Coincés dans un motel abandonné du Nevada pendant une tempête, dix inconnus font connaissance et se rendent compte qu'ils sont tués un à un.Coincés dans un motel abandonné du Nevada pendant une tempête, dix inconnus font connaissance et se rendent compte qu'ils sont tués un à un.Coincés dans un motel abandonné du Nevada pendant une tempête, dix inconnus font connaissance et se rendent compte qu'ils sont tués un à un.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 11 nominations au total
Rebecca De Mornay
- Caroline Suzanne
- (as Rebecca DeMornay)
Avis à la une
A+
Every so often I like to go into films knowing very little about them. It's gratifying not hearing any news stories, or Internet rumors, or early reviews before you see a film because you can genuinely feel surprised by every passing minute of it. In the case of Identity, I only saw a trailer for it once in theatres and I saw various TV spots before its release, but other than that I knew nothing about the core of the story. I went in with no preconceived notions or opinions. For a change I was being a submissive film viewer.
After the credits rolled (by the way I rarely stay until the end of the credits) I was so amazed and surprised by the film that I had just experienced. Identity is a highly original, beautifully constructed, and a mildly scary film that will (excuse my language) do a serious mind f*** on your brain.
The less you know about Identity's plot, the better. This is the kind of film you need to go into knowing very little about. There are a few twists, plenty of scares, and also a very surprising ending that will have some people disappointed, or praising its creativity. I'm definitely in the latter on this one.
Identity is also a masterpiece of atmosphere. Something that I think is the most important aspect of any movie in this genre. Whether it's Halloween, setting the scene for small town horror, or The Ring, drenching us in very dark and Gothic scenery, atmosphere is what makes or breaks a horror film. Thankfully Identity succeeds by creating an atmosphere that is truly frightening and visually impressive. The motel is a perfect setting for the proceedings that take place throughout the night.
A nice ensemble cast rounds out Identity's many incredible attributes. John Cusack gives a very good performance as Ed. Cusack has always been good at playing the 'everyday normal guy' and he uses this to great effect here. It's a layered performance that offers some surprises throughout the picture.
The other high profile performer is the always-reliable Ray Liotta as Rhodes. Liotta never seems to disappoint whenever he's performing, even in sub-par material. He's just as good as he usually is in this picture and he uses his sometimes-abrasive personality to its utmost potential.
Amanda Peet gives her best performance to date as Paris. She has some nice moments where she's allowed sprinkle some comic relief throughout an otherwise dreary picture. However, when she's required to exhibit real fear, she is more than capable. She also shares some good scenes with Cusack during a few key moments in the film.
Clea Duvall and William Lee Scott supply some youth and tenacity as Ginny and Lou. Duvall probably has the role typically called the 'scream queen role' in most horror films and she does well with what she's given. There were times that I could genuinely feel her fear. Scott is given less to do as Lou but he does have some good scenes with Duvall that requires a decent amount of emotion.
John Hawkes and John C. McGinley are also adequate in supporting roles. Hawkes is given a fair share of the comedic lines and for the most part he plays the part well. McGinley fairs better as the husband who must tend for his injured wife and social inadequate stepson. If I felt sympathy for anyone the most, it was his character.
Rebecca Demornay is given very little to do as the failed movie actress but there are some funny jokes made at her expense as one character asks her 'didn't you used to be that actress?' This is some clever commentary on Demornay's obviously fledgling career. The same can be said for Jake Busey as the convict, who is given little to do and seems out of place when paired with the more talented actors in the picture.
What's important is the work these actors do when they're all together. This is very much an ensemble and they play off each other's fear. Their reactions to these situations make the picture all the more frightening.
On the other end of the story, Alfred Molina brings a bit of substance to his role, despite have limited screen time as the psychiatrist and Pruitt Taylor Vance will shock, amaze, and terrify you as the murderer waiting for his execution. Vance's portrayal is very frightening, and an ultimately brilliant performance. Given the limited screen time he does a lot with the role.
