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Metropolis

Titre original : Metoroporisu
  • 2001
  • Tous publics
  • 1h 48min
NOTE IMDb
7,2/10
24 k
MA NOTE
Metropolis (2001)
Trailer for Metropolis
Lire trailer1:34
4 Videos
99+ photos
Animation dessinée à la mainAnimation pour adultesAnimeCyberpunkSteampunkTragédieAnimationAventureDrameScience-fiction

Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.Kenichi et son oncle Shunsaku Ban doivent découvrir le mystère qui se cache derrière la fille-robot Tima.

  • Réalisation
    • Rintarô
  • Scénario
    • Osamu Tezuka
    • Katsuhiro Ôtomo
    • Fritz Lang
  • Casting principal
    • Toshio Furukawa
    • Scott Weinger
    • Yuka Imoto
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    24 k
    MA NOTE
    • Réalisation
      • Rintarô
    • Scénario
      • Osamu Tezuka
      • Katsuhiro Ôtomo
      • Fritz Lang
    • Casting principal
      • Toshio Furukawa
      • Scott Weinger
      • Yuka Imoto
    • 135avis d'utilisateurs
    • 65avis des critiques
    • 75Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 4 nominations au total

    Vidéos4

    Metropolis
    Trailer 1:34
    Metropolis
    Metropolis
    Trailer 1:39
    Metropolis
    Metropolis
    Trailer 1:39
    Metropolis
    Metropolis
    Trailer 1:34
    Metropolis
    OSAMU TEZUKA'S METROPOLIS (UK Dual Format) Trailer
    Trailer 1:33
    OSAMU TEZUKA'S METROPOLIS (UK Dual Format) Trailer

    Photos245

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 239
    Voir l'affiche

    Rôles principaux66

    Modifier
    Toshio Furukawa
    Toshio Furukawa
    • Skunk
    • (voix)
    Scott Weinger
    Scott Weinger
    • Atlas
    • (English version)
    • (voix)
    Yuka Imoto
    • Tima
    • (voix)
    Kei Kobayashi
    • Kenichi
    • (voix)
    Kôki Okada
    • Rock
    • (voix)
    Tarô Ishida
    • Duke Red
    • (voix)
    Kôsei Tomita
    • Hige-Oyaji
    • (voix)
    Norio Wakamoto
    Norio Wakamoto
    • Pero
    • (voix)
    Junpei Takiguchi
    • Dr. Laughton
    • (voix)
    Takeshi Aono
    Takeshi Aono
    • Ponkotz
    • (voix)
    Masaru Ikeda
    • President Boon
    • (voix)
    Shun Yashiro
    • Notarlin
    • (voix)
    Shigeru Chiba
    Shigeru Chiba
    • Lamp
    • (voix)
    Masashi Ebara
    • Ham Egg
    • (voix)
    Takaya Hashi
    • Lyon
    • (voix)
    Norihiro Inoue
    • Atlas
    • (voix)
    Rikako Aikawa
    • Fifi
    • (voix)
    Tomohisa Asô
      • Réalisation
        • Rintarô
      • Scénario
        • Osamu Tezuka
        • Katsuhiro Ôtomo
        • Fritz Lang
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs135

      7,223.5K
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      8
      9
      10

      Avis à la une

      Wizard-8

      A visual feast - though the script has problems

      I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.

      Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.

      As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.

      The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.
      sadrec1

      Why does everyone hate this?

      For crying out loud, it's stylized! That's why the soundtrack is jazz and blues and stuff. That's why the character animation is "crappy".

      Look at a comic book from the twenties/thirties, namely Herge's Tintin books, or Tezuka's manga (fifties actually), which this is based off of, DANG IT! The characters are designed to look like comic book character's from that era. Shinsaku looks like one of the Thompsons. Kenechi looks like a cross between Tintin and Astro Boy.

      It's meant to be like a Prohibition era Chicago or something.
      10Computress

      An Amazing Milestone In Anime History !!!

      When I first saw this I was totally blown away by its beautiful animation and groundbreaking use of music! It really made me lyrical in a way few anime does - Rintaro and Otomo really has what it takes to make a masterpiece. The blend of charming old-fashioned technology and allusions to modern phenomenons makes it the perfect anime for the beginning of 21st century!

      Metropolis is based on Tesuka Osamus first manga and later gave inspiration to his more famous "Astro Boy". Some story elements and characters from Tesukas later works are clearly inserted in Metropolis to make it work as a movie, which in this case is good... The choice of music is, in my opinion, daring and rather funny; jazzy tunes spiced with hits from the 60s (Ray Charles) sets the tone of the "optimistic atomic age". All in all, well made nostalgia...

