NOTE IMDb
6,6/10
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MA NOTE
Ajouter une intrigue dans votre langueA conflict of interest between two high-kicking assassin sisters is complicated as they're pursued by the criminals who hired them and an equally high-kicking female cop.A conflict of interest between two high-kicking assassin sisters is complicated as they're pursued by the criminals who hired them and an equally high-kicking female cop.A conflict of interest between two high-kicking assassin sisters is complicated as they're pursued by the criminals who hired them and an equally high-kicking female cop.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Song Seung-heon
- Yen
- (as Song Seung Hun)
Ricardo Mamood-Vega
- Peter
- (as Ricmamood)
Henry Fong
- Dad
- (as Fong Ping)
Tats Lau
- Secret King
- (as Lau Yee Tat)
Avis à la une
"So Close" is a terribly unremarkable and uncharismatic title for a movie that should have been called, simply, "Sexy Action Chicks!". There's a lot of cool action and style, mostly to do with wire-aided martial arts and the three immensely appealing leading ladies, who were obviously having fun doing this. So if you like Asian action and kick-ass heroines, this is a must-see.
The premise with two girls being an action team, one a computer whiz and the other a field agent, is extremely similar to the comic book "Birds of Prey", which was also a short-lived (but abominably bad) TV series recently. Being martial arts assassins, the characters can also be compared with other comic book action chicks like Elektra or Lady Shiva, or, for that matter, Danger Girl. This movie seems very comics inspired.
Unfortunately, there is also some bad news: the story is pretty awful. In fact, you hardly notice it. The film-makers almost appear to have forgotten about it. Once again Asian producers do not realize the importance of having a proper plot. This is formulaic assassin/police/revenge clichés ad nauseam, with nothing even remotely original or surprising. One of the girls has a crush on the female police officer, and while that's sure-fire fodder for male fantasies, it's also gratuitously voyeuristic. Oh well, peace be with that - I admit I enjoyed it! Also, this was the first time I saw Karen Mok (outside of cameos), and she made a great impression. She's not drop-dead gorgeous, but she makes what she has go a long way! And she's a very sympathetic kind of person.
The CG effects were a little grating, esp. all the smashing glass. You'd think it would have been cheaper to just use real glass - but I guess they didn't wanna clean up afterward! Some of the other effects, like the elevators and many of the shots of the office building, were very well made.
I would have liked to rate this movie very highly, but at the end of the day it doesn't have much substance. It does however have beautiful women, some cool fight scenes, and great style. The entertainment value is definitely not bad, but I can't rate it higher than a 7 out of 10.
(Edit: Actually, yes I can! In hindsight I think it has enough intriguing elements, also story-wise, to warrant an 8 rating, and that is what I have now revised my rating to.)
The premise with two girls being an action team, one a computer whiz and the other a field agent, is extremely similar to the comic book "Birds of Prey", which was also a short-lived (but abominably bad) TV series recently. Being martial arts assassins, the characters can also be compared with other comic book action chicks like Elektra or Lady Shiva, or, for that matter, Danger Girl. This movie seems very comics inspired.
Unfortunately, there is also some bad news: the story is pretty awful. In fact, you hardly notice it. The film-makers almost appear to have forgotten about it. Once again Asian producers do not realize the importance of having a proper plot. This is formulaic assassin/police/revenge clichés ad nauseam, with nothing even remotely original or surprising. One of the girls has a crush on the female police officer, and while that's sure-fire fodder for male fantasies, it's also gratuitously voyeuristic. Oh well, peace be with that - I admit I enjoyed it! Also, this was the first time I saw Karen Mok (outside of cameos), and she made a great impression. She's not drop-dead gorgeous, but she makes what she has go a long way! And she's a very sympathetic kind of person.
The CG effects were a little grating, esp. all the smashing glass. You'd think it would have been cheaper to just use real glass - but I guess they didn't wanna clean up afterward! Some of the other effects, like the elevators and many of the shots of the office building, were very well made.
I would have liked to rate this movie very highly, but at the end of the day it doesn't have much substance. It does however have beautiful women, some cool fight scenes, and great style. The entertainment value is definitely not bad, but I can't rate it higher than a 7 out of 10.
(Edit: Actually, yes I can! In hindsight I think it has enough intriguing elements, also story-wise, to warrant an 8 rating, and that is what I have now revised my rating to.)
This movie demonstrates Hong Kong movie making at it's best. Martial arts, CG work and an engaging story. The fights scenes are flashy without being overdone and the quieter parts of the movie are not too long winded. The performances of the three leading ladies are well balanced however the supporting cast let the side down a little. All in all a good movie that demonstrates Hong Kong directors and producers ability to take the Hollywood recipe and re-mix it. How many Hollywood directors would put the Carpenter's song "Close to you" over a gun battle? Definitely one for the collection if only for the fight scenes, but watchable for the story as well.
