Monrak Transistor

This is the 2001 best film of Thai movies. Pen-Ek did it by changing his style (from Ruang talok 69 (1999) and Fun Bar Karaoke (1997) ) to the native life. This movie is the most SIMPLY than any movies he did, Full of laughs, tears and familiar with Thai Lifestyles. This movie is for Thai people by Thai people.

I saw monrak transistor twice and loved it. Not many films can make you laugh as well as bring tears to your eyes but this one did. You might not be so keen on this film if you are not a looktung fan, and I am an addict. Even if you don't know the music the film is enjoyable just as a comedy. Fun is poked at the legal system, record promotors, the well meaning rich and the poor. Fate is the path our hero has to follow only to end up where he started, hopefully still singing-peter

I went to watch Monrak...without having ever heard of it and not knowing what to expect. It was enjoyable on the whole...but I felt it became a bit too commercial. The courting scenes between Pan and Sadaw was beautifully executed and was tremendously realistic. Siriyakorn Pukkavesh was delightfully brilliant! I simply loved the song that he sings to her in the room (before the father comes to shoot him). Visually, it was tasteful and well lit.

But, I came out feeling the film was 'stretched' just to fill up the 90 minutes.Too many things happen to Pan and too many situations arise. The "boat doctor' was totally uncalled for and didn't really add anything to the film.

It could have been much better had it been limited to 60 minutes or so.

This is an excellent film. It is truly fascinating. As the narrator of the film says in the opening scene: this is the story of Phaen (Pan), who is a good guy, but whom the gods, for whatever reason, chose to give amounts of bad luck. In a sense, this is a very "black" film. The film starts with a summary of Pan courting Sadaw, before the two marry, and Sadaw's consequent pregnancy. However, due to his misfortune, Pan is drafted into the army, and from there, his misery continues. No matter what Pan does, and no matter how nicely he acts towards, and attempts to do "the right thing", it seems that he is just pulled deeper and deeper into it. He is pulled more and more towards the urban life, and the miserable conditions there, away from the romanticised peaceful life in the countryside, symbolised by Sadaw, and the transistor which he gave her as a token of her love, but which falls to the floor and breaks. Throughout the film, traditional Thai music is used to describe what is happening, the most frequently used being a very romantic one, whose lyrics are "don't forget, don't forget"--words that give hope to Pan, as he suffers his misfortunes in the big world, because his fate is cruel, and has decided that his dream, although seemingly so close to being realised, will remain simply a dream.

Watched this recently with a Thai lady - we both loved this film, that starts out deliberately naive and corny and descends into something darker whilst retaining a degree of pathos. The style of the film changes to meet the changing mood - the English subtitles are quite accurate, though some nuances are lost. All round good performances from the main characters Worth while...