Créance de sang

One of Eastwood's best and most underrated directorial efforts sees him as an ageing detective fitted with a new heart and haunted by his past. 'Blood Work (2002)' is sort of Eastwood's reflection on the genre that 'Dirty Harry (1972)' helped solidify, in the same way 'Unforgiven (1992)' was an interesting counterbalance to the 'Man With No Name' trilogy so seminal to the western. The picture is generally unglamorously gritty but occasionally slips into silliness and convention. The obvious yet nonsensical villainous reveal is ham-fisted and forced at best, being a wholly unnecessary addition to the book that comes across quite cheap. The flick withstands its few flaws thanks to how entertaining it is, with the fact that its hero feels as though he could keel over from a simple heart-attack any minute making it all the more exciting. 7/10

Retired FBI detective helps a young woman solve the murder of her sister--but he's got a personal motive: he himself received a heart transplant from the victim! Not a bad vehicle for Eastwood, convincingly raspy and worn, and still imposing when he has to be. Brian Helgeland's screenplay via Michael Connelly's novel is full of police clichés, and the denouement isn't terribly surprising, but Clint has become a reassuring presence on the screen: his shortcomings and realistic aches and pains make him wonderfully human. Supporting cast including Jeff Daniels and Angelica Huston is also good, making the best out of a routine, unmemorable script. **1/2 from ****

Clint Eastwood's direction sadly loses its way late in this otherwise suspenseful drama from the co-writer of "L.A. Confidential" (Brian Helgeland). Eastwood is a famous detective, but a massive heart attack just as he is about to catch a crazed serial killer forces him to an early retirement. Fast-forward a bit and Eastwood has received a new heart from a woman who has recently passed away. Slowly, but surely Eastwood's body is accepting the new organ and it appears that a healthy recovery is imminent. Things change though as a Hispanic woman (Wanda De Jesus) pays Eastwood a visit one day and explains that his new heart come from her younger sister, a woman who was killed in a convenient store. Quickly it becomes crystal clear that the killer in the store is in fact the same man who eluded Eastwood earlier. Now Eastwood is back one last time with a score to settle. Through Eastwood's journey he has to indulge a pesky neighbor (Jeff Daniels) who wants to assist in the case, dodge cops Paul Rodriguez and Dylan Walsh and convince doctor Anjelica Huston that he owes De Jesus his time and help. "Blood Work" does do well for the majority of its running time, but the punchline comes way too fast and the finale is unsatisfying to say the least. Eastwood is pretty good as usual and Daniels is excellent in a comical supporting turn. Everyone else though ends up struggling to keep their intensity up as the production progresses. The "Hardy Boys" routine and the unnecessary blossoming romance between Eastwood and De Jesus make "Blood Work" play more like a television movie of the week than a theatrical release. With all this said, "Blood Work" does do enough good things to keep the audience watching and intrigued---most of the time anyway. 4 stars out of 5.

Clintwood's 'Blood Work' may not be the best nor most stylish of its genre but it remains enjoyable for the most part mainly because of the cast. It's quite a simple film but I found the end revelation disappointing and the last half hour is a little too dramatic. During the entire first hour, Eastwood cleverly avoids excessive violence and gore and smoothly lets the tension build. Clintwood is supported by a brilliant cast that includes the fabulous Anjelica Huston, the elegant Wanda de Jesus, the charming Tina Lifford and the funny Jeff Daniels. The cast does well but Daniels's performance is ruined by the overdone last half hour. The film rests on Eastwood and it's great to see him play such a role at 71 and pull it off so well. The jazzy background score gives 'Blood Work' a classy touch. Thus, to sum it up, one can expect a simple but engaging whodunnit thriller which is ruined a bit by the ending but Eastwood and his cast prevent it from being a waste of time.

While it might not be the most stylish or fast paced manhunt thriller, Clint Eastwood's 'Blood Work' is still a very enjoyable piece of film. Stylish in its' own manner, this drama returns to the yesteryears of filmmaking and displays Eastwood's talent as an accomplished Director. Today's cinema heavily relies on nifty editing effects and fast paced dialogue to retain the interest of the impatient audience, yet Eastwood gives us a refreshing and simplistic tale revolving around the resolution of various dastardly murders.

Eastwood stars and directs in this manhunt thriller that still manages to retain the intriguing effect in a film in which the characters; not actions, drive the film. Based on the novel by Michael Connelly, Brian Helgeland (A Knight's Tale, Payback) transforms the novel into a great script. In this film, Eastwood plays the anti-Dirty Harry in typical Eastwood fashion as he is thrust back onto the case of a vicious serial killer two years after retirement.

As FBI Agent Terry McCaleb, he is forced off the case after suffering from a near fatal heart attack. Two years after, he is given a new heart and through a freak occurrence with the donor's heart, he is forced back onto the case allowing for an interesting cat and mouse chase.

Eastwood has his imprints all over the film as he sticks with Musical composer Lennie Niehaus for his film once again. Niehaus' sporadic and rare musical additions are usually jazz based and open the film in an elegant manner instead of the usual commercialist propaganda that is not needed when opening a film of this nature.

Instead, Eastwood treats us to a good old-fashioned hunt in which the mystery slowly unravels in front of the viewer allowing for only the clues to be deciphered. The plot is seemingly eerie and for some reason reminded me of Screenwriter Andrew Kevin Walker's work (Sleepy Hollow, Seven) for how deliciously evil and calculated the motives for the crimes are. As a true professional, Eastwood lays low on the violence and while there are only a handful of action scenes, the tension builds as the clues become available and the audience begins to piece the puzzle together.

The ingenious script calls for some sold acting and the casting is excellent as Eastwood calls upon Angelica Huston as his perseverant Doctor and Jeff Daniels who at first seems to be only present for comic relief but has a surprisingly more important and unexpected role. Wanda De Jesus and Tina Lifford are also excellent as they round out the important cast members who all play a giant role in the serial killer's meticulous and mischievous plot.

As aforementioned, while it might not elicit the suspense thrills one would find in the Eastwood - Wolfgang Petersen collaboration 'In the Line of Fire', the film still is a well-crafted and engineered film that calls for attention. Yet, one point of contention is a love relationship that happens in the film. True: Eastwood is a legend and could do whatever he wants with his films, but somehow seeing a man his age hook up with a younger woman under those circumstances seemed to yell out 'insanity'. Perhaps to others it fit the film, but in this particular context, it seemed trivial and contrived and can make many wonder if Eastwood simply puts those scenes in to make himself appear to be the epitome of masculinity. In any event, it was a treat to see a 'back-to-basics' thriller that pays off at the end and avoids the formulaic clichés usually attached to these projects.

Giancarlo's Rating: **1/2