      I could go on forever with this rant, so I spare you that if you see this little animated gem! Rent it, buy it, steal it (if necessary ;) , you won't regret it!
      6The_Void

      Not as good as Lang's, but not bad

      Fritz Lang's original 'Metropolis' is an enduring classic of cinema. The techniques used at the time that it was made were absolutely astounding and it is still astounding to consider the technical achievement that Metropolis represents even these days. This Japanese re-telling of the classic story doesn't follow the plot of the original film, but they are linked due to the way that they both utilise grand settings for their thrills and although it was a lot more impressive in 1927, this version of the story is still a very decent film. I can't say that I'm a big fan of Japanese 'anime', but every time I see a film in it's style I tend to at least enjoy myself, and that can be said of this film. The plot has too many elements to be fully coherent, but it serves its purpose and is always second to the visuals anyway. The story follows two societies; robots and humans, and comes together when a private investigator's nephew meets a robot girl constructed to rule the city. The script is somewhat taught, this may be because of the fact that it has been translated into English, or it may just be a bad script. It doesn't really matter though as, again, the sharp visuals are always enough to distract the viewer from the other areas of the movie. It's almost a shame that this movie isn't better when you consider that it has an absolutely great source of inspiration, but then again you can hardly expect it to rival Fritz Lang's classic. On the whole, I recommend this movie if you've seen Lang's and want some more, but otherwise I just recommend the original classic.
      10ExpendableMan

      One of my all time favourites

      I'm not a big fan of Manga I must admit. The movies I've seen have been few and far between and while I certainly enjoyed the likes of Ninja Scroll, Akira and Ghost In The Shell, I've never had much urge to seek out a really wide knowledge of the genre. That being said though, Metropolis has to rank as one of my top five films of all time, not just the animated ones.

      Telling the story of a far future world where humans and robots exist alongside one another, it focuses on the adventures of a Private Investigator and his son visiting the city for the first time and hunting down a missing robot called Tima. And what a city it is! The animation, simply put, is stunning. The epic scope of this vast urban world is beautifully captured on screen. It is richly detailed and lit up like a fantastic world of colour, like a fine piece of dramatic art that has come to life. The animation on the characters meanwhile is no less amazing, it is more akin to French than Japanese in stylistic terms, but is still very detailed and beautifully realised.

      But this is no piece of aesthetic beauty with nothing to back it up as the storyline is truly gripping. As the boy befriends a young girl, both of them unaware that she is in fact an experimental robot, you find yourself getting swept up in their plight and they have just as much, if not more depth and emotion than any real-life actor's work.

      Come the climax, you'll be simultaneously thrilled and left emotionally stunned. This is a magnificent film, I can't praise it enough.

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      Centres d’intérêt connexes

      Jodi Benson, Jason Marin, and Samuel E. Wright in La Petite Sirène (1989)
      Animation dessinée à la main
      Seth Green, Mila Kunis, Alex Borstein, and Seth MacFarlane in Les Griffin (1999)
      Animation pour adultes
      Steve Blum and Kôichi Yamadera in Cowboy Bebop (1998)
      Anime
      Ryan Gosling and Ana de Armas in Blade Runner 2049 (2017)
      Cyberpunk
      Alfred Abel, Brigitte Helm, and Rudolf Klein-Rogge in Metropolis (1927)
      Steampunk
      Casey Affleck and Michelle Williams in Manchester by the Sea (2016)
      Tragédie
      Daveigh Chase, Rumi Hiiragi, and Mari Natsuki in Le Voyage de Chihiro (2001)
      Animation
      Still frame
      Aventure
      Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
      Drame
      James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
      Science-fiction

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Osamu Tezuka claimed that he received inspiration for his Metropolis manga from seeing the poster for Metropolis (1927), but never actually saw the film.
      • Gaffes
        Rock's costume disappears in the Throne of Power scene.
      • Citations

        Tima: I am who?

      • Versions alternatives
        English subtitled version doesn't subtitle the word "Kuso" at the begining of the film.
      • Connexions
        Featured in Siskel & Ebert & the Movies: John Q/Maryam/Hart's War/Crossroads/Metropolis (2002)
      • Bandes originales
        I Can't Stop Loving You
        Performed by Ray Charles

        Written by Don Gibson

      Meilleurs choix

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      FAQ20

      • How long is Metropolis?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 5 juin 2002 (France)
      • Pays d’origine
        • Japon
      • Langues
        • Japonais
        • Français
        • Allemand
        • Italien
        • Espagnol
        • Anglais
        • Russe
      • Aussi connu sous le nom de
        • Osamu Tezuka's Metropolis
      • Sociétés de production
        • Bandai Visual Company
        • DENTSU Music And Entertainment
        • Imagica Corp.
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Budget
        • 15 000 000 $US (estimé)
      • Montant brut aux États-Unis et au Canada
        • 722 932 $US
      • Week-end de sortie aux États-Unis et au Canada
        • 84 660 $US
        • 27 janv. 2002
      • Montant brut mondial
        • 4 035 384 $US
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 48min(108 min)
      • Couleur
        • Color
      • Mixage
        • DTS
        • Dolby Digital
        • SDDS
      • Rapport de forme
        • 1.85 : 1

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