Metropolis

This is another great masterpiece in anime. Also, it's very different from others, as reviewers have pointed out.

I never expected old-1930-ish-saxopohone jazz music to be playing in an anime movie. It's a great movie, and, like Akira, the Matrix, and Princess Mononoke (or, Mononoke Hime as I prefer), it gets better every time you see it.

and in the climax of the movie, you hear Ray Charles' "I Can't Stop Loving You". Puts in the same touch as how Gene Kelly's "Singin' in the Rain" was put in "A Clockwork Orange". It engraves the scene in your head, never to forget, and it does bring the scene back to your mind once you hear that song. It's happened to me lots of times after i saw Clockwork Orange.

Review: 5/5, Good Movie scale Ratings: US PG-13, UK PG, Canada PG

When I first saw this I was totally blown away by its beautiful animation and groundbreaking use of music! It really made me lyrical in a way few anime does - Rintaro and Otomo really has what it takes to make a masterpiece. The blend of charming old-fashioned technology and allusions to modern phenomenons makes it the perfect anime for the beginning of 21st century!

Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...

I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!

I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.

Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.

As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.

The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.

I knew little about this film but when I saw that it was going to be on television I decided to watch it; there is so little non-Ghibli anime on TV one has to take what one can get. When it started I knew this was going to be different; most of the characters didn't look like anime characters, they looked more like characters from western cartoons of the 1930s. This fitted in with the feel of the whole film which was a 1920s/1930s view of the future reminiscent of Fritz Lang's film of the same name.

Set in the city state of Metropolis where the robot underclass must stay in their designated areas and a scientist is building a robot that looks like a girl but is destined to run a new skyscraper known as the Ziggurat. Into this city comes a Japanese private detective and his nephew Kenichi who are seeking to arrest the scientist for organ trafficking. The state's de facto leader Duke Red's adopted son Rock is determined to destroy the robot thinking his father is replacing him. Rock starts a fire in the lab. During this the robot is activated and escapes with Kenichi although neither know that she isn't human. Rock continues to hunt them as the flee through the various layers of the city to a climax in the mysterious Ziggurat.

I loved the retro feel to the animation along with a sound track that also felt like it was from that time. The use of the song "I Can't Stop Loving You" during the climactic scene was inspired. Even if you don't normally like animation this is worth watching as it is a good story which is well told.

These comments are based on watching the film in Japanese with English subtitles.

I have always been a fan of the 60's and 70's anime. I feel that the 80's and 90's Anime got a bit out of hand, but this film brings me back to the experimentation, the wonder, visuals and the drawing you into forgetting this is only 'anime' at all.

The story is an update of the fantastic silent film Metropolis, and at points in this telling, the story falls flat, but just watching the film drew me in and made up for those story gaffs. There isn't any one who can look at this and not be taken with its ambition. Old anime elements, new ones, stop action, realism -- you name it, its all in one nice package! I am looking forward to additional works from this team, I hope they continue on for I feel this project was a great venture and to what they are capable of. This film is really wonderful, I recommend it highly.