Stratosphere Girl

I am not the biggest art movie fan in the world, but sometimes these films drift into areas that interest me and I check the out. I usually end up scratching my head in bewilderment. This also is a confusing but gorgeus film. I loved it from the opening scenes to its strange ending. The film progresses by a series of well thought out scenes, the visual contents of which are more important than either the action or the plot. It is the imagery that makes it so intriguing, I guess. Well, I suppose it's hard to explain without writing a whole essay, but I definitely suggest you to watch it, provided you have nothing against Tokyo, comics or blond girls. It should be seen on a large screen, it is breathtaking!

To me, the Stratosphere Girl is the perfect balance between suspense, love story and comic. And the the pictures! Every little scene has been carefully built to reach maximum optical effect. There are so many details to discover that seeing the movie once is not enough. I love this film! There, that is as simple as I can make it out. I am not going into any details about the plot or what takes place in the film, just want to say that this is the real deal. The film manages to carry a thin story with almost no plot whatsoever and be consistently interesting and entertaining throughout. On top of that it is all stunningly photographed. This picture is a must for every true movie fan.

For all those who love beautiful pictures, charming music and comics.

The shots are well-framed and every scene has been thought out. Definitely a visually stunning movie. The storytelling is sophisticated and stylized as well. It is slow in some parts, but intentionally so, and the fact that it was didn't bother me. You will remember this film because of its unique and very recognizable director's style, the high energy level due to variation in static close-ups and dynamic scenes shot by the moving camera, a love story that touches but stays away from clichés, a plot that plays with stereotypes of comics and leaves enough space for your imagination. It is a piece of art in fact rather than a simple criminal story, a pleasure for eyes and soul, calm, peaceful and touching... and what can I say more: I strongly recommend it.

It's like a lost in Translation meets Solaris meets L' Amant meets The Grudge. Even though the director M. X. Oberg's rendering techniques such as transforming the comics into the live actions and vice versa, use of handy-cam, etc. are somewhat different from the rest, the story itself tells nothing more than a Jonathan Kaplan's 1983 TV flick Girls of the White Orchid in which Jennifer Jason Leigh plays an innocent L.A. girl who was tricked by a yakuza into servitude as a Tokyo nightclub hostess/prostitute instead of her dream of becoming a singer. However Oberg remarks that the story is based on his encountering in the airplane with a German girl who worked for Tokyo nightclub, or a presumed relation with a murder case of a British barmaid disappeared from Roppongi nightclub in 2003, as I stated earlier, the similarity with White Orchid, which also allegedly based on a true event, is sine dubio, and this kind of exoticism/orientalism has been reiterated in all over the places from Ridley Scott's big budget Black Rain to the Master Card TV Commercials, or from Shirley MacLaine's disguise as a geisha to Emmanuelle Riva's love affair in Hiroshima; just to name a few. We live in the twenty-first century and are still have a deep chasm between the East and the West. This is what it reminds me when it shows excessive slow motions and dizzy flash backs by which they dispel the use of handy-cam with synchronous audio recording intended to represent the realism not the orientalism.

Well, it's actually not a movie about a foreign cartoonist in Japan.

I watched this movie during JIFFEST 2004 (Jakarta Int'l Film Festival). A foreign girl left her country for Japan, hoping to find a new life. Back in her city, she had a Japanese boyfriend. He often told stories about Japan, and it made her interested. This girl loved to draw anything, especially things that happened around her, into panels. So it's very close to a comic.

In Japan, I forgot what city, she shared an apartment with other foreign girls. Most (if not all) work in a nightclub. She also worked in the same club, for a living. While she's there, she drew many scenes based on what happened around her. And then something terrible happened...and she made her own investigation...and drew her findings/ imagination/ etc into papers.

What I love about Stratosphere Girl is the ability to portrait a very nice-looking innocent girl, with a very imaginative mind, into a world of deception, crime, illegal foreign workers life in Japan. She followed her instincts to follow the mystery, although it would endanger her life.

The cinematography was very good, and I really like the way it shot night-life in Japan. Her drawings (I don't know if it's actually her drawing, or the director have it for her) were very beautiful, only using colored pencils (if I'm not mistaken). I wished those drawings were available commercially as a comic book.

This movie could fall into a thriller category, not just drama. I wished the director could made this movie more thrilling. But this is not a Hollywood movie=), but the director thrilled us in a different way.