Despite the fact that this is a super-slick action thriller with guns, swords, cars and martial arts, So Close is a refreshing and unusual movie. It's NICE, to put it simply. Lovely girls, dressed in white much of the time, hanging around their picturesque house messing around and eating cakes and having baths. Despite all the asses they kick, they actually behave like young women and not ultra-agressive 'I-want-to-be-a-man' type female heroes, like Xena or Sarah Connor.
The action is sleek and graceful - feminine. It's also rather slow and lo-key compared to most films of this nature. The real action doesn't come until the climax, but when it does, director Corey Yuen pulls out all the stops, climaxing in a two-against-one sword fight that ranks alongside that of The Phantom Menace.
Despite how it's advertised, So Close is not a skinflick. The women are certainly not sex objects. They are sexy, but in a wholesome way. It's their natural beauty rather than their sex appeal that is most noticable.
So Close is a great movie, and should entertain any mainstream audience regardless of their farmiliarity of Asian films.
The action is sleek and graceful - feminine. It's also rather slow and lo-key compared to most films of this nature. The real action doesn't come until the climax, but when it does, director Corey Yuen pulls out all the stops, climaxing in a two-against-one sword fight that ranks alongside that of The Phantom Menace.
Despite how it's advertised, So Close is not a skinflick. The women are certainly not sex objects. They are sexy, but in a wholesome way. It's their natural beauty rather than their sex appeal that is most noticable.
So Close is a great movie, and should entertain any mainstream audience regardless of their farmiliarity of Asian films.
SO CLOSE (2002) is a high-tech action adventure from Hong Kong that revives the girls-guns-and-kung fu genre that once attracted fans to HK cinema from all over the world. This one is an update by director Corey Yuen of exactly the kind of films he used to make back in the day like YES, MADAM! (1985), with Michelle Yeoh and Cynthia Rothrock, RIGHTING WRONGS (1986), with Rothrock, and SHE SHOOTS STRAIGHT (1990), with Joyce Godenzi and Carina Lau.
SO CLOSE is a little more pumped-up, with more beautiful female stars, more CGI and wire work, and a high tech veneer that permeates every aspect of the characters' lives. There are three main characters--all female and all played by top Hong Kong stars--Shu Qi (THE TRANSPORTER), Vicki Zhao Wei (SHAOLIN SOCCER), Karen Mok (BLACK MASK). The first two are absolutely stunning while Karen Mok opts for a no-nonsense, scrubbed-down, ready-for-action policewoman look--which is still damned attractive. The women get a lot to do here and are seen frequently in close-up. What more can fans of these actresses ask? Well, there is more. They also create strong, confident, vulnerable, emotionally-charged characters who interact a lot with each other. Shu Qi and Vicki play sisters, Lin and Sue, who hire out as a high-tech hit team to go after high-profile corporate criminal types. Karen plays the policewoman who takes it upon herself to go after the sisters, but also bonds with them and even offers a significant helping hand at one point.
That's pretty much all the plot you need to know, although there are plenty of subplots, including a burgeoning romance between Lin and a young man she once knew who's come back into her life. There are abundant flashbacks, achieved largely through digital video home movies, showing the two sisters as young girls playing with their parents, whose brutal murders (also seen in flashback) were engineered to steal the father's invention of World Panorama, a surveillance system with unlimited capacity. These murders propel the girls into their lives of crime--and vengeance.
The high-tech aspects are particularly clever and imaginative. The sisters each carry a watch that can pretty much do everything (cell phone, surveillance camera, computer, detonator, etc.). At one point Sue is in a car chase through the streets of Hong Kong and dials Lin on her headset for help. Lin uses a surveillance satellite to track Sue and keep her away from the pursuing police cars, all while she herself is using two automatic pistols to ward off a raid on her house by a team of assassins. Later, during the final raid, the two opposing sides use different tricks to fool the other side with manipulated surveillance camera coverage.
Do the action scenes deliver? Yes, they do. Granted, the actresses are not fighters and have to rely on stunt doubles, quick cuts and wire work, but they pull it off (certainly better than the girls in the CHARLIE'S ANGELS films do). Is the action far-fetched? Yes, but it will have you smiling and cheering, not groaning. These girls are the good guys and you care about them and want them to triumph.
Kung fu fans will welcome the presence of Yasuaki Kurata as one of the villains. This Japanese star has been in Hong Kong films for over 30 years (including HEROES OF THE EAST and FIST OF LEGEND) and he's still going strong.
