Grill Point

While the quality of the film is uneven, the overall experiment makes the film worth watching. Director Andreas Dresen (trained in the former East Germany), who often works with these actors, decided to make a film without a script (needless to say, he had some difficulty gaining funding!) A dramaturg worked to ensure narrative consistency, and the small film team met to plan the scenes for the next day. The focus becomes a focus on the characters and their experience of a place we hear little about - the town of Frankfurt on the Oder, which is located deep in the former East Germany on the Polish border. By the way - the film often is compared to Dogme95, with good reason. However, Dresen, in interviews, rejects the restrictive nature of the Dogme95 guidelines.

This film tells a story that hadn't been written (or maybe on half a page) but was almost entirely improvised by the fabulous cast. Great emotions on the entire spectrum from love, joy, desire, deceipt, friendship, betrayal, anger, hopelessness, emptiness...all but hatred. Great gags along the way and surprising use of mockumentary elements when the characters are suddenly interviewed between the actions. Astonishing achievement.

The story of the film is uncomplicated, but very realistic. This is also helped a lot by the actors who improvised the whole dialogues (which gives them the nice charme of the "Didi & Stulle" comics, including the dialect). In the beginning this is very funny, but you stop laughing when you notice that what you are watching is like real life.

I want to thank the American reviewer who explained some of the movie-making details of this film, because I was truly bewildered by the quality and the realism of acting. The first time I saw it (maybe a couple of years ago) I rated HALBE TREPPE only a 7. Now, after second viewing, it has become a 10. Out of 1000+ films, I rated only 17 movies this high.

But it was an easy "full tenner". The story is just so engaging and there are no dull moments at all. That's quite an accomplishment for a movie with this subject matter, I think. Also, the cinematography was very competent. It captured everything that had to be captured, every meaningful move and look. When you watch closely, you'll even notice some beautiful outdoor shots.

I like the movie more than several Dogme films I've seen, which are made quite similarly, but in my opinion are less vibrant, funny and involving. HALBE TREPPE makes you think about relationships, commitment, morals and personal conviction. Try to see this one.

I was not sure what sort of film I was going to watch, when I was entering the movie theater, but I liked Halbe Treppe, although it was VERY influenced by Scandinavian Dogma-releases and therefore very hyped in recent German press releases. The story itself is not that much complex: two couples, of the one the man and of the other the woman become unfaithful... But the gags in-between are terrific. There is this running gag on the 17 hippies playing music in front of the snack box, or the other one concerning Britney Spears, whose music is always running in the background, when scenes were shot at the local radio station. Many devices of the Dogma manifesto were used in this film: no artificial setting, laymen-acting, hand camera a.s.o., but the splendour of a "Idioterne" (Lars von Trier, 1998) or "Festen" (Thomas Vinterberg, 1998) is not achieved. Nevertheless, I liked the movie and was surprised, since most recent German releases bored me a lot. 8* (out of 10*)