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800 balles

Titre original : 800 balas
  • 2002
  • R
  • 2h 4min
NOTE IMDb
6,3/10
4,9 k
MA NOTE
800 balles (2002)
ActionAventureComédieDrameOccidentalThriller

Ajouter une intrigue dans votre langueJulián Torralba is a former movie stuntman in Almeria, Spain. He and several of his colleagues, who once made a living in American Westerns shot in Spain, now are reduced to doing stunt show... Tout lireJulián Torralba is a former movie stuntman in Almeria, Spain. He and several of his colleagues, who once made a living in American Westerns shot in Spain, now are reduced to doing stunt shows for minuscule audiences on the decaying set built for those old Westerns. Julián wrestle... Tout lireJulián Torralba is a former movie stuntman in Almeria, Spain. He and several of his colleagues, who once made a living in American Westerns shot in Spain, now are reduced to doing stunt shows for minuscule audiences on the decaying set built for those old Westerns. Julián wrestles with dark memories of the death of his son, also a stuntman, and with estrangement from ... Tout lire

  • Réalisation
    • Álex de la Iglesia
  • Scénario
    • Jorge Guerricaechevarría
    • Álex de la Iglesia
  • Casting principal
    • Sancho Gracia
    • Ángel de Andrés López
    • Carmen Maura
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    4,9 k
    MA NOTE
    • Réalisation
      • Álex de la Iglesia
    • Scénario
      • Jorge Guerricaechevarría
      • Álex de la Iglesia
    • Casting principal
      • Sancho Gracia
      • Ángel de Andrés López
      • Carmen Maura
    • 28avis d'utilisateurs
    • 20avis des critiques
    • 51Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 5 nominations au total

    Photos32

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    Rôles principaux43

    Modifier
    Sancho Gracia
    Sancho Gracia
    • Julián
    Ángel de Andrés López
    Ángel de Andrés López
    • Cheyene
    • (as Angel de Andres)
    Carmen Maura
    Carmen Maura
    • Laura
    Eusebio Poncela
    Eusebio Poncela
    • Scott
    Luis Castro
    • Carlos
    Manuel Tallafé
    • Manuel
    • (as Manuel Tallafe)
    Enrique Martínez
    • Arrastrado
    • (as Enrique Martinez)
    Luciano Federico
    • Enterrador
    Eduardo Gómez
    Eduardo Gómez
    • Ahorcado
    • (as Eduardo Gomez)
    Terele Pávez
    Terele Pávez
    • Rocío
    • (as Terele Pavez)
    Ramón Barea
    Ramón Barea
    • Don Mariano
    • (as Ramon Barea)
    Cesáreo Estébanez
    • Andrés
    • (as Cesareo Estebanez)
    Eduardo Antuña
    • Taxista
    Gracia Olayo
    Gracia Olayo
    • Juli
    Berta Ojea
    • Angeles
    Yoima Valdés
    • Sandra
    • (as Yoima Valdes)
    Ane Gabarain
    Ane Gabarain
    • Jacinta
    Javier Aranda
    • Transportista
    • Réalisation
      • Álex de la Iglesia
    • Scénario
      • Jorge Guerricaechevarría
      • Álex de la Iglesia
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs28

    6,34.9K
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    Avis à la une

    6prestonjohnson

    Somewhat predictable but entertaining nonetheless

    I found "800 balas" to be a very entertaining film, if a little juvenile. The story follows a young boy in search of his grandfather. Carlos' (the young boy) father was a stunt man who died in an accident before Carlos was old enough to remember him. He goes in search of his grandfather to discover the true story his mother refuses to tell him.

    Carlos finds his grandfather working in a Wild West tourist town where spaghetti westerns were once filmed. The exploits Carlos and his grandfather get into are entertaining and full of action, although fairly predictable. Carlos' grandfather is played by Sancho Gracia who is probably the highlight of the film. He very convincingly plays a depressed alcoholic who dreams of the old days when he was a stunt double for Clint Eastwood and other Hollywood stars, while also harboring guilt over the death of his son (Carlos' father).

    Overall the films is good, but not great. The action sequences are very well thought out and the director's somewhat wild sense of humor fits in well with the overall tone of the film. In particular the ending sequence skillfully plays on suspense, action and humor to bring the film to a satisfying and sentimental conclusion. The location of the film in central Spain is very beautiful and the film does a good job of using the landscape and incorporating it into the story. The film is worth watching if only for its pure entertainment factor and for Sancho Gracia's superb performance.
    chaos-rampant

    Once upon a time in Almeria..

    OK, let's get this clear first: seasoned veterans of the genre might be disappointed by the tribute aspect of 800 Balas. The only spag references are to Leone's films, Clint Eastwood and his poncho. Add to that a score that resembles Morricone, great opening credits in the colourful spag tradition, and excellent cinematography (wide shots and close-ups included) and that's as far as it goes.

    However it's tons of fun. Although not as outrageous as other De La Iglesias efforts like Accion Mutante, El Dia de La Bestia or Perdita Durango, it still has all the trademarks that made him famous. Black humour, quirky dialogues, energetic pace, fluid camera shots, excellent performances, it's creative and above all entertaining. Sancho Gracia steals scenes and was an original spaghetti western actor himself.