Identity is filled with secrets, surprises, and scares that will have moviegoers talking for quite some time. Much like The Ring it has the potential to have some word of mouth appeal. However, don't listen too much to what people have to say about it because it's best to experience this modern masterpiece of fear, knowing very little about it. I guarantee you will be surprised.
Every so often I like to go into films knowing very little about them. It's gratifying not hearing any news stories, or Internet rumors, or early reviews before you see a film because you can genuinely feel surprised by every passing minute of it. In the case of Identity, I only saw a trailer for it once in theatres and I saw various TV spots before its release, but other than that I knew nothing about the core of the story. I went in with no preconceived notions or opinions. For a change I was being a submissive film viewer.
After the credits rolled (by the way I rarely stay until the end of the credits) I was so amazed and surprised by the film that I had just experienced. Identity is a highly original, beautifully constructed, and a mildly scary film that will (excuse my language) do a serious mind f*** on your brain.
The less you know about Identity's plot, the better. This is the kind of film you need to go into knowing very little about. There are a few twists, plenty of scares, and also a very surprising ending that will have some people disappointed, or praising its creativity. I'm definitely in the latter on this one.
Identity is also a masterpiece of atmosphere. Something that I think is the most important aspect of any movie in this genre. Whether it's Halloween, setting the scene for small town horror, or The Ring, drenching us in very dark and Gothic scenery, atmosphere is what makes or breaks a horror film. Thankfully Identity succeeds by creating an atmosphere that is truly frightening and visually impressive. The motel is a perfect setting for the proceedings that take place throughout the night.
A nice ensemble cast rounds out Identity's many incredible attributes. John Cusack gives a very good performance as Ed. Cusack has always been good at playing the 'everyday normal guy' and he uses this to great effect here. It's a layered performance that offers some surprises throughout the picture.
The other high profile performer is the always-reliable Ray Liotta as Rhodes. Liotta never seems to disappoint whenever he's performing, even in sub-par material. He's just as good as he usually is in this picture and he uses his sometimes-abrasive personality to its utmost potential.
Amanda Peet gives her best performance to date as Paris. She has some nice moments where she's allowed sprinkle some comic relief throughout an otherwise dreary picture. However, when she's required to exhibit real fear, she is more than capable. She also shares some good scenes with Cusack during a few key moments in the film.
Clea Duvall and William Lee Scott supply some youth and tenacity as Ginny and Lou. Duvall probably has the role typically called the 'scream queen role' in most horror films and she does well with what she's given. There were times that I could genuinely feel her fear. Scott is given less to do as Lou but he does have some good scenes with Duvall that requires a decent amount of emotion.
John Hawkes and John C. McGinley are also adequate in supporting roles. Hawkes is given a fair share of the comedic lines and for the most part he plays the part well. McGinley fairs better as the husband who must tend for his injured wife and social inadequate stepson. If I felt sympathy for anyone the most, it was his character.
Rebecca Demornay is given very little to do as the failed movie actress but there are some funny jokes made at her expense as one character asks her 'didn't you used to be that actress?' This is some clever commentary on Demornay's obviously fledgling career. The same can be said for Jake Busey as the convict, who is given little to do and seems out of place when paired with the more talented actors in the picture.
What's important is the work these actors do when they're all together. This is very much an ensemble and they play off each other's fear. Their reactions to these situations make the picture all the more frightening.
On the other end of the story, Alfred Molina brings a bit of substance to his role, despite have limited screen time as the psychiatrist and Pruitt Taylor Vance will shock, amaze, and terrify you as the murderer waiting for his execution. Vance's portrayal is very frightening, and an ultimately brilliant performance. Given the limited screen time he does a lot with the role.
Identity is filled with secrets, surprises, and scares that will have moviegoers talking for quite some time. Much like The Ring it has the potential to have some word of mouth appeal. However, don't listen too much to what people have to say about it because it's best to experience this modern masterpiece of fear, knowing very little about it. I guarantee you will be surprised.
