if you can! Its not on Video yet!
I saw this version back when it first appeared on HBO and have never forgotten it. I hope they release it on DVD some day as I much prefer it to the earlier film version, which was much too dark and weighty. The added scenes enhance the continuity of the play, and the convoluted relationships of the story are much easier to grasp.
Ms. Bussert portrays a delightful Queen Guenevere. Her interpretation makes the role genuine and sympathetic as she matures from a naive romantic to a woman who is torn apart by her loyalty to Arthur and her passion for Lancelot.
My only regret is that I had not taped this 20 years ago.
Ms. Bussert portrays a delightful Queen Guenevere. Her interpretation makes the role genuine and sympathetic as she matures from a naive romantic to a woman who is torn apart by her loyalty to Arthur and her passion for Lancelot.
My only regret is that I had not taped this 20 years ago.
I am disappointed, when I like something, to immediately come upon a bad comment the first thing I read comments. I loved this version much better than the movie as the lady who did Guinevere really had a beautiful voice and was much lovelier than the screen version. Richard Harris was delightful and would have only been surpassed by Richard Burton, who originally did the play on Broadway. (Julie Andrews should have been in the movie) The man who did King Pellinore did a wonderful job and Merlin was also played well. I got a lot more enjoyment out of the play. Somehow it was like being in the theater. Since I never get to go to plays, this is a marvelous way to view them. I think that anyone who does not like musicals should never review them as it will always be with criticism. See it if you get a chance, although it is difficult to get a copy.
It's obvious that the previous reviewer doesn't like musicals (stated by him) and has never seen live theater. This is a video of live theater, not a movie version. It is an entirely different style of acting and Harris was one of the best stage actors of our time! Richard Harris does a lot of "song speak" instead of actual singing, but then again so did Rex Harrison in "My Fair Lady". It is not distracting and he does actually sing parts of songs. I think it's wonderful that HBO made it possible to see a stage revival of this great Lerner & Lowe musical for people who couldn't see it in New York. I did see a touring show in Detroit of "Camelot" with Richard Harris and loved it!! Fabulous actor who is missed.
Le saviez-vous
- AnecdotesFor this revival, Alan Jay Lerner used his screenplay for the 1967 film, rather than his original 1960 stage play. The screenplay includes two scenes not included in the original stage play. The flashback structure seen at the beginning, and the sequence in which Arthur encounters Merlin while in the forest, followed by Mordred persuading King Arthur to stay in the forest.
- Citations
Chorus: In that dawn, in that gloom, / More than love met its doom, / In the dying embers' gleam / Came the sundown of a dream.
- ConnexionsFeatured in Atop the Fourth Wall: The New Guardians #1 (2012)
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