Ajouter une intrigue dans votre langueAfter her husband's death and being forced into a nursing home, a woman starts looking for independence.After her husband's death and being forced into a nursing home, a woman starts looking for independence.After her husband's death and being forced into a nursing home, a woman starts looking for independence.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Nurse Knight
- (as Julie Wilson-Nimmo)
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Pauline Collins, plays her part so well, to be put into a home, just because her son (Peter Capaldi) and his wife want her home after his father dies, and now his mother has become "past it." The film shows just how in a position to either be putting someone in to a care home, or being made to go into a care home should be aware of, because this certainly is an eye opener. People are not "past it" just because they don't work, or have lost their partners.
It's the tale of a woman forced, by the death of her obnoxious husband and the designs of her avaricious son and his equally greedy wife, to retire to a residential nursing home. She does not find things to her liking. It is run by a strict regime, and although not overly mistreated, the elderly inmates are not exactly handled with due reverence either. The new arrival, Mrs Thelma Caldicot is about to change all that...and how! Hopefully I trust not many (none would be better) of these types of establishments are run as depicted here. Even more so as I'm getting on a bit myself, and one can never be quite certain of the future. However, I have my fingers crossed.
Reminiscent of the American made-for-TV movie, "Amos" (1985) starring an ageing Kirk Douglas, which more poignantly explored a similar theme (as indeed to some extent did a certain two-part episode of "One Foot in the Grave"), "Cabbage War" takes a somewhat less cynical view of things. This results in a robustly delightful, slightly over-the-top comedy, with real life man & wife team John Alderton and Pauline Collins for once in opposition to each other, and playing their parts with perfection and relish. In such a distinguished and superbly chosen cast it's difficult (after Pauline Collins) to pick out the star of the piece. They are all just simply wonderful. Not wishing to spoil it for those who haven't as yet seen it, I won't delve further into the storyline. Suffice it to say that it's one not to be missed.
I liked the way against all the odds, that the characters who suffered under the inhumane regime in the care home were able to find strength in unity and positive leadership to change things for the better.
It was well acted, and although I thought that the film music score was a little weak, it left me with a real 'feel-good' experience, so much so that I wanted to find out how to buy a copy of it, hence my stumbling across this web page. I thoroughly recommend it to everyone.
The leader of the backlash is Thelma Caldicot - a downtrodden housewife who is prematurely dumped in a retirement home by her money-hungry son and daughter-in-law. 'Twilight Years' is run by an obsequious manager and an iron-fisted matron, whose goals are to keep the profits rolling in, and the patients doped up and stuffed full of boiled cabbage. Thelma rebels against this and rallies the rest home residents into a large-scale escape, which becomes national news.
There are some lovely character roles; in particular the totally over-the-top rest home management duo, who well deserve whatever just desserts befall them. But was it really necessary to give them a sex scene? Additionally, the love interest for Thelma seems a trifle contrived, and doesn't add to the story at all. Where the narrative really works is when it questions our perceptions of what "old" and "past it" really mean, and that the uncomfortable and embarrassing truth is that it is easier to stuff elderly and confused people full of tranquilisers than it is to genuinely help them. Unfortunately, many of these moving scenes are marred by the overly sentimental score. The bouncy theme tune however is perfect for an occasionally outrageous, very funny, very British comedy that will leave the viewer with a pleasant and upbeat aftertaste.
Le saviez-vous
- AnecdotesPauline Collins (Thelma Caldicot) is married in real life to John Alderton (Hawksmoor).
- GaffesIn the scene where everyone is watching the TV interview from the hotel room, there is a reflection in the silver serving trays of the studio lighting rig. Something moves back and forward, possibly a boom mic.
- Citations
[Hawksmoor bursts in on the residents and some of the nurses dancing while Bernard plays the organ, in memory of Edith who died earlier on]
Bernard: Uh-oh. Bandit at nine o'clock.
Hawksmoor: [picks up a bottle of wine] Clear this drink away. Where's Matron? Lost your tongues, have you? Whose idea was this?
Thelma Caldicot: It's Edith's wake. We felt she needed a good send off.
Hawksmoor: Who says so?
Thelma Caldicot: I do.
Bernard: So do I.
[others join in, supporting Thelma]
Thelma Caldicot: It's all right, folks. I take full responsibility. I felt it was something you would have organised, had you been here.
Hawksmoor: Don't you be clever with me. I want you packed and out of this place first thing in the morning.
Bernard: You can't do that. If she goes, so do I.
Thelma Caldicot: [sighing] Oh, you can't, Bernard. You've got nowhere to go. And this miserable bugger knows it.
Hawksmoor: [walking away] Before breakfast, Mrs Caldicot.
Thelma Caldicot: Just a minute. Oh, I *am* leaving, because I don't belong here. In fact, none of us belongs here in your second-rate, overpriced knacker's yard. And we don't need you or our relatives to tell us when we're ready for the scrap heap. *We'll* decide that. Do you know, I spent 40 years of my life under the boot of a mean-spirited tyrant just like you. And I'm not going to let it happen again.
[she turns to all the other residents]
Thelma Caldicot: Good night, folks.
Everyone: Good night. Thank you.
- Bandes originalesWE'LL GATHER LILACS
Written by Ivor Novello
© Chappell Music Limited
By kind permission of Warner/Chappell Music Limited
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Détails
Box-office
- Montant brut mondial
- 999 142 $US
- Durée1 heure 46 minutes