The Rage in Placid Lake

I found this movie to be pretty good. While the jokes weren't hilariously funny, they were still worth a fair few laughs.

The acting was quite good, surprisingly including the singer Ben Lee;

The cinematography worked quite well with the general mood. Some of the camera work was imperfect, but that sort of added to the character of the film. Some of the shots were actually quite good

So it didn't do so well in the box office. It wasn't the sort of film you associate with box office takings. This is a film that makes you laugh and then makes you think. I really like that, and I love how much I felt for the characters at the end. For me, that character empathy is what makes a movie good, not how many dollars it made

Overall, an interesting film that throws an interesting twist on the teen movie and the Australian comedy

I can't believe I didn't hear about this film when it was released. I must have missed The Movie Show that particular week. I saw the DVD on the shelf of my local video shop, while it was in the New Releases section. I saw the cover, loved the word-play in the title, and, thinking it was American, I told myself I would get it out when it gets moved to the weekly section.

I saw it, in the weekly section, some time later, and I read the blurb on the back and thought, 'that sounds really interesting, I'll get it out someday'. Then last week, I picked it up again, and noticed the Australian Film Finance Corporation named on the back. I was in. I hired it, took it home, and loved every minute.

From the first scene, 'The Rage in Placid Lake' sets itself up to be taken only semi-seriously. The parents of Placid Lake, our hero, are, as his name would suggest, extreme New Agers. We first meet Placid at primary school, where his mother drops him off in a dress, admonishing him to challenge the other children's pre-conceived notions of sexuality. Between flashbacks to his childhood, the film follows Placid's transition from school to work, which is fraught with stresses. Having failed to achieve happiness following his parents' advice, Placid takes a new tack: he gets his hair cut like George W. Bush, buys a suit, and lands a job with an insurance company. All of which is most distressing to his best friend Gemma, and his parents, who go to great lengths to shake him out of this Capitalist madness.

Writer and Director Tony McNamara has worked primarily in theatre, and has also written for television, including Southern Star's magnificent 'The Secret Life of Us'. His background in the theatre, however, lends this film a very intimate and human touch. He had originally thought of this story as a play, but rightly judged it to be more suited to film, and made adjustments accordingly. The result is a film that stands out as something fresh, something that takes old ideas and stereotypes, and employs them to great effect.

While the characters in this film can be described as caricatures, Placid's journey into adulthood—his discovery of himself and of his relationships—resonates with such humanity that the suspension of disbelief is no effort. The pathos with which the characters are written boldly emphasises McNamara's assertion that we must be true to ourselves.

The most remarkable aspect of this film, however, remains the sad fact that so few people have seen it or even heard about it. It is an example of the magnificent films being produced in this country, and highlights the miserable plight of Australian filmmakers, overshadowed by the monstrous marketing ploys of their American counterparts. 'The Rage in Placid Lake' may not quite be as noteworthy in the history of Australian film as 'Jedda' or 'Mad Max' or 'Romper Stomper', but it makes a profound statement about humanity that sits somewhat uncomfortably in a world of Free Trade Agreements and 'Wars on Terror'. What's more, it makes that statement beautifully.

Characters are believable, yet stretched to be perfectly bizarre. I saw the film at an Indie Film Fest at a college where my mum works and the whole room just kept laughing. I thought my sides were going to burst!

This is definitely on my list of favorites now.... I just want to give it a hug.

Oh... you have to see the movie. You just have to. You will be laughing so hard throughout you won't be able to hear half of the lines and you will have to see the whole thing over again. I think i might re-watch it tonight and then have a bunch of people over to watch it again.

I really enjoyed this movie. I won't lie to you though it isn't uber-brilliant, deep or ultra-funny. It is the sort movie you watch late at night when your expectations are low. If you're looking for a movie that doesn't make you think too much this is it.

That being said I did find it funny, if somewhat puerile at times. I could relate to the main protagonist. The story moved along at a good pace and didn't get bogged down. I really wanted to see how it would end up.

I like that it didn't suffer from the usually Australian movie problem of "lets show you how uniquely Australian we can make this film" it just let itself be. It showed a side of Australia that wasn't purely rural or suburban.

Also Rose Byrne is absolutely gorgeous. I think I want to marry her!

Not to be confused with the mediocre creature feature "Placid Lake," "The Rage in Placid Lake" is a quirky romantic comedy, a fun corporate satire and a weighty coming-of-age tale. Placid Lake (Benny Lee) is a ridiculously precocious high schooler raised by new age hippie parents and is constantly picked on by bullies. In an act of "fearlessness," Placid presents a brutally honest student video at school which assuredly lands him in the hospital. Recovering from his wounds, Placid realizes a change needs to be made and formulates a plan to become normal to the disappointment of his best friend Gemma (Rose Byrne).

Originally a play entitled "The Cafe Latte Kid" by Tony McNamara, the big screen adaptation is witty, charming and strangely reflective. Indie rocker Benny Lee's occasional voice over gives the script some tongue-and-cheek humor and the story becomes unpredictably fresh as Placid's inner psyche evolves. His unique charm and unconventional good looks work in his favor as he walks the line between adolescent naivety and adulthood cynicism. Likewise Rose Byrne makes Gemma uniquely fun as a prudish overachiever constantly egged on by her stepfather. The real standouts however are the supporting cast members. Miranda Richardson and Garry McDonald tread the waters well as a hippie couple with marital problems. Though originally introduced as a caricature both manage to make the best of their parts and transcend into fleshed out characters with motivations that aren't always virtuous but human. Likewise Saskia Smith and Christopher Stollery make the best of their screen time as Placid's sexually charged, emotionally distant co-worker and his boss respectively.

Many might find the humor a bit different in this film. In most satires, characters are a logical extension of the subject up for satire but after the first third of the film most characters are treated with some level of civility. Placid's corporate boss for example is first seen as a soulless task master but near the end of the movie you find he's just a person who has lost himself in a corporate world. Unfortunately this movie's freshness starts to fade away in the third act as story holes are quickly plugged in like so much spackle on drywall and Placid receives his happy Hollywood ending.

"Rage in Placid Lake" evokes comparisons to other teen comedies like "The Breakfast Club" and "Charlie Bartlett" which attempt to mix laughs with jolts of cinematic seriousness. It certainly succeeded in the former, but not in the later. Although not as scrabbled as "Charlie Bartlett," "The Rage in Lake Placid" isn't as composed as it should be. The jokes are sometimes laugh-out-loud funny but those moments are few and far in between and the love story lacks evolution. At points it seemed Rose Byrne could have been replaced with a male friend and most of the plot points would be the same throughout (though the end kiss would be a little awkward).

I would recommend this to anyone of sound mind and body but not strongly enough to warrant required watching status. Though it has a uniqueness that sticks with you after the credits roll, it only raises to the occasion of date night filler.

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