L'histoire de l'assassinat du sénateur américain Robert F. Kennedy qui a été tué par balle tôt le matin du 5 juin 1968 à l'Hotel Ambassadeur de Los Angeles, et 22 personnes présentes dans ce... Tout lireL'histoire de l'assassinat du sénateur américain Robert F. Kennedy qui a été tué par balle tôt le matin du 5 juin 1968 à l'Hotel Ambassadeur de Los Angeles, et 22 personnes présentes dans cet hôtel, dont les vies ne seront plus jamais les mêmes.L'histoire de l'assassinat du sénateur américain Robert F. Kennedy qui a été tué par balle tôt le matin du 5 juin 1968 à l'Hotel Ambassadeur de Los Angeles, et 22 personnes présentes dans cet hôtel, dont les vies ne seront plus jamais les mêmes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 25 nominations au total
Avis à la une
The sixties saw the assassination of John, Martin Malcolm and Bobby. As one of the actors says in the film "Bobby our last chance". We can only imagine what a different world we might have had had they lived.
When it premiered at the Venice Film Festival (http://www.labiennale.org/en/cinema/ ) it received a seven minute standing ovation. The film's tagline is He saw wrong and tried to right it. He saw suffering and tried to heal it. He saw war and tried to stop it.
There are some icons of that time and one is the election poster of Robert F Kennedy from 1968 (http://www.rfkmemorial.org/ ).
Bobby is written and directed surprisingly by Emilio Estevez and features an amazing cast of stars. It is a fictional account of the lives of several people affected by and during the final hours of Senator Robert F Kennedy's life on the 6th of June 1968 as he attempted to become the Democratic candidate for President of the US. The film includes Anthony Hopkins playing the former doorman at the hotel where Kennedy was killed; other stars include Elijah Wood, Demi Moore, Sharon Stone, Christian Slater, Heleb Hunt, Harry Belafonte and my favourite TV President, President Bartlet (Martin Sheen).
"Our gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worth while. And it can tell us everything about America except why we are proud that we are Americans." 1967 RFK For a generation it was Bobby who represented dashed hopes and dreams of a better world we might have had, which was cruelly taken away. At the Ambassador Hotel in Los Angeles on June 4th 1968, he left the ballroom after having won the all important California and South Dakota Primaries. He went through a service area to greet supporters working in the hotel's kitchen. While moving through a crowded kitchen passageway, Sirhan B Sirhan a 24-year-old Palestinian, fired a .22 calibre revolver directly into the crowd surrounding Kennedy. Kennedy, who was shot in the head at close range and also six other people were wounded. Although wounded he remained conscious for about 20 minutes where his concern was about others he was heard to say "Is everybody all right?" He was taken to Central Receiving Hospital and then Good Samaritan Hospital for emergency brain surgery. I was at school at the time in Melbourne in Derbyshire and the school put a room aside for any children to watch the news throughout the day to see if he survived lessons were put aside. He died there at the age of 42 in the early morning hours.
With his death the darkness seemed to descend having lost Martin Luther King already that year.
"A revolution is coming--a revolution which will be peaceful if we are wise enough; compassionate if we care enough; successful if we are fortunate enough--But a revolution which is coming whether we will it or not. We can affect its character; we cannot alter its inevitability." 1966 RFK He had just completed three and half years as one of the Senators for New York. He had helped to start a successful redevelopment project in poverty stricken Bedford Stuyvsant in New York City bringing business back into areas of New York they had left years before.
He had an ability to speak to people across divides in US society of the time which were strong. He managed to pull together a coalition of poor -- black and whites, middle class he spoke forcefully in favour of what he called the "disaffected," the impoverished, and "the excluded,".
The film gives a wondrful feeling as if you are really still living that hope.
"Few will have the greatness to bend history; but each of us can work to change a small portion of events, and in the total of all those acts will be written the history of this generation ... It is from numberless diverse acts of courage and belief that human history is thus shaped. Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope, and crossing each other from a million different centres of energy and daring, those ripples build a current which can sweep down the mightiest " RFK It is my hope that this film will help to inspire a new generation for public service.
You may not have suspected that this film is one of the biggest mysteries of 2006. I mean, how on earth did Emilio "Might Duck" Estevez command enough clout to assemble this stunning cast??? I am stumped. Nevertheless...
"Bobby" feels very much like a stylistic copy of Robert Altman's work -- perhaps a lighter version of Paul Thomas Anderson's operatic ensembles. You know the types of films I am referring to -- "Nashville", "Magnolia", "Short Cuts", Boogie Nights" -- the huge casts, varying story lines, interconnectivity, etc.
