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Kedma

  • 2002
  • Tous publics
  • 1h 40min
NOTE IMDb
6,0/10
811
MA NOTE
Kedma (2002)
DrameGuerreL'histoire

En mai 1948, peu de temps avant la création de l'État d'Israël, des centaines d'immigrants venus de toute l'Europe arrivent en Palestine, mais risquent d'être arrêtés par les troupes britann... Tout lireEn mai 1948, peu de temps avant la création de l'État d'Israël, des centaines d'immigrants venus de toute l'Europe arrivent en Palestine, mais risquent d'être arrêtés par les troupes britanniques.En mai 1948, peu de temps avant la création de l'État d'Israël, des centaines d'immigrants venus de toute l'Europe arrivent en Palestine, mais risquent d'être arrêtés par les troupes britanniques.

  • Réalisation
    • Amos Gitai
  • Scénario
    • Amos Gitai
    • Marie-Jose Sanselme
    • Ghassan Kanafani
  • Casting principal
    • Andrei Kashker
    • Helena Yaralova
    • Moni Moshonov
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    811
    MA NOTE
    • Réalisation
      • Amos Gitai
    • Scénario
      • Amos Gitai
      • Marie-Jose Sanselme
      • Ghassan Kanafani
    • Casting principal
      • Andrei Kashker
      • Helena Yaralova
      • Moni Moshonov
    • 14avis d'utilisateurs
    • 16avis des critiques
    • 36Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 5 nominations au total

    Photos5

    Voir l'affiche
    Voir l'affiche
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    Rôles principaux20

    Modifier
    Andrei Kashker
    • Yanush
    • (as Andrei Kashkar)
    Helena Yaralova
    • Rosa
    Moni Moshonov
    Moni Moshonov
    • Klibanov
    Juliano Mer-Khamis
    Juliano Mer-Khamis
    • Mussa
    • (as Juliano Merr)
    Yussuf Abu-Warda
    Yussuf Abu-Warda
    • Yussuf
    • (as Yussef Abu Varda)
    Menachem Lang
    • Menachem
    Sendi Bar
    Sendi Bar
    • Yardena
    • (as Sandy Bar)
    Tomer Russo
    Tomer Russo
    • Milek
    • (as Tomer Ruso)
    Veronica Nicole Tetelbaum
    Veronica Nicole Tetelbaum
    • Hanka
    Liron Levo
    Liron Levo
    • Gideon
    Roman Hazanowski
    • Roman
    Keren Ben Rafael
    Keren Ben Rafael
    • Aisha
    • (as Keren Ben Raphael)
    Gal Altschuler
    • Yigal
    Sasha Chernichovsky
    • Sasha
    • (as Alexander Tchernicovsky)
    Dalia Shachaf
    • Dalia
    Rawda Suleiman
    • Jaffra
    • (as Rawda Sulieman)
    Igor Mirkurbanov
    Igor Mirkurbanov
    • Shimshon
    Blair Portnoi
    • British officer
    • Réalisation
      • Amos Gitai
    • Scénario
      • Amos Gitai
      • Marie-Jose Sanselme
      • Ghassan Kanafani
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs14

    6,0811
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    Avis à la une

    6claudio_carvalho

    I Expected Much More of This Quite Disappointing Movie

    A group of Jewish immigrants arrive in Palestine, after a travel in the vessel Kedma, to live in a kibbutz. While resting on the beach after the disembarking, British troops shoot them, and some of them escape with the support of a Jewish platoon. Sooner they are ambushed by Arabian resistance, who are trying to protect their lands against the Jewish invasion. Yesterday I saw 'Kedma' on DVD and I confess that I was completely disappointed with this low-budget and personal movie. The back cover of the DVD and the Plot Outline of IMDb provide important information about the 'when' the story takes place, which I have not seen in the movie. The story happens in May 1948, shortly before the creation of the State of Israel. There is also a boring speech of one of the survivors about the fate of the Jewish people. My vote is six.

