Prey for Rock & Roll

I was interested in this movie because of the "do your dreams have to die because you are over 40?" angle, but was completely blown away by the total quality of the movie. I'm not a huge rock fan so much (preferring jazz), but this movie made me a believer in the power of rock and I swear I am now going to regularly devour the entertainment listings in the "L.A. Weekly" with hopes of catching Cheri Lovedog (who wrote the autobiographical script) and I will be lining up at the Dragonfly or wherever with the rest of the explosive fans if she is still performing and I sure hope to God she is. Cheri--as you know better than most, dreams are eternal and age is a cipher. Maybe with this movie, you have made it like you deserve.

The music is hot and the women are even hotter--but there are no boundaries between the music and the women. Tender and tough all in the same package, those women are true stars. And these are no cookie-cutter characters, not by a long shot, and every single one of them is interesting to the max and were portrayed as not only very real, but people you have to care about despite how tough they come across--or maybe BECAUSE they are so tough, because no matter what life throws at them, they measure up to the challenge. They're fighters and survivors and I count that as an inspiring thing.

Probably my favorite character was "Faith," played by Lori Petty, although the entire cast was outstanding (and I have a tender place in my heart for Animal) but I have now firmly placed Gina Gershon at the head of the "sex is sex, I don't care which body parts you've got" list on which she was the charter member after her role in the movie "Bound". If I ever am asked why I won't explain whether I am gay or bi or whatever-the-hell, all I have to say is "Gina Gershon" and I hope that explains it all. This movie is the answer to so many questions I didn't even know I was asking. For those who love the power of music, for artists, for men and women, for the older and the younger, and for people everywhere just trying to love and to make it in life with as many pieces as possible, go see this film. I guess that includes everybody!

Prey for Rock and Roll is a great movie for anyone who likes to rock, especially women who have grown up admiring the likes of Joan Jett, Ann and Nancy Wilson, Lita Ford, Chrissie Hynde, or any women in the predominantly male music industry who have taken control of their music rather than allow themselves to be molded into the industry's "male fantasy" of a female musician. (Britney Spears, are you listening?) But it's not a movie only for women -- I saw PFRR with a guy, and he loved it. We are looking forward to the soundtrack coming out -- great music. Just to balance out my comments, my very small criticism is that once or twice (and only once or twice) a line sounded a little canned or flat, but I tend towards overanalyzing in that regard. (I won't say which lines so I don't give the movie away.) But overall the dialogue was great, very real, with a lot of humor also thrown in. The interactions between characters were great for building them up beyond 2-dimensions. (For example, Jackie's relationship with her mother made Jackie's character more interesting, Tracy's relationship with her boyfriend made her boyfriend more interesting -- a role that could have otherwise easily have been a caricature instead of a character. Ivan Martin was also great in the role.) I would definitely recommend this movie to anyone ready for a movie that balances the heavy (harsh aspects of life) with the light (finding the humor in life and following your dreams).

I just want to respond to some of the comments I've read here. First of all, this movie absolutely GETS IT RIGHT. Yes, rock musicians do really talk like that. I know this because I am one and so are all of my friends. Yes, most of the rock musicians I know really dress like that and really do all that drinking & drugging. And about the music...if the music was good, there'd be no movie, get it? They'd have gotten signed long ago so there'd be no hard times, no conflict. They even said during the movie that she couldn't sing! You want bad acting & great music, go watch Purple Rain. You want to watch a movie about what the rock life is really like, watch Prey For Rock and Roll.

PREY FOR ROCK AND ROLL (2003) *** Gina Gershon, Drea da Matteo, Lori Petty, Shelly Cole, Marc Blucas, Ivan Martin, Eddie Driscoll, Greg Rikaart, Sandra Seacat, Ashley Drane, Joannah Portman. Highly energetic and scrappy depiction of women in rock and roll and the dreams that always seem within grasp even if it takes decades to achieve. Gershon (she also co-executive produced and sings and performs all her own original songs to boot) is the lead singer (think the love child of Iggy Pop and Joan Jett) of a woman's rocking band attempting to score a recording contract to a ticket to the big time but the usual melodramas of bad choices in boyfriends, drugs and life in general delay them despite their game camaraderie and love for one another. The autobiographical screenplay by rocker Cheri Lovedog (and Robin Whitehouse) shows the warts and all look at a tough industry with some tough cookies clawing their way to gain some respect for their artistry (and from within). Petty gives her best performance since `Point Break' while da Matteo and Cole provide enough sugar and spice to mix things up believeably. Great soundtrack and again Gershon (who I love) clearly shows her blood, sweat and tears in this personal project with her trademark ballsy yet vulnerable and sexy-as-hell aplomb; she shoots and scores! (Dir: Alex Steyermark)

Based on the reviews I'd read of this film, I knew it could go either way: a supercheesy, false account of a "chick band," or an entertaining and authentic movie about rock music and the people who make it. Unfortunately, it went the supercheesy and false way.

Gina Gershon, Lori Petty, and Drea de Matteo are three of my favorite actors, and one of the few good--though thoroughly shallow--things I can say about the movie is that the women all looked fantastic (especially Gershon). De Matteo maximized her role as the strung-out Tracey; she's the only one who really shone.

One of the film's greatest flaws was incorporating so much of the band's music into scenes. The music was no great shakes, and especially unfortunate is Gershon's voice, which is thin and amateurish. By the time the movie reached its final fifteen minutes I was ready to hit the "mute" button.

Also irritating was the inauthenticity of the film and its characters, who postured endlessly about "rock and roll" this and "rock and roll" that. It's been my experience, as part of the New York City music scene, that no one who plays music talks that much about the "rock and roll lifestyle"!

The film handled issues such as rape and death with a very heavy hand, with a series of unrealistic plot twists--I'm thinking of what happens to Petty's character here in particular. Bad dialogue abounded.

All in all, only the attractiveness of the characters--particularly Gershon, whose tattoos and leather pants are irresistible, and for whom I've had a soft spot since "Bound"--makes this movie worth renting.