The events in this film all take place at Los Angeles' famed Ambassador Hotel in the moments leading up to the assassination of Robert Kennedy in 1968. There is the story of the nostalgic doorman who plays chess in the lobby. There is the story of the wasted night club singer. There is the story of a young girl who agrees to marry her friend so he doesn't have to go to Vietnam. There is the story of the racist food and beverage manager. There is the story of the bored married couple. There is the story of the political aides tripping on LSD. There is the story of the hairdresser... the cook.. the thief... his wife... and her lover -- Okay, fine... that's another film. There may even be a partridge in a pear tree somewhere along the way. "Bobby" is a sprawling film that may have jammed a little too much in between the credits.
That being said, the film is a model of professionalism. There are some fine performances. The costuming and make-up is so colorful and vivid as to become a character in and of itself. The editing is the film's highlight, cleverly blending original footage with fictional scenes.
The best performances come from William H. Macy, Anthony Hopkins, Lindsay Lohan & Svetlana Metkina. Hopkins plays wistful better than anyone ever has. Lohan has been called the "heart of the film" by Estevez himself. She gives the film an emotional connection and displays a level of acting talent that will surprise many audiences. Metkina has a few moments that will amuse you.
A few performances stray a little over the top -- Demi Moore is a prime example of that. She breaks the understated tone of the film. Also, the entire trippy scene with Ashton Kutcher struck me as entirely wasted.
The film winds down to the fateful event in the kitchen when Sirhan Sirhan ends the dream of many Americans. The film hints that this particular event may have been even more significant than the assassinations of either JFK or MLK. It hints that the course of the country shifted drastically that night. It hints, somewhat overtly, at the present situation we find ourselves in with world politics. And the words of Robert Kennedy echo sadly in the final chapter of the film.
There is so much crammed into this movie that it almost demands a second viewing. It is not that one can't keep up, but that each character gets so little screen time that it feels necessary to visit them again in order to get their full effect. I think that Estevez shows great promise here, but he may have overloaded his buffet plate -- and who can blame him with so much talent at his disposal.
© Written by TC Candler IndependentCritics.com
Racism (Christian Slater vs Laurence Fishburne vs interaction with Freddy Rodríguez and Jacob Vargas); hippie/white collar drug abuse (Ashton Kutcher dealing LSD to Brian Geraghty and Shia LaBeouf, Demi Moore's alcoholism defeating her marriage to Emilio Estevez and career as a lounge singer); aging and the problems of 'useless old people' (Harry Belafonte and Anthony Hopkins); adultery (hotel manager William Macy married to beautician Sharon Stone yet having an affair with switchboard operator Heather Graham); marriages teetering on commercialism (Martin Sheen and Helen Hunt); young political aspirants basing futures on RFK (Joshua Jackson and Nick Cannon); and the extremes to which young men will go to avoid being sent to Vietnam (Elijah Wood and Lindsay Lohan) - these are the main characters we get to know as they prepare for the evening's party for RFK and then suffer the explosive effect of the shooting by Sirhan Sirhan (David Kobzantsev). The power of the film lies in the impact Bobby Kennedy had on all of these people who represent the rest of a nation.
Estevez wisely uses film footage from life to project the speech and presence of RFK: using an actor to depict him would have made the effect less sharp. But in the end, as it seems apparent from Estevez' script, the power comes from the messages in the voice-over of Kennedy's own speeches, words to offer hope and a chance for resolution of the many conflicts that threatened to destroy the US. Would that there were minds with such thoughts speaking today when a leader is so desperately needed! The film has flaws (it would be difficult for a two hour enactment of a well known yet partially fictionalized incident not to). But the message is pungent and clear: we MUST care for each other as a country and forgo the alienation that is so rampant. A very fine film for thought. Grady Harp
Le saviez-vous
- AnecdotesAt one point during the script development, after developing a case of what writer and director Emilio Estevez called "paralyzing writer's block," Estevez set the script aside. Later, he checked into a remote hotel on the Central California Coast, near Pismo Beach, to work on the script. When he checked in, the woman at the desk recognized him, and asked what he was doing there. "I'm writing a script about the night Bobby Kennedy was killed," he told her. Tears instantly welled in her eyes. "I was there," she replied. Estevez interviewed the woman, who had been a volunteer for Robert F. Kennedy in 1968. He turned her personal story, which included marrying a young man to keep him out of Vietnam, into the Diane Howser character. Estevez said, "She really helped me crack the spine of the story and give it a beating heart. After that, it just started to flow."
