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Devil's Playground

  • 2002
  • 1h 17min
NOTE IMDb
7,0/10
2,7 k
MA NOTE
Devil's Playground (2002)
Documentaire

Ajouter une intrigue dans votre langueAmish teenagers experience and embrace the modern world as a rite-of-passage before deciding which life they will choose.Amish teenagers experience and embrace the modern world as a rite-of-passage before deciding which life they will choose.Amish teenagers experience and embrace the modern world as a rite-of-passage before deciding which life they will choose.

  • Réalisation
    • Lucy Walker
  • Casting principal
    • Velda Bontrager
    • Mark Bontrager
    • Dewayne Chupp
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    2,7 k
    MA NOTE
    • Réalisation
      • Lucy Walker
    • Casting principal
      • Velda Bontrager
      • Mark Bontrager
      • Dewayne Chupp
    • 27avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 4 nominations au total

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux30

    Modifier
    Velda Bontrager
    • Self
    Mark Bontrager
    • Self
    Dewayne Chupp
    • Self
    Dylan Cole
    • Self
    Matt Eash
    • Self
    Sally Fisher
    • Self
    Marty Fry
    • Self
    John Groff
    • Self
    • (as John)
    Lisa Groff
    • Self
    Andy Herschberger
    • Self
    Joann Hochstetler
    • Self
    Jesse Kaufman
    • Self
    Carol Lambright
    • Self
    Dale Lambright
    • Self
    Ervin Lambright
    • Self
    Velda Lehman
    • Self
    Alvin Miller
    • Self
    Emma Miller
    • Self
    • Réalisation
      • Lucy Walker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    7,02.7K
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    Avis à la une

    10utahfilmmaker

    Intelligent, not exploitative

    I thought for sure that a movie about Amish-teenagers-gone-bad would be a series of images of Amish kids dressed in traditional garb drinking, getting high, and sleeping around. I expected it to be a spectacle which would get old fast, and I went into the movie with this bias. It turned out to be one of the best documentaries I've seen in a while. For one thing, the director had the perfect balance of showing a broad social situation (rebellious Amish kids in general) and a more character centered story (the drug addicted Amish youth Faron). You're getting the factual information you need, as well as the emotional punch of what Faron is going through. The director is able to show very clearly the effect of Amish society on these kids without ever forcing a direct connection or being exploitative.
    8shiiteclintonite

    Singular, Powerful Film- Why hadn't I heard more about this???

    I just watched this through Netflix, based on a recommendation and can't believe I'd never heard of it before. Rather striking and amazing film. When has there ever been a film, (fiction or non) like this one before? I promise you that you had noooooooooo idea that the Amish could behave in this way and that it was acceptable -- A stunning doc! It opened my eyes in many ways. I had no idea that such a rigid, conservative culture could also possess such a wide-open and "liberal" component to their lifestyle. You want to applaud them and deride them almost simultaneously. And the fact that you are capable of holding two such contrarian feelings is a testament to the power of the director, Lucy Walker. She films everything with a steady, knowing hand. I was riveted. Why didn't I know about this movie? When is Ms. Walker making another film?!?
    7bean_invaders

    Thought-provoking; interesting subject matter

    Lucy Walker presents a view into a community that is rarely glimpsed by outsiders. The Amish community, tightly knit as it is, has little use for the "English" world outside. I was very intrigued by the premise of a film following young Amish people through the rite of passage of Rumspringa, wherein they discover what kind of people they want to be, and decide whether to join the Amish church.

    The view given by Walker is largely unbiased; she presents the viewer with a portrait of several Amish youths and their decisions to join the church or to remain in the english world. The film focuses mainly on Faron, a youth who has gotten himself into trouble with drugs, and she does not judge him or criticize him. Rather, we see his actions and are told of his choices, and are left to draw our own conclusions and wonder what will become of him.

    I found this film to be quite well done, and unlike some of the other reviewers, I don't think it felt staged or stilted. I found myself thinking about it long after I'd seen it, and wondering what had happened to the people whose lives it followed.

    I recommend this film, and feel that as a debut, it is quite an achievement. Some of the moments actually reminded me of Harmony Korine's work; it has a subtle air of discontent and uncertainty. Well done. ****/*****.
    8lawprof

    A Rare But Limited View of Amish Youth

    To a large extent, the inherent friction between America's central majority and diverse religious minority groups is controlled and channeled by a matrix of Constitutional Law principles. Court decisions insure that minority rights are protected against what often has been the mainstream's desire or perceived need to force assimilation or even attempt destruction through law or mob action. The latter has happened in American history with regard to the Shakers and Mormons. Both groups and Southern snake-handling churches have frequently encountered major legal restrictions. .

