Présumé coupable

Rowdy Herrington and James Spader teamed up originally for Jack's Back, a slick, scary and ultimately satisfying affair, with TWO - count 'em, TWO - incredible performances from the always-superb Spader. In The Stickup, Spader's back, and the result is another clever little movie that is not what it appears to be on the surface.

Spader's character has enough edge for 3 characters, most of the supporting cast is excellent (especially the actress who plays the nurse), and although it doesn't have the high multiple viewings factor that Jack's Back possesses (I try to watch that at least once every four or five years), it's still fun.

My IMDb rating: 7

An apparently disturbed/depressed loner is on the run after a daring bank heist. He meets a woman who sympathizes with his vulnerability and they begin a relationship which becomes jeopardized when she comes to suspect that he is the murderous stickup man. To say more could jeopardize your enjoyment of this movie.

I had sadly resigned myself, before viewing this flick, to the fact that the the chances of finding a good mystery or thriller any more are close to nil. Writing tends to be dreadful, story lines implausible and hackneyed, and the obligatory twists and "surprises" either predictable or preposterous. But here we have a nicely written and very cleverly constructed thriller-mystery whose twist is unexpected and ingeniously constructed. The technique of ongoing narrative flashbacks is most often clumsy and confusing. But in this movie the same technique is very meticulously realized and is essential to the bend in the story line that the film depends on for its punch as an exceptionally engaging thriller.

And don't be put off by the somewhat deliberate pace of the first third of the film. It's crucial to what this movie is about. Given the dismal standards that prevail in this film genre, I say this one merits a 10 out of 10.

The beginning of the movie is as said in the comment on the net: what do you expect with such a title.A lot of shooting and car racing. For me the movie began with Leslie sitting at the bar and ordering a drink for a total stranger.From there on I followed all her moves and one-liners intensely. When she was nursing the shotwound I wished it was mine. .The casting all-over is very well done. The greenhorne FBI agent is heartwarming (he would say: "cool").The Indian chief and his son have a very short but amusing role.The plot of the movie is not that bad at all. The last half hour the plot of the story is upside down, totally different from what you would expect.However, the role of his LAPD collegues in the end is quite unbelievable. A happy end is well deserved for our couple, "love at first sight saves a lot of time". I'm glad I took the time to see it.

Once in a while you can win at the game of "remote roulette." I lucked out and caught this flick the other night while rather aimlessly looking for something decent to watch. It was being shown on a popular, premium cable network. It is a cops & robbers caper flick with more than a little twisting as it goes through its well designed plot steps with hardly any let downs along the way. I would categorize it as a black comedy-drama with a touch of noir. I thought that the dialog between the main characters, James Spader (Parker) and Leslie Stefanson (Natalie Wright)was reminiscent of Bogart & Bacall. James Spader, in my opinion, is one of the better actors in film today. It is a shame that real talent like his is not more fully recognized by the film industry, obsessed with redundant, lowest common denominator material suitable for sixth graders or special effects geeks whose every other word is "awesome." Leslie Stefanson's character is aptly named as she plays with skill and sardonic humor, a disillusioned small town girl looking for "Mr. Right." The supporting cast, particularly John Livingstone as FBI special agent Rick Kendall was above average. I just wish that there could have been a little more of the well played "Native Americans" who were involved in the story. Writer-Director Rowdy Herrington deserves praise for coming up with this low budget "sleeper" lost among the mainstream Hollywood trash currently inundating the theater and television screens of our entertainment challenged land. The authentic rural and scenic small town location creates an enchanting atmosphere that further adds to the quality of the film and even the jazz soundtrack I noticed under the closing credits was a winning pick. You will not be disappointed by this good one.

I loved this movie! It doesn't go where you think it's going and it gets there fast! James Spader is one of the best actors working in films today. It was great to see him with such strong material. Leslie Stephanson and Spader had this very hot chemistry and I loved the banter between them. The Rashamon element in the plot provided an excellent opportunity for a unique film noir twist. I saw this movie at a preview with a large audience at a L.A. Museum of Modern Art/Independent Film Project screening and the place went wild. I watched it again on Showtime and enjoyed it just as much. It's great to see "under the radar pictures" like this. My hats off to everyone involved in the picture. Fine work all around. John Livingston practically steals the movie, I'll be watching for more from him. Loved the score too. If you have a chance see this movie!