The movie centers a motley group who are looking for shelter in a deserted motel , being caught up in a severe rainstorm and stuck at the strange place , located in the desolate Nevada. They are strangers from all different walks of life : a limousine driver escorting a tarnished television star, parents with a young son whose marriage is broken , a policeman transporting a dangerous convict, a gorgeous call girl, a pair of young newlyweds, and a nervous motel manager are shut themselves up during a rainy night . But , the hosts have been murdered one by one . Who's the killer ?.
The film is a fascinating whodunit, we have got really intrigued from start to finish . The storyline has a twisted plot and the final has an extraordinary surprise.
The flick is inspired by Agatha Christie's classic novel : ¨Ten little indians¨ that has several cinematic adaptations.
In the movie there is suspense , thriller, noisy action , emotion and a little bit gore when the assassinations happen.
All the cast is nice, but interpretations from Rebecca Mornay and Pruitt Taylor Vince are specially riveting . Alan Silvestri musical score and Papamichael cinematography are atmospheric and adequate. It was shot on a huge sound stage at Sony studios in Culver City . Decent direction by the notable filmmaker James Mangold (Logan, Walk the line , Kate and Leopold, Heavy).
Rating 7/10 , above average
The film is a fascinating whodunit, we have got really intrigued from start to finish . The storyline has a twisted plot and the final has an extraordinary surprise.
The flick is inspired by Agatha Christie's classic novel : ¨Ten little indians¨ that has several cinematic adaptations.
In the movie there is suspense , thriller, noisy action , emotion and a little bit gore when the assassinations happen.
All the cast is nice, but interpretations from Rebecca Mornay and Pruitt Taylor Vince are specially riveting . Alan Silvestri musical score and Papamichael cinematography are atmospheric and adequate. It was shot on a huge sound stage at Sony studios in Culver City . Decent direction by the notable filmmaker James Mangold (Logan, Walk the line , Kate and Leopold, Heavy).
Rating 7/10 , above average
To be honest I didnt want to watch this movie but it was my wifes turn to choose so I had no choice. After 20 minuites into the movie I was so glad it wasnt my turn to choose. This movie was absolutely fantastic. The Premise as you will read here on IMDB or on the back of the dvd in the shop/rental store seemed very lame to me but I was so wrong.
It starts off as a classic "Whodunnit" movie but then flips and twists on its head so many times your left astounded. I cannot imagine anyone who would not enjoy this movie, It keeps you on the edge of your seat from beginning to end and I loved every minuite of it. Throw in an all star cast (Cusack and Liotta are fantastic here) And you have one Hell of a movie.
10/10
You Have to watch this, Trust Me :)
It starts off as a classic "Whodunnit" movie but then flips and twists on its head so many times your left astounded. I cannot imagine anyone who would not enjoy this movie, It keeps you on the edge of your seat from beginning to end and I loved every minuite of it. Throw in an all star cast (Cusack and Liotta are fantastic here) And you have one Hell of a movie.
10/10
You Have to watch this, Trust Me :)
I want to start off by saying the postives.
Now for the negatives which ultimately makes this film not half as good as people say.
Summary: The first half was really interesting and really promising. All to be let down by a really crappy ending and 2nd half. There's too much lazy writing, typical and cheesy scenes that make this a lowsy 6/10 for me. Not the type of movie that deserves this much praise.
- the first half of the film is really interesting and good
- the characters and cast is amazing
- the realization of the characters true selves is ironicly good
- very interesting and dramatic scenes at least in the first half
- the whole plot idea is unique
Now for the negatives which ultimately makes this film not half as good as people say.
- the 2nd half of the film is really bad
- the ending is given away half way through and you know that everything your watching is fake leaving little imagination or suspense towards the end
- there is no twist and the plot seems to end way too quickly. Then there's 30 mins of the film where your just waiting for it to end because you already have expierenced the plot twist and its now anti climactic.
