À la folie... pas du tout
- 2002
- Tous publics
- 1h 32min
Les proches d'Angélique sont convaincus qu'elle se consume dans une relation sans issue, avec un homme marié de plus bientôt papa ; mais contrairement aux apparences cette relation n'est qu'... Tout lireLes proches d'Angélique sont convaincus qu'elle se consume dans une relation sans issue, avec un homme marié de plus bientôt papa ; mais contrairement aux apparences cette relation n'est qu'illusion, car la jeune fille est folle. Les dégâts sont immenses. [255]Les proches d'Angélique sont convaincus qu'elle se consume dans une relation sans issue, avec un homme marié de plus bientôt papa ; mais contrairement aux apparences cette relation n'est qu'illusion, car la jeune fille est folle. Les dégâts sont immenses. [255]
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
- Rachel
- (as Isabelle Carre)
- Anita
- (as Elodie Navarre)
- Jean-Louis
- (as Michaël Mourot)
Avis à la une
That said, it is not really a romance, although people who like romances will find enough roses and hand-drawn artwork here to please. If you are one of those who generally refuses to see movies with "love" in the title, consider that "love" isn't in the original French title, so rest assured you can watch this without reservation.
It is because they are so comfortable in their own skin that they can get away with movies which would be embarrassing if made by the British and ghastly if made by the Americans. "À la folie... pas du tout" falls into this category. Sartre had a gift for doing philosophy in a hip, wine drinking, story telling, bohemian way. This movie has done a disturbing, psychological, tragic romance in a beautiful, sumptuous, fist-bitingly lovely way. I'm sure it's something to do with being French.
The only thing that irked me was that the script and plot were both repeatedly, albeit momentarily, clumsy. For a movie so graceful in terms of acting and direction it was sad that the screenplay couldn't quite keep pace.
On the upside the acting was great. I'm probably biased as it's only a profound laziness that stops me stalking Audrey Tautou, but she was marvelous. The story moved quickly and even the marginally avant garde perspective shift was beautifully achieved. The conclusion is wonderfully dark and leaves you feeling that the plot has been going somewhere and that you've arrived there quite unexpectedly.
Had the script been a little more polished I'd have given it more marks. Having said that I don't expect that anybody involved in the movie will be crying themselves to sleep because some random internet bloke has given them 8 out of 10. Having said that if Audrey Tautou should happen to stumble across this review my address is...
Watch it you'll enjoy it.
I found it to be quite enjoyable.
Since I don't want to give anything away I can't say much about the story. It starts as a movie about a cute, sweet girl in love, and the movie's use of an actress who exudes sweetness and innocence makes what happens as the movie progresses all the more startling. The movie is devoted to its one central trick, and what's notable is not the trick - lots of movies have tricks - but how much time is spent in showing off the filmmaker's cleverness. This could have been annoying or self indulgent but I enjoyed it. Some people won't be surprised - I'm really not as good as guessing twists as a lot of people (which is why I consider the movie Matchstick Men to be so poor in spite of good reviews; that one I guessed straight through to the end early on) - but I was surprised and quite delighted.
The director brilliantly pieces together the two halves of this movie and by the end, it is believable. We almost wanted to watch it again so we can catch the tricks but we didn't have time.
Anyway this is a great French treat and for those of you who liked Tautou in "Amelie" and "A Very Long Engagement" you're going to like her in this one too.
Le saviez-vous
- AnecdotesToutes les informations contiennent des spoilers
- Gaffes(at around 1h 11 mins) When Loïc gives CPR Angélique she is lying motionless with her eyes open. When he leans in to plug his nose and breath into her mouth, you can see that she closes her eyes as he leans in.
- Citations
[last lines]
Title Card: "Though my love is insane, my reason calms the pain in my heart, it tells me to be patient and keep hoping..." An erotomaniac confined for over 50 years.
- Versions alternativesAccording to the Technical Specifications link for this film, there are at least 3 different versions: (what is presumably) the one shown in theaters and available online, with a Runtime of1 hr 32 min (92 min); a longer version available in Britain, coming in at 1 hr 35 min (95 min) (UK), and a third one (with unknown) differences), 1 hr 35 min (95 min) (Argentina).
- ConnexionsReferences 2 ou 3 choses que je sais d'elle (1967)
- Bandes originalesJe Voulais te Dire que je t'Attends
Music by Michel Jonasz
Lyrics by Michel Jonasz and Pierre Grosz
Performed by Maurane
(P) 2001 Polydor France
©1976 Warner Chappell Music France S.A. (ex Les Editions Marouani)
With the kind authorization of Universal Music Projets Spéciaux and Warner Chappell Music France S.A.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 011 102 $US
- Week-end de sortie aux États-Unis et au Canada
- 76 000 $US
- 16 févr. 2003
- Montant brut mondial
- 5 324 097 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1