The film is best appreciated in its Mandarin-language version, in which you get to hear Shu Qi and Vicki speaking in sync-sound in their own voices, although if you've got the HK import DVD with both language tracks, you can toggle back to the Cantonese track for Karen Mok's scenes, so you can hear her speak in her own voice.
SO CLOSE is a little more pumped-up, with more beautiful female stars, more CGI and wire work, and a high tech veneer that permeates every aspect of the characters' lives. There are three main characters--all female and all played by top Hong Kong stars--Shu Qi (THE TRANSPORTER), Vicki Zhao Wei (SHAOLIN SOCCER), Karen Mok (BLACK MASK). The first two are absolutely stunning while Karen Mok opts for a no-nonsense, scrubbed-down, ready-for-action policewoman look--which is still damned attractive. The women get a lot to do here and are seen frequently in close-up. What more can fans of these actresses ask? Well, there is more. They also create strong, confident, vulnerable, emotionally-charged characters who interact a lot with each other. Shu Qi and Vicki play sisters, Lin and Sue, who hire out as a high-tech hit team to go after high-profile corporate criminal types. Karen plays the policewoman who takes it upon herself to go after the sisters, but also bonds with them and even offers a significant helping hand at one point.
That's pretty much all the plot you need to know, although there are plenty of subplots, including a burgeoning romance between Lin and a young man she once knew who's come back into her life. There are abundant flashbacks, achieved largely through digital video home movies, showing the two sisters as young girls playing with their parents, whose brutal murders (also seen in flashback) were engineered to steal the father's invention of World Panorama, a surveillance system with unlimited capacity. These murders propel the girls into their lives of crime--and vengeance.
The high-tech aspects are particularly clever and imaginative. The sisters each carry a watch that can pretty much do everything (cell phone, surveillance camera, computer, detonator, etc.). At one point Sue is in a car chase through the streets of Hong Kong and dials Lin on her headset for help. Lin uses a surveillance satellite to track Sue and keep her away from the pursuing police cars, all while she herself is using two automatic pistols to ward off a raid on her house by a team of assassins. Later, during the final raid, the two opposing sides use different tricks to fool the other side with manipulated surveillance camera coverage.
Do the action scenes deliver? Yes, they do. Granted, the actresses are not fighters and have to rely on stunt doubles, quick cuts and wire work, but they pull it off (certainly better than the girls in the CHARLIE'S ANGELS films do). Is the action far-fetched? Yes, but it will have you smiling and cheering, not groaning. These girls are the good guys and you care about them and want them to triumph.
Kung fu fans will welcome the presence of Yasuaki Kurata as one of the villains. This Japanese star has been in Hong Kong films for over 30 years (including HEROES OF THE EAST and FIST OF LEGEND) and he's still going strong.
The film is best appreciated in its Mandarin-language version, in which you get to hear Shu Qi and Vicki speaking in sync-sound in their own voices, although if you've got the HK import DVD with both language tracks, you can toggle back to the Cantonese track for Karen Mok's scenes, so you can hear her speak in her own voice.
Let's talk about prerequisities first.
If you hate American action flicks, if you don't revel in nerve-wrecking psycho-dramas too badly, if you can appreciate style over substance and if you're into asian cinematography, pick So Close.
Rest assured there's plenty of nonsense in this movie, even cliches from time to time, but there's not enough of it to prevent you from enjoying it. Really, even acting was fine with me. Action is exquisite, girls are lovely, effects are cool, plot is trivialized but sufficient I guess. It was meant to be easy and fun and you know what? It's easy and fun alright.
8/10
If you hate American action flicks, if you don't revel in nerve-wrecking psycho-dramas too badly, if you can appreciate style over substance and if you're into asian cinematography, pick So Close.
Rest assured there's plenty of nonsense in this movie, even cliches from time to time, but there's not enough of it to prevent you from enjoying it. Really, even acting was fine with me. Action is exquisite, girls are lovely, effects are cool, plot is trivialized but sufficient I guess. It was meant to be easy and fun and you know what? It's easy and fun alright.
8/10
Le saviez-vous
- GaffesHong is accused of having concrete evidence supporting her apparent murder of Lynn - yet she had a solid alibi chasing Sue with other cops. The evidence is obviously barely circumstantial - a strand of hair and a necklace planted at the scene. Forensics would have picked this up and Hong's fellow officers would have confirmed her alibi. There was absolutely no reason to believe that Hong killed Lynn.
- Citations
Hong Yat Hong: [subtitled version] A gun is like a bird. If you don't grab it tightly enough, it flies away. If you grab it too tightly, it will die.
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- How long is So Close?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Gác Kiếm
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 76 584 $US
- Week-end de sortie aux États-Unis et au Canada
- 31 702 $US
- 14 sept. 2003
- Montant brut mondial
- 810 243 $US
- Durée1 heure 51 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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