- the murders are hard to follow and are not very exciting at all
- there's way too many "convenient" scenes that is caused by crappy writing. Oh the blonde girl opens the door and can only see the shadow of the murderer so nobody still knows who the killer is, pathetic.
- too many random things happen that were not foreshadowed at all and is just more lazy writing. Why did the car blow up randomly without any foreshadowing whatsoever?
- the ending isn't a twist and is really anti climactic and cheesy. All suspense is lost and with the typical last scene just leaves no satisfaction for the viewer at all.
Summary: The first half was really interesting and really promising. All to be let down by a really crappy ending and 2nd half. There's too much lazy writing, typical and cheesy scenes that make this a lowsy 6/10 for me. Not the type of movie that deserves this much praise.
On a dark and stormy night 11 strangers have to take refuge in an isolated motel when a rainstorm turns into a monsoon. One by one they begin to be killed...but by who and for what reason?
The set-up is neat (if predictable) and there's a great opening showing how the actions of one of them (Amanda Peet) inadvertantly causes some serious damage for the others. There also is some great acting by Peet, John C. McGinley and Ray Liotta (who REALLY chews the scenery). There are also some moments that will make you jump and there are two neat twists at the end.
The only bad things about this movie is some clumsy exposition (John Cusack tells his whole life story while photographing a corpse), some truly bad lines and a surprisingly lousy performance by Cusack. What's happened to him? He looks worn-out and haggard in this film.
However, these are minor problems and the film is well worth seeing and keeps you guessing about what's going on till the last moment. Worth catching.
WARNING: This film is NOT for children!
The set-up is neat (if predictable) and there's a great opening showing how the actions of one of them (Amanda Peet) inadvertantly causes some serious damage for the others. There also is some great acting by Peet, John C. McGinley and Ray Liotta (who REALLY chews the scenery). There are also some moments that will make you jump and there are two neat twists at the end.
The only bad things about this movie is some clumsy exposition (John Cusack tells his whole life story while photographing a corpse), some truly bad lines and a surprisingly lousy performance by Cusack. What's happened to him? He looks worn-out and haggard in this film.
However, these are minor problems and the film is well worth seeing and keeps you guessing about what's going on till the last moment. Worth catching.
WARNING: This film is NOT for children!
Le saviez-vous
- Anecdotes"When I was going up the stairs / I met a man who wasn't there. / He wasn't there again today / I wish, I wish he'd go away." One character claims to have written this poem. It is really a poem titled 'Antigonish' by William Hughes Mearns. This poem was also turned into a popular song, giving it widespread attention.
- GaffesThe prisoner is described as carrying an "Axis IV Dissociative Disorder." In psychiatric diagnosis, psychiatric disorders fall under Axis I, personality disorders and mental retardation fall under Axis II, medical disorders fall under Axis III, a general summary of psychosocial stressors (eg. health problems, money problems, or family problems, and rated as None, Mild, Moderate, or Severe) fall under Axis IV, and the patient's Global Assessment of Function score (GAF: 0 to 100) falls under Axis V. Dissociative Disorder is an Axis I diagnosis.
- Citations
[first Lines]
Malcolm Rivers: As I was going up the stairs, I met a man who wasn't there. He wasn't there again today. I wish, I wish he'd go away.
- Crédits fousThe first few opening credits leave behind a letter to the word "IDENTITY" as they fade away.
- Versions alternativesThe Extended version is about 1 minute longer than the original Theatrical cut. The altered ending in the Extended cut is also slightly more violent.
- ConnexionsFeatured in Identity of a Thriller (2003)
- Bandes originalesWin Music Season 19
from "Wheel of Fortune"
Written and Performed by Steve Kaplan
Courtesy of Columbia TriStar Television, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Identidad
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 28 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 52 159 536 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 225 263 $US
- 27 avr. 2003
- Montant brut mondial
- 90 259 536 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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