    Title (Brazil): 'Kedma'
    4aligant03

    Interesting historically - a controversial but not good film

    I watched this movie on TV because of the interesting subject - the founding of Israel in 1948 or rather the immigration and war that preceded it. The film shows a group of survivors landing ashore in Palestine and their first steps in the new country. They bring all their bad history with them but are supposed to fight for their new country at once. The director raises the controversial issues of Jewish "ethnic cleansing" against the Arab population and Jewish feelings/deeds of revenge after surviving the holocaust. Unfortunately the effort is wasted on a very theatrical, sometimes dull film which was obviously made on a low budget. Also way too intellectual in my eyes, too.
    1paquiwon

    How many ways can you say Boring? Kedma is one.

    This movie is terrible. This movie attempts to show the frustration of one Holocaust survivor having to fight again for his existence and homeland. Despite what could have been a good story line, this movie was neither a good story, nor was it a war story. First, Kedma has minimal dialog throughout the movie, and the dialog it does have it really pointless. Second, it has no action. Even the battle scene in the movie was boring. Amos Giati looks like he was just trying to stretch out the movie to make it a full-length feature rather than a short story. Third, the whole message of the movie seemed to be about the main character, Yanush's disillusionment with the Promised Land and God's promise of Messiah. He claims in the movie that the Jewish people have no history. If you read the Old Testament or Torah, the Jews have probably the longest and best-documented histories of any people. As for Messiah's coming, 2 Peter 3:9 says, "The Lord is not slow in keeping His promise, as some understand slowness. He is patient with you, not wanting anyone to perish, but everyone to come to repentance." If there was one scene to be salvaged from this movie, it was the Arab man, Yussuf Abu-Warda, showing his defiance of the Jews for taking his home. It is too bad there was not more to the movie than that one scene.
    1dino514

    This Movie Could Put An Insomniac To Sleep

    This movie is perhaps the slowest and most boring film I have ever seen. It is a pretentious attempt by Amos Gitai to remake Israel's national birth myth in his slow and artistic style. However, this time he fails miserably. From the opening scene that takes 10 minutes before anyone even opens their mouth the the closing speeches that are so melodramatic that they don't at all fit in with the otherwise painfully realistic piece, the movie is a disaster all the way through. In addition to its plodding style and one dimensional characters the movie is rife with factual errors. It mention fictional ghetto revolt, depicts the British army as a weak and unmotivated school marching band that speaks in American accents and seems to condense an entire year of war and struggle into one day. This movie is both a horrible depiction of Israeli history and a disastrous piece of entertainment and I would only recommend it to those who are in desperate need for a long sleep. Please do not see this embarrassment of a movie unless forced to by a man with a large gun.
    5dromasca

    interesting subject, original treatment, poor cinematography

    Amos Gitai is one of the best known Israeli directors, quite successful in the circuit of the international cinema festivals. What a pity that his daring and fresh approach to the key moments of the Israeli history is not doubled, unfortunately, at least in this film, by appropriate cinema means.

    The historical setting of 'Kedma' is the moment of the beginning of the state of Israel when immigrants from Europe, survivors of the Holocaust arrive in Israel aboard the illegal immigration boats, just to finds on the promised shore a new land of conflict. 'Kedma' is the name of an immigrants boat, as 'Exodus' was, and it deals with the same period as in Leon Uris's book and film 'Exodus', Certainly this important moment in history deserves a better treatment than the Hollywood one. It's a setting well entrenched in the collective memory of any Israeli and Palestinian. Gitai however is more interested in decomposing the historical myth rather than building or describing it.

    There are a few good moments in this film. Gitai likes long shots, and the first scene of the film is a beautiful rendition of the immigrants boat, with a nice passing from private to very public life. Another set of scenes represent the communication, or rather the lack of communication between the groups in the new country - immigrants from Europe still in shock after the horrors of the Holocaust, local Jews, prototypes of the 'new Israelis' full of confidence but lacking the understanding of the problems of other groups, displaced Arabs, mis-guided by their leaders and terrorized by the show of force of the Jews starting the long march that will become some day the Palestinian refugees problem, opera-style British troops, all these groups of humans get together in well filmed scenes, but do not really communicate. This is one of the problems that lay at the origin of the Israeli-Arab conflict seems the author to say.