- GaffesThe credits include the closing speech detailing the speech as "Robert F. Kennedy's speech, 'On The Mindless Menace of Violence.' The credits say it was delivered in Indianapolis, Indiana on April 5, 1968. This is incorrect; Robert Kennedy gave a speech on Martin Luther King, Jr.'s death in Indianapolis on the previous day but gave the speech presented on the recording at the City Club of Cleveland in Cleveland, Ohio.
- Citations
Robert F. Kennedy: [voiceover] This is a time of shame and sorrow. It is not a day for politics. I have saved this one opportunity, my only event of today, to speak briefly to you about the mindless menace of violence in America which again stains our land and every one of our lives. It is not the concern of any one race. The victims of the violence are black and white, rich and poor, young and old, famous and unknown. They are, most important of all, human beings whom other human beings loved and needed. No one - no matter where he lives or what he does - can be certain who will suffer from some senseless act of bloodshed. And yet it goes on and on and on in this country of ours. Why? What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled, uncontrollable mob is only the voice of madness, not the voice of reason. Whenever any American's life is taken by another American unnecessarily - whether it is done in the name of the law or in the defiance of the law, by one man or a gang, in cold blood or in passion, in an attack of violence or in response to violence - whenever we tear at the fabric of the life which another man has painfully and clumsily woven for himself and his children, the whole nation is degraded. "Among free men," said Abraham Lincoln, "there can be no successful appeal from the ballot to the bullet; and those who take such appeal are sure to lose their cause and pay the costs." Yet we seemingly tolerate a rising level of violence that ignores our common humanity and our claims to civilization alike. We calmly accept newspaper reports of civilian slaughter in far-off lands. We glorify killing on movie and television screens and call it entertainment. We make it easy for men of all shades of sanity to acquire whatever weapons and ammunition they desire. Too often we honor swagger and bluster and wielders of force; too often we excuse those who are willing to build their own lives on the shattered dreams of others. Some Americans who preach non-violence abroad fail to practice it here at home. Some who accuse others of inciting riots have by their own conduct invited them. Some look for scapegoats, others look for conspiracies, but this much is clear: violence breeds violence, repression brings retaliation, and only a cleansing of our whole society can remove this sickness from our soul. For there is another kind of violence, slower but just as deadly destructive as the shot or the bomb in the night. This is the violence of institutions; indifference and inaction and slow decay. This is the violence that afflicts the poor, that poisons relations between men because their skin has different colors. This is the slow destruction of a child by hunger, and schools without books and homes without heat in the winter. This is the breaking of a man's spirit by denying him the chance to stand as a father and as a man among other men. And this too afflicts us all. I have not come here to propose a set of specific remedies nor is there a single set. For a broad and adequate outline we know what must be done. When you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest; to be subjugated and mastered. We learn, at the last, to look at our brothers as aliens, men with whom we share a city, but not a community; men bound to us in common dwelling, but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other, only a common impulse to meet disagreement with force. For all this, there are no final answers. Yet we know what we must do. It is to achieve true justice among our fellow citizens. The question is not what programs we should seek to enact. The question is whether we can find in our own midst and in our own hearts that leadership of humane purpose that will recognize the terrible truths of our existence. We must admit the vanity of our false distinctions among men and learn to find our own advancement in the search for the advancement of others. We must admit in ourselves that our own children's future cannot be built on the misfortunes of others. We must recognize that this short life can neither be ennobled or enriched by hatred or revenge. Our lives on this planet are too short and the work to be done too great to let this spirit flourish any longer in our land. Of course we cannot vanquish it with a program, nor with a resolution. But we can perhaps remember, if only for a time, that those who live with us are our brothers, that they share with us the same short moment of life; that they seek, as do we, nothing but the chance to live out their lives in purpose and in happiness, winning what satisfaction and fulfillment they can. Surely, this bond of common faith, this bond of common goal, can begin to teach us something. Surely, we can learn, at least, to look at those around us as fellow men, and surely we can begin to work a little harder to bind up the wounds among us and to become in our own hearts brothers and countrymen once again.
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- How long is Bobby?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El día que mataron a Kennedy
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 242 801 $US
- Week-end de sortie aux États-Unis et au Canada
- 69 039 $US
- 19 nov. 2006
- Montant brut mondial
- 20 718 608 $US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1