    Watch it for a great opening scene that (suprisingly enough) is a tribute to John Wayne's Stagecoach, a saloon orgy, a hooker seducing a minor, a spectacular shootout between a SWAT team and spaghetti western stuntmen, the Hanged Man (first screenshot), the Dragged Man (who is constantly being dragged by a rope behind a horse...it is his only trick) and a cameo by a faux-Clint Eastwood.
    fredda_ruth

    hugely entertaining, romanticized Spanish "Western" with rich irony

    I liked 800 Balas despite the sentimental pap; I think it proves that Iglesias has the heart and balls to make it big in Hollywood if he wants to. He has this ability to be so entertaining, accessible and deeply felt at the same time.

    There were plenty of funny moments, romanticism (which tends to be simplistic and predictable at times) morality, "good and bad" characters,action, bright colors and suspense to give Steven Soderbergh a run for his money. At the same time, we get a healthy dose of ambiguous darkness, rich irony, black humor and ludicrous moments that tread the thin line between hysteria and nostalgia, morbidity and delight.

    There are layers of amorphous innocence and celebration of sensuality in that scene where the kid, lying on the bed with the whore, learns a thing or two about female anatomy aided by a physical demonstration of squeezing her boobs. (For an odd, whimsical and yet strangely dark kid-confronted-with-ripe-overwhelming-sexuality scene, check out THE TIN DRUM where the protagonist buries his face on their house help's "bush".)

    That scene where the kid tries to enter the abandoned film set to reach his granddad and somehow evades the notice of EVERYONE AROUND HIM, steeped in chaos, fright, awe and exhilaration as they all were - -- that is just tautly controlled and beautifully executed. The colors are so vivid and ethereal and it's great seeing around two hundred of these film extras acting their hearts out for their 3 seconds of fame, to be grazed by the camera's tracking shot.

    Like the mythical, legendary granddad aiming for authenticity and grandeur, Iglesias strives for plenty of big moments.

    But I guess that in the end, all the "hero" ever really wanted was to be loved; and if we can't admire this movie for its glorification of machismo-addled brotherhood and glaring, obvious contrasts and metaphors, we may just love its shameless and profound respect for history, psychological and blood ties, dreams, life, and humanity.
    6Bunuel1976

    800 BULLETS (Alex De La Iglesia, 2002) ***

    I rented this one on a hunch, not having watched any of director De La Iglesia's work, even if I had heard of him - if not the film in question.

    I thought this was going to be an out-and-out Spaghetti Western update, and it looks like it at first, but the way it developed makes it original and even more interesting than I had imagined! It's frequently uproarious and displays a refreshing irreverence, especially in its use of foul language (which I found even funnier because it's so similar to our own); astoundingly, there are also sex scenes witnessed by, and almost involving, a minor! Deliberately paced and overlong, it ultimately emerges as an endearing, even infectious, spoof of Spaghetti Western film-making and the world of stunt-men (which to me, having been in Hollywood a little while back, has a special relevance). Recurring jokes like forgetting the hanged man once the shooting's over, a stuntman dedicated to making his fall from a roof-top as realistic as possible, and the front of a poor woman's house being demolished by a runaway van are very funny, and there's a hilarious funeral finale with a surprising appearance by "Clint Eastwood" (who, as everyone knows, became a household word in Italian Westerns filmed in Spain)!

    The cast is largely made up of unknowns (except for Carmen Maura) but they enter enthusiastically into the tongue-in-cheek spirit of things, with Sancho Gracia's characterization being especially vivid (at times, even a moving one). Indeed, among the various in-jokes which crop up throughout the film is the mention of the Raquel Welch/Burt Reynolds Western 100 RIFLES (1969), a film in which Gracia really appeared!
    6josean_xx

    typical De La Iglesia

    Alex de la Iglesia is probably one of SPain's finest filmmakers. An artist that can deliver such masterpieces as El dia de la bestia is really worth following. Here he derails with a tale the takes too long to unfold nd takes the spectator nowhere. Alex major problem lies always with the scripting of his films. Hs first film spent half of its footage presenting us a group of characters that were then killed so that the story could go in a different different direction. Same mistake here. The story starts and evolves then stops and then starts again in a different direction, etc. We are never heading in a concrete direction. The filmmaker gets lost among all the characters and their troubles never deciding which route to take. He is a good craftsman, and the film is above average in the technical department, still it's pretty boring, unusually so for a De La Iglesia comedy.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Álex de la Iglesia wanted Clint Eastwood to play himself in the film. He even offered to move to Los Angeles to shoot Eastwood's part. Eastwood, who was then working on the production of Mystic River (2003), was forced to turn down the offer.
    • Gaffes
      The man who takes the officers gun continues to shoot even when the gun is clearly out of ammunition.
    • Connexions
      Featured in De Kijk van Koolhoven: Post-apocalyptische film (2018)

    Meilleurs choix

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    FAQ19

    • How long is Eight Hundred Bullets?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 avril 2004 (France)
    • Pays d’origine
      • Espagne
    • Site officiel
      • TLA Releasing (United States)
    • Langues
      • Espagnol
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • Eight Hundred Bullets
    • Lieux de tournage
      • Borox, Toledo, Castilla-La Mancha, Espagne
    • Sociétés de production
      • Alan Young Pictures
      • Canal+ España
      • Euskal Irrati Telebista (EiTB)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 866 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 866 $US
      • 31 oct. 2004
    • Montant brut mondial
      • 1 562 139 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 4min(124 min)
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 2.35 : 1

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