Leo

The movie itself is a kind of southern Gothic drama with a very distinct cinematographic approach. The storyline is made up of two subtly intertwining narrative layers that make the movie as a whole hard to grasp at the first look, but thoroughly convincing as an independent character study at last. Very complex material in terms of plot and narrative style, very gloomy and depressing in terms of character portrayal and very distinct in terms of pace and cinematography. A convincing and experienced cast round off the movie's basic quality. The complexity and the unusual style might make it hard to digest for the masses, but it is a real gem for people who like to look beyond the surface and dive into the mind of the protagonist.

Why had I never heard of this movie until I saw it sitting on the video store shelf? I hadn't seen Elisabeth Shue in anything really good lately, and I hadn't seen Joseph Fiennes in anything since Shakespeare In Love, so I didn't have high hopes for this movie. But I'd have to say it's one of the best I've seen in a long time.

This is one of those movies in which different story lines converge into one towards the end of the film. Fiennes is a recently released convict, having served 15 years for murder. Shue portrays a lonely wife and, later, a seemingly heartless mother. While both actors are great in this movie, Shue in particular is shocking (in a good way). Shue is unfailingly likable, whether playing a babysitter or a hooker, so seeing her as Mommy Dearest is both unsettling and refreshing. Having been in the industry for nearly 2 decades when this movie was released, it's exciting to see the (still gorgeous) actress making yet another Leaving Las Vegas-style breakthrough.

I don't want to give away any important plot points, so suffice it to say that this movie left me with the same disturbed, depressed, yet greatly moved feeling that I get from movies like American Beauty. Don't let the fact that most people have never heard of it keep you from picking it up during your next trip to the video store.

Writing gives you the ability to create worlds and examine your own life more effectively. Could writing be the perfect ticket to self-understanding? That may sound contrived, but it may just not be.

Leopold Bloom is a young gifted writer, but his mother believes he is the product of an affair. For this she resents him. Stephen on the other hand, is an ex-convict. He's quiet and controlled, as is Leopold. In a class, Leopold is asked to write a letter for an exercise. He writes this letter to a convict, where it is received by Stephen. They exchange letters, and become each others only friends.

The ending is cliched, but with the rest of this highly original behind it, there was no other way.

You'll be surprised by how moving this becomes towards the end after remaining quite sterile for most of its runtime.

I try not to have great hopes for movies, however I was pleasantly surprised.

I was afraid that it was going to dark, but instead it offers a very strong main character. Not like a action bondy type, but a rare inquisitive thoughtful man. There are some dark elements to it where people are just cruel.

The story time line is not linear, and I was impressed at how well the whole thing ended. Its not really a feel- good type, definitely was a cure for the common movie. While not being perfect, I really enjoyed it.

A quiet man who's a gifted writer (Joseph Fiennes) gets out of prison in Mississippi and immediately starts writing in his motel room while working at a nearby restaurant where he has to deal with the local loudmouth (Dennis Hopper). Meanwhile a woman struggles with her moral failings as she lives in an antebellum mansion (Elisabeth Shue). Sam Shepard, Justin Chambers, Deborah Kara Unger and Mary Stuart Masterson are also on hand.

"Leo" (2002) is Southern Gothic that mixes elements of "Sling Blade" (1996), "Blue Velvet" (1986) and "Two Moon Junction" (1988) with a little "Forrest Gump" (1994). While nowhere near the entertainment level of "Forrest," it's arguably on par with the others. It was Mehdi Norowzian's only feature-length film and his (currently) last one, which is a shame because it certainly shows that he knows how to make an aesthetically appealing motion picture.

If you appreciate those movies, give it a try. I value it for its artistic style and the quality cast, but the storytelling could've been more compelling and less ambiguous on certain points. I'll have to view it again soon to try to figure out those muddy aspects. I'd say more, but I don't want to give anything away.

The film runs 1 hour, 43 minutes, and was shot in Oxford, Mississippi, and Charleston, South Carolina.

GRADE: B-