Filhaal...

The Gorgeous Cinematography that has been a patent of the Indian Cinema is evident in the title song scene-incidentally this is a real melody of a song. Sushmita Sen, after Aankhen where I thought that her performance was underrated, she has prevailed again with a very expressive perf.,whereas Tabu has the eternal quzzical look and she is grossly overarated as an actress similar to Salman Khan and Sharukh Khan. The hysteria about the acting prowess of these so called Stars has to stop since the intelligence of the viewer is being questioned. On a recent poll I have seen Salman Khan is rated as a better actor than Sharukh Khan and he in turn is voted better than Amitab Bachchan. This is absurdity at peak to say the least. There is some immaturity in direction akin to the immature and naive anwers that Beuty Pagent contestants come up with. But for a new Director this is excusable. The movie is watchable.

Filhaal.. the moment, the present.. is an intelligent movie educating the complications and conflicts that would follow a surrogacy pregnancy. Sia and Rewa, 2 very good childhood friends see each other through thick and thin of life. When Rewa has a miscarriage and loses ability to conceive, Sia steps in to offer her womb for the home of their baby. The bollywood audience has previously been mislead on the concept of surrogacy from the movie Chori Chori Chupke Chupke, where the husband is pushed into having an extra marital sex with a prostitute in order to be able to make her pregnant with is child, therefore the bearer of the family name.

Here we see middle class people, dealing with middle class problems in relationships which most of us can identify with in our everyday lives. Rewa being jealous, and Sia being emotional over her pregnancy, is all legitimate walks of life which we can not change regardless of whether we are best friends or siblings. I like the way the true shade of human is shown here, the color gray, instead of the usual Miss goody two shoes. The way the story slowly unfolds is simply brilliant yet solemn. Sushmita's best performance as yet, Tabu is brilliant as always. I have been looking forward to Meghna's next film ever since.

I was expecting more from this film than I received since the story line is interesting and both the female leads were great. Poor editing, some of which made no sense at all from the beginning to the end, seriously hampered this film and I agree with others who felt the film would have been more effective had it been chronological instead of choppy and disorganized. There were times when I wondered if a reel had been taken out of order. The first 45 minutes was very confusing. Thank goodness that the characters and the actors portraying them were interesting enough to sustain the film.

Filhaal has a lot of beautiful things in it. Sushmita Sen and Tabu are two of them. And I don't just mean their looks but also their performances. Sushmita's performance, in my opinion is the best by an actress so far this year. Meghna Gulzar directs and writes the film beautifully for the most part. Manmohan Singh's camerawork is a feast for the eyes as is Nitin Desai's art direction. They have done it beautifully together. Sanjay Suri gives in a very mature performance and it is a joy to see how much he has grown since Pyaar Mein Kabhi Kabhi. You can really see that Meghana is her father Gulzar's protege in every single scene of the film. But a couple of things stop the film from being a great one. First of all, the Palash Sen character is poorly written, though he does an earnest job of performing it. And secondly, Anu Malik and Gulzar work magic with some of the songs, especially 'Le Chale Doliyon' and the title track but at least two songs in the post interval portions should be removed. Other than that a good solid debut effort. Looking forward to more from this budding new director. Along with Tanuja Chandra and Farhan Akhtar, I believe she is one of the few new directors who have really gotten into the profession to make good entertaining films. 8/10.

Filhaal marks the directorial debut of Meghna Gulzar, the daughter of the great filmmaker and poet Gulzar and the popular actress Raakhee. Gulzar is one of my favourite directors so I was quite interested to see what his daughter had to offer. Filhaal is quite a nice film even if it's not perfect, and is generally a watchable drama about family life, human nature, and the fragility of relationships. The premise looked interesting to me: another film based on surrogate childbirth. Mainstream Indian filmmakers really like such themes because they allow them to create melodramatic tearjerkers which often give audiences an opportunity to indulge in their tears. Thankfully, Filhaal is far from being one such movie. It is for the most part subtle and restrained in execution, and although it does have its moments of high emotion (which all of us have), it never looks soapy or overly sentimental. Not everything about the film is convincing, and at times it lacks the ability to captivate, in spite of its appreciable concept. The film stars Tabu and Sushmita Sen and they seem to have a very good rapport with each other. Expectedly, Tabu does very well, but Sushmita gets a meatier part and she is convincing as the supportive and loving friend. Sanjay Suri is also very good, although his role is very passive and at times it feels that he's just there. The film's music, composed by Anu Malik, is so-so, but Asha Bhosle's "Filhaal" is one gem of a song which efficiently enhances the narrative. Overall, Filhaal is not an extraordinary film and at times it loses the point. I think the ending was very sugarcoated, but anyway, I think it's a good debut for Meghna Gulzar and is worth the watch, at least once.