Columbo mène la danse

I suppose the main reaction when watching this particular episode is the fact that it is very hard to ignore Peter Falk's age. He was 75 when this edition was recorded in 2002 (broadcast in January 2003), but he simply threw himself into his legendary role comfortably and easily. This is a fun episode to watch! It's certainly a more 'modernised' interpretation than previous editions, with fast directing and electric-style music in the background during some scenes.

When Vanessa Farrow (played expertly by Jennifer Sky) accidentally kills her ex-husband, it's down to nightclub owner Justin Price (Matthew Rhys) to dispose of the body. But a surprising twist to the story will certainly keep viewers hooked! In steps our favourite Lt and the fun begins! Columbo Likes the Nightlife still contains the legendary trademarks that make the series so popular, including the "just one more thing" phrase, the talk of his wife, as well as his ageless car, but I do fear that it may be ignored by many viewers simply because of Peter's age. He may have been in his mid 70s at the time, but Lt. Columbo doesn't have to be! It's not the best by any means, but is certainly watchable.

This edition marks a satisfactory enough conclusion to a brilliant detective drama that I've had the privilege to watch every single episode of! Peter has kept millions of viewers entertained as Columbo for nearly 40 years, and the shabby Lt will sure be missed! Nevertheless, Columbo will in no doubt be adored by the masses for many many years to come! 7/10

A very young Matthew Rhys ("The Americans") is one of the stars of the final "Columbo," "Columbo Likes the Nightlife" from 2003. Also starring is Jennifer Sky, who has since become a journalist, and The Sopranos actor Steve Schirripa.

Rhys plays Justin Price, the owner of a soon-to-be-open rave club, but he's waiting for money to be transferred from his business partner Tony Galper (Carmine Giovinazzo). Before the money can be confirmed to be in his bank account, Galper's ex-wife and Justin's girlfriend (Sky) accidentally kills him. It's imperative that Tony not be discovered as missing or dead before the money lands. Unfortunately, a tabloid reporter puts the screws to Justin for blackmail money. When the reporter is found dead from an apparent suicide, Columbo doubts that's what it is.

Very good episode and a fitting farewell to Columbo, who in the last years has been hit or miss thanks to the producers using scripts that fiddled with the formula, including one that was a script by 87th precinct author Ed McBain.

Here, Columbo doesn't depend on the killer making a mistake but figures this out anyway, and it's very clever.

At 75 years old, Columbo would have been retired, not to mention that, were he still working, he would be a Police Deputy Chief, a Captain, a Commander - something! So I tell myself in these last years he was called in as a consultant.

I didn't like Peter Falk - I adored him. I interviewed him in the late '90s. The day he died I sat in an airport and cried. An amazing actor who left a great legacy and will always be fondly remembered as Columbo.

They actually called it 'Columbo Likes the Nightlife.' He didn't seem to be enjoying it much, though. He thought the music in the rave dance clubs was too loud, and so did I. And they even had that same awful music as background in scenes outside the clubs.

An actress has a fight with her ex-husband who was jealous of her new boyfriend, with deadly results. The boyfriend helps the survivor deal with the situation but one of the parties receives an 'I saw what you did' call. As a result of the blackmailing, the movie's murder is committed but made to look like a suicide, complete with a suicide note on a computer. Then the familiar broken-down car shows up at the murder scene with the increasingly elderly detective in his wrinkled raincoat. And he is not fooled. For those new to the 'Columbo' series of movies, the Lieutenant with no first name is very polite and appears sincerely interested in everything (usually, it turns out, because he sees a clue), but also quite obnoxious. And while he didn't appear as completely ignorant as usual to the guilty parties, he seems to know just enough to make them nervous, but he tends to be satisfied with their explanations of why things don't make sense. I have been watching these movies for about 10 years, and while there may be no reason to consider this one anything special, it did not disappoint. Unlike most murder mysteries, the audience nearly always knows who did it, but the fun is in watching the detective solve the crime.