    Despite some memorable scenes, the film does not come together as a consistent piece of cinema. Characters get lost, show up and die too fast, they are more an idea of what they could be than real screen characters. The problem is not the lack of message, but the means - the author focuses in two monologues (by the displaced Arab, and by the Polish Jew immigrant) that say a lot about the continuity of conflict and about heroism being no more than a form of despair in front of the vicissitudes of history, but these are theatrical or literary monologues, without a connection with the film environment where they are placed. 'Kedma' is memorable by its setting and message, but not a good film to remember.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      Yanush: We don't have history, this is the fact. I don't know how to say this in Hebrew. But this is what it is. Our history is the way it is because of the Christians. We didn't want it be like this. We don't want it this way ever. They forced this on us,and we can't help it. Because of this, I am telling you, I'm against this. But I didn't say anything. She didn't exist because of me. You may find it hard to imagine that I am so intensely against this. I'm really disgusted. Think about it, what have we found? Repression, slander, persecution, and sacrifice. Imbuing with hatred, uninteresting. No glory, no advantage. No heroes, no conquerers. Merely a lot of unlucky traces, moan and weep. Always looking for pardon. I ban indoctrinating the Jews stories to our children. Why does it have to be this way? I say to them. From the day we were expelled from our homeland, we became a people without history. The class no longer exists. Some people find it heroic, because we've experienced the suffering. I have nothing to say to this heroism. When a man is despair to no end, anyone can become a hero, whether he wants to or not. Do you understand? I'll talk to you about this kind of heroism, at the gathering this evening. Look, I have quietly experienced all this! Who is to say it could be any better? Look, we endured the suffering but we'll never have enough of it. Because if it's not for this, we will not exist anymore. That is what I wanted to say to you, endure, endure, endure, Under this situation,sorrow is better than joy. We replace action with our suffering. We'd rather expiate with slavery. This is an illusion of reality, of our hope for the future, our beautiful belief, so on and so forth, how dreadful! It's misery that makes us Jews. It proves that we are valiant. Whoever We didn't do anything. This makes sense, in other words, You cannot destroy us, You will never destroy us. There's no power on earth can do that. The power is limited. But our endurance is not! This expounds everything about the exile, affliction, and the Messiah... The amalgamate of these three, causes Jews not to be able to stand up.causes Jews to continuously drip from one people to another people. causes us to be pursued by hatred by hatred... in exile and exile. How they like this. The richer they get, the more valuable Jerusalem becomes... In exile, our pyramid is built with affliction at the bottom, with our Messiah at the top. The code of Judaism resembles the book of the nether world ! Thousands of men, all of them.in the 2000 years became insane. How admirable, what abominable people! Abominably insane. This kind of insanity is intentional. It comes out of the belief of the Messiah. It's simply a made-up story. Without this made-up story. Everything will be different. In order to end this nightmare, they should end in Palestine or elsewhere. It will compel them to think about their future. You need not do the things you need to. The Messiah will come soon, and he will settle everything. Likewise, anything you should do is to be banned. Banned! We should go on in exile in perpetuity, until the Providence feel that he should rescue us? I... I think... Israel is no longer the country of Jews, not now, but at least in the future. Time will tell us. It's all over. Finished.

    • Connexions
      Featured in Indépendance: autour du film Kedma, un film de Amos Gitai (2002)

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    FAQ16

    • How long is Kedma?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 mai 2002 (France)
    • Pays d’origine
      • France
      • Israël
      • Italie
    • Site officiel
      • Israel Film Fund (Israel)
    • Langues
      • Hébreu
      • Arabe
      • Allemand
      • Polonais
      • Russe
      • Yiddish
    • Aussi connu sous le nom de
      • Кедма
    • Lieux de tournage
      • Hadera, Israël(boat scenes)
    • Sociétés de production
      • Agav Hafakot
      • Arte France Cinéma
      • Agav Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 10 067 $US
    • Montant brut mondial
      • 299 293 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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