Interview with the Assassin

Not knowing what to expect, I recorded this on broadcast TV and was riveted from the opening scene. I usually like movies about ordinary people in extraordinary circumstances, and this was a great example.

The sense of place and tension was gripping, even with no soundtrack. The very lack of music added to the stark feel. A subtle scene involving video surveillance was especially chilling. It makes other movies seem overproduced and fake. They should use this technique in a lot more films. No need to involve a cameraman's angle; just have everyone talk and act naturally. Most movie dialog is too slick.

It's hard to imagine anyone else in the role of the shooter, laconically yet frighteningly played by Raymond J. Barry. He's one of those actors you know you've seen before but can't quite place. I'm going to check out his other movies to see if he pulls off that same quality.

Without giving away the ending, I don't think they could have done it any better. IWTA isn't as overtly scary as a more famous pseudo-documentary about a witch, but I put the two films in a similar category. You have to wonder if this was inspired by the BWP concept. It's excellent either way. I'll have to watch it again to catch anything they cut on TV.

A good mockumentry is a hard thing to pull off. To make something fake not only seem believable through the characters and the acting, but also through the plot while at the same time making it interesting, is a hard thing to do.

Interview With the Assign, although clearly distinguishable as a mockumentry as apposed to a documentary from the very beginning, accomplishes this. The interesting characters woven into the easy to follow plot line, make for an exciting watch.

The audience immediately feels some kind of affinity with Kobeleski, being a normal kind of guy looking for work, and at the same time immediately become intrigued by the Ex-Marine apparent third gun man, Walter Ohlinger.

These two characters and their relationship hold together an otherwise shaky plot line, and we slowly follow Ron and Walter as they re-trace Walters steps more than 30 years after the shooting of JFK.

This, although quite obviously a mockumentry, (It must hard to try and convince people it's real when it's not released in theatres. One can simply read the back of the DVD to see who 'stared' in it), is worth a watch!

It's interesting and If nothing else it will get you thinking about one of the most puzzling crimes of the 20th century.

Walter is 62 and has terminal cancer. He has a confession to make before he dies, and he chooses cameraman Ron to tell his story to. Apparently Walter fired the shot that killed John Kennedy.

Ron and Walter visit Dallas to see where the event happen, and later they go in search of the truth ... but someone doesn't want them to know what really happened. Toward the end, things get interesting but ridiculous.

Raymond Barry was very convincing, very natural as Walter. Most of the characters in the movie seemed like real people. The jerky, almost amateurish camera work made this seem like a real documentary. Nearly all of the film was told from the point of view of one of Ron's cameras, including security cameras at his house. It was a very low-frills production, with almost no music except for radios and background music playing in buildings.

I'm no expert, but this seems like the sort of film that wins awards or at least gets nominated. If it had been a real documentary, it probably would have.

Blair Witch Project meets Oliver Stone's JFK and puts both to shame. Nasty, brutish, and short (85 minutes) and true to life in every other way too. Highly sophisticated and intelligent, it cuts right to our most primal fears while presenting itself in a deceptively primitive fashion. Explores the shadows in our recent history and national psyche with acute, paranoiac vision.

Why aren't there more comments and viewers for this disturbing little gem? The best conspiracy movie(JFK, PI or otherwise) in may a year hits all the right notes technically and plot wise. Filmmed digitally (SONY PD-150) with such skill that you'll be checking your TV/DVD resolution in the first five minutes, the filmmakers use every advantage and disadvatage of the digital format to their benefit. The camera work begins static, rigid local TV news style then slowly takes on a subtle impressionistic style that blurs the line between docudrama and fiction. Viewers not interested in film as a meta-(self referential) text need not apply. After starting with the formal aspects of the JFK mystery, camera angles, do pictures lie, tampered

evidence and conflicting witnesses the film then seems to turn on the viewer so that we are put in the position of one of those unlucky witnesses who were

bribed, intimidated, bullied, framed or killed for seeing just a little too much. The performances are uniformly great, starting with the ballistics man who plays his part so straight I had to mentally check and remind myself this wasn't a

documentary. The ex-wife was brilliant. All the actors were just realistic to the point of surrealism. I'm now babbling, SEE THIS MOVIE