I have been a huge fan of the Columbo episodes. I liked this episode, it was pretty solid if somewhat ending to a great series, that has had some treasures(especially in the early seasons) as well as the odd disappointment. The story is pretty gripping mostly, but a little too formulaic and offers little new really. I liked the disco music, but felt the background score could at times have been more atmospheric and less obvious. Also Matthew Rhys tries his best but I found Justin one of the blander Columbo murderers for some reason and I can't quite put my finger on why at the moment. However, Jennifer Sky manages to be sexy as well as fun and touching, and while he is a little too old and perhaps too mellow Peter Falk delivers still as Columbo. Columbo Likes the Nightlife is filmed beautifully, looking modern but the darker scenes give it some suspense and foreboding, it is well directed and the script is engaging, not as clever or as intelligent as most of the other Columbo scripts, but above average still. All in all, decent episode but part of me was wanting of a stronger finish. 7/10 Bethany Cox

If you've heard any negative reviews of 'Columbo Likes The Nightlife', ignore them! This is a refreshingly contemporary and magnificently dignified end to one of the greatest crime series ever made.

'Columbo Likes The Nightlife' fittingly goes back to more of the great detective's keen eye for detail, collection of the facts, and assertive dominance over the villain(s), whilst still not losing the series' sense of dry humour, which had been an essential part of the 70's episodes, but sadly lost somewhat in some of the later 90's entries in favour of more of the character's pratfalls and bumbling antics. The fact here that the main villain, *spoiler alert* Matthew Rhys, is so coyly manipulative and not prone to the clumsy stupidity and slip- ups that befell some villains in more later entries, makes him all the more threatening to us, and also makes it all the more worthwhile and satisfying to then see Columbo pick away at that dangerous and arrogant persona.

The whole rave scene, all bright vivid colours and pumped-up beats, that forms the basis of the film, stands this episode out amongst the rest. With me, as I'm sure it did with many others, it took me aback to start, but not in a bad way whatsoever. This is a revamped and hip look for the franchise, and unlike such other later episodes like 'A Trace Of Murder', this felt like it was real and naturally flowing; the fashion of that time coinciding perfectly with the firmly established formula of Columbo and this tightly woven story to create a different, new, but respectfully structured and trustworthy, solid entry in the series.

There's little to criticise here. I for one though thought that *spoiler alert* there could've been one last send-off line, either about the detective's wife, or his possible hanging up the towel, as he leaves the club, but this is a very minor quibble, and on the other hand, I think that *spoiler alert* Columbo's final walk out of the club, immediately after proving the villain's guilt, accompanied to the appropriately reflective but quietly groovy beat that compliments it, is a terrifically subtle send-off in itself, and the presence of The Sopranos' Steve Schirripa, to which Columbo humbly expresses his appreciation for his offering any help in the future if he needs any, doesn't hurt it.

Nor does the *spoiler alert* poignant appearance of John Finnegan, a recurring actor in Columbo since 1972, who adds some warm nostalgia and wit with his knowing and touchingly handled cameo; no doubt a treat for die-hard Columbo fans.

Other supporting turns to watch out for here is *spoiler alert* Lost's Jorge Garcia as the doorman to the club, Julius Carry, and Patrick Cupo, as the cops helping out the lieutenant, and Douglas Roberts as the ill-fated tabloid photographer.

The villains here, *spoiler alert* Rhys, and Jennifer Sky, are brilliant. Rhys the reservedly calculating and charming murderer who becomes increasingly unhinged as the plot develops, and Sky the nervous girlfriend who tries to remain calm and dignified in the face of impending doom.

The end revelation *spoiler alert* about the fish tanks is a knock- out, and is up there with the very best deductions the Holmesian detective has proved right. It may be a little far-fetched granted, but it's a joy to watch.

Peter Falk was an amazing actor who made Columbo his own, and here he looks as if he's relishing the chance to be on top-form again. He doesn't disgrace himself here; his world weary demeanour contrasting beautifully against the rave techno culture of that time.

You find by the end, you'll actually be wanting more, but sadly, that wasn't to be. Indeed, the end scene I found struck an emotionally significant cord in me as I came to realise this was the final time we'd see the great detective and his iconic shabby raincoat, and THAT car, ever again. You miss him, but that's how you're meant to be feeling after all, and in some way you're glad you miss him, as opposed to wishing it's all over in some of the later instalments ('A Trace Of Murder' again).

Be thankful then, that 'Columbo Likes The Nightlife' was made, to give Falk, and the greatest role he ever played, the graceful and memorable ending they deserved. In style.