Neverland

I don't know how good this movie is and I don't care because I loved it. It left me kind of numb. Moved, transported, enchanted. That's exactly how I want to feel when I get out of a movie. "Finding Neverland" gave it to me, in spades. Johnny Depp, hey Johnny you're the best we've got. I forgot that it was you two minutes into the movie, I only knew I loved that character. That in itself is part of the many miracles the movie has in store. Yours, is a performance of perfect beauty. Kate Winslet is quickly becoming my favourite actress. Julie Christie is, was and always will be my "Darling" but Freddie Highmore, you and your brothers gave me one the best evenings in a movie theatre I had in a long, long, time. My girlfriend just read my comment over my shoulder, her comment was very succinct: "You write like a woman" Okay, let's see if that's a good thing or a bad thing. Good night kids.

The real J.M. Barrie was influenced and inspired as a child in Scotland by the adventurous stories of Robert Louis Stevenson of pirates, Indians and kidnapped boys. As a young journalist in London in the peak years of the Gilded Age his vivid imagination took him from novels to stage-plays.

Barrie loved games and founded a cricket club with fellow writers Arthur Conan Doyle and P.G. Wodehouse. An old nugget describing his personality tells of his comments upon himself and others that often appeared in the newspapers. He once remarked to H.G. Wells, "It is all very well to be able to write books, but can you wiggle your ears?" It was in the very early years of the 20th Century, now 101 years ago and the same year that in the windy Outer Banks of North Carolina that the Wright Brothers took flight that Jamie Barrie's Peter Pan soared into the air on wires in the London stage.

Marc Forester's fascinating film biography adapted by David Magee from Allan Knee's play, "The Man Who Was Peter Pan," now comes to us in this delightful, moving account, 'Finding Neverland.' It presents historical reality between lushly imagined expeditions to a fictitious Neverland. It's performed impeccably by Johnny Depp as Sir James Mathew Barrie and an extraordinary cast under the able direction of Marc Forster.

This is the loveliest film of the year, highly recommended. Bring Kleenex for the final scenes and see how difficult it is to leave the theater and return to today.

Of course it takes liberties with the truth, not the first biographical drama to do that, but I cannot deny that Finding Neverland was very magical and affecting and was beautifully crafted not only in visuals but in acting too. Plus it made me believe in Peter Pan again, and that is a wonderful feeling as Peter Pan is one of my all-time favourite stories. The cinematography, costumes, locations and scenery are absolutely stunning, and the score gives the film its magical feeling. The script had its deft touches, the story had a perfect balance of the humorous and the tragic, and director Marc Forster deserves credit for making even those mundane events into something somewhat enchanting. The acting is wonderful too- Johnny Depp is nothing short of magnificent as JM Barrie as he alternates between being playful and sensitive, it was his sensitive side especially that made his performance so good. Kate Winslet is very tender as Sylvia and Dustin Hoffmann impresses in a smaller role. Even the kids were good, especially Freddie Highmore who offers a wonderful portrayal as the serious-minded Peter. In conclusion, beautiful film, very affecting when it needed to be and quite magical to say the least. 10/10 Bethany Cox

Johnny Depp takes us by the hand and in the gentlest most reassuring way leads into the heart, soul and mind of an artist. How easy is for the world to judge. How frightened we still are of all we don't understand. The very nature of innocence is suspect because innocence belongs exclusively to the innocent. Every time the world claims to protect it, tends to destroy it. "Finding Nerverland" is filled with moments of enlightenment. Moving and powerful moments but none more so than Julie Christie's face as she applauds, converted to the fantasy transported into her daughter's house. The moment and the enlightenment are short lived, but, somehow, remains in my mind as a glimmer of hope. If for a moment she accepts the mystery of it all, maybe we all could. Johnny Depp is the best American actor of his generation, period. Kate Winslet is a stunning rarity among her contemporaries. She doesn't look like anybody else and the camera catches every tiny little thought that crosses her marvelous face. Congratulations Mr. Forster you can count on me from this moment on as a devoted fan.

Every holiday season Harvey Weinstein and Miramax talk up one of their properties, fully expecting everyone to bow and throw awards at it as soon as it's released. This year it's Finding Neverland, which has produced a lot of buzz in favor of Johnny Depp's sophisticated performance. Although the film deserves all the praise it gets, it is understandable that moviegoers are a little weary with another dramatic period piece, with another "oscar caliber" cast, about yet another take on Peter Pan.

The bottom line is, this movie is phenomenal. Exploring the major theme of Barrie's play (that of a boy who never grows up), Finding Neverland refrains from condemning grown-ups, but exalts the wild magic one can enjoy as a kid. For James, who had to deal with his family's reticence upon the death of his brother, the real tragedy occurs when a child is forced to grow up too fast.

My favorite idea from this film is this: life finds a way to put into our lives the people we're supposed to be living our lives with. James and Sylvia needed each other, and they needed each other at that particular time. Life took care of them.

The film does indeed move at a snail's pace. Consider that part of the set design. Just as the characters go about 1905 London in top hats and buttoned-down gowns, so does the movie develop in a manner which would have been fitting for a time which preceded MTV-generation attention spans by about a hundred years.

As for the acting, it is wonderful. Depp is understated and gallant, Kate Winslet is lovely and tragic, and they're both better than I've ever seen them. Julie Christie is brutally ominous as the matriarch who can gum up everyone's happiness. Dustin Hoffman, although out of place, brings a dry wit as a risk-taking businessman. The boys playing the Davis kids are a lot of fun to watch and play their dramatic parts perfectly.

If you want something where all the pieces of the magic puzzle that is movie-making come together with grace, charm, and humanity, you won't find a more rewarding film than this.