    The Amish occupy a more protected place than some other Christian fundamentalists. Living in large communities side by side with the "english", as they call without distinction all others, their energy, excellent and desired produce and products and reputation for orderly, crime-free lives has insured respect. Temptation rather than persecution is the main foe of the Amish commitment to a simple lifestyle.

    Director Lucy Walker's documentary, "Devil's Playground" is a rare but possibly too limited view of Amish life, largely in Indiana. The Amish covet their privacy and most members of the church do not allow themselves to be filmed or interviewed although strictures vary from community to community. Generally, the Amish eschew using much of the apparatus of American communal and political life. For instance, while they will not send children to public school past the eighth grade, relief from compulsory education laws through a Supreme Court decision only came about because several Amish parents passively permitted others to litigate on their behalf (Wisconsin v. Yoder).

    "Devil's Playground" introduces the viewer to "rumspiga," the planned release off the parental and community leash of teenagers on their sixteenth birthday. According to the young men and women interviewed, virtually anything goes during an indefinite period of freedom that can end in a few months or go on to age 21. At some point each youth decides whether to embark on a life outside Amish society or take church vows that are considered inviolable once voluntarily assumed. Defectors are shunned by family and friends if they leave the church after taking the vows.

    The film follows Amish youth to huge parties monitored by justifiably concerned Indiana police. Sex appears to be a route for some but dancing and excessive consumption of alcohol is a key activity for most, especially the males. Some fall into the world of drugs, including dealing. Faron, a clearly troubled young man, is followed by the camera crew from innocent flirtation and all-night partying to serious drug taking to felony selling. Subsequent threats to his life came after he cooperated with the police.

    The females seem to be more hesitant about unshackling fetters than males. The boys all adopt everyday teen garb while the girls experiment with beer and cosmetics but largely remain clothed in traditional attire. Interestingly, many of the boys take on "english" girlfriends, a safety mechanism that actually lessens the likelihood of their permanently abandoning their community.

    A number of Amish youths discuss their family relations and whether they will join the church or adopt a new lifestyle. Many comments have a rehearsed quality, not surprising when the speakers haven't been brought up to freely express themselves.

    A postscript notes that some ninety percent of Amish youth resolve to join the church, giving up cars for buggies, t-shirts for bland work clothes and beer for juice. One clear clue as to why the retention rate is so high is the virtual total lack of intellectual curiosity or desire for education in the Amish youth population. What seems to be a period of genuine freedom is really a very clever release of people whose likelihood to question or rebel is suitably repressed rather than advanced by an episode of largely aimless partying.

    What isn't clear from "Devil's Playground" is the extent to which Amish youth in general go as hog wild as the participants in the documentary. The young interviewees wanted the attention of the film-maker for reasons ranging from narcissism to a need to self-justify life-altering decisions. It would have been very useful to incorporate insights from non-Amish scholars, including psychologists, who could discuss the teens' experiences and responses in a measured objectivity.

    But this is one fine documentary.

    8/10.
    10kaijawitch

    Very interesting look at a period in Amish Life where they get to catch up..

    I don't see how it could have been made any better.. I have actually "met" one of the girls on this documentary.. took me awhile to realize it was her.. I go to an Amish flee market every year in Shipshewana Indiana (where pieces of this were filmed.. Legrange County) The only people I "met" were the waitresses at Das Essenhaus.. (great restaurant).. I am actually surprised that I didn't see more of what is shown in this going on.. It is a very hard community to film.. many of them would not allow it..

    One of the most interesting parts to me was when one of the guys was describing why they don't use technology.. I was always under the impression that they thought it was ungodly or evil.. but it's more a matter of taking away from the closeness of family.. \ I think this one is a must see.. it is well done, the kids are straight up and honest about what they are doing during this time.. and nothing seemed forced..

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    • Versions alternatives
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    • Connexions
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    FAQ13

    • How long is Devil's Playground?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 janvier 2002 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Игровая площадка Дьявола
    • Lieux de tournage
      • Indiana, États-Unis
    • Sociétés de production
      • Stick Figure Productions
      • WinStar Cinema
      • Cinemax Reel Life
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 17min(77 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.33 : 1

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