Monsieur Batignole
- 2002
- Tous publics
- 1h 40min
NOTE IMDb
7,0/10
3,6 k
MA NOTE
Monsieur Batignole, un boucher en partie responsable de la déportation d'une famille juive, commence à cacher des enfants juifs et décide de les emmener vers un lieu sûr.Monsieur Batignole, un boucher en partie responsable de la déportation d'une famille juive, commence à cacher des enfants juifs et décide de les emmener vers un lieu sûr.Monsieur Batignole, un boucher en partie responsable de la déportation d'une famille juive, commence à cacher des enfants juifs et décide de les emmener vers un lieu sûr.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Michèle Garcia
- Marguerite Batignole
- (as Michele Garcia)
Daphné Baiwir
- Guila Cohen
- (as Daphne Baiwir)
Élisabeth Commelin
- Irène
- (as Elisabeth Commelin)
Avis à la une
This does for the German occupation of France what "Life Is Beautiful" did for that of Italy. It's a wonderfully warm and even humourous story set against the horror of the holocaust. The characters are well drawn and the camera sees the German occupation through decidedly French eyes. No propaganda. No punches pulled. No attempt to deny that many French collaborated with the Nazis. And no false heroics. M. Batignole is a timid hero indeed but a genuine hero nonetheless. A refreshing new perspective on the war years with much to praise and nothing to criticise.
This is a rather good simple light movie about a heavy subject. Despite its heavy WW II subjects, such as anti-semitic feelings, collaborates, this movie at all times remains a light and pleasant one to watch, due to its approach and way of storytelling.
The movie is rather simplistic and there is not an awful lot of tension or even surprises in this movie really. Yet the movie is effective since it is well made, has nice characters and a rather nice main plot line that it follows.
The movie is build up well and sets up a good feeling and atmosphere of 1942 occupied Paris and the characters of the movie. Too bad that about half way through the movie the movie suddenly takes another approach and becomes an almost entirely different movie, with different settings and also for some part different characters. It's also obvious that they spent most time and effort on the first halve of the movie that is definitely better looking, more believable constructed and has a better flow. In the second halve of the movie some unlikely events occur and the movie and story at times feels like it was done in a hurry and not everything flows well or reaches a satisfying conclusion.
The movie has some good and enjoyable characters in it and the movie gets carried by Gérard Jugnot, who also directed and wrote the movie, who plays a rather unsympathetic and anti-hero at first but as the story develops he gets more and more human so the speak and starts showing his emotions and expresses his thoughts. This is a nice approach for the main character that also works well for the story. It's a great role by Gérard Jugnot, who shows how multi-talented he is. The young Jules Sitruk also was great in a quite big role. Jean-Paul Rouve was also greatly cast as the future son-in-law and collaborator.
The movie is a good watch but overall the movie is just a bit too light and simplistic to leave a really lasting or powerful impression.
6/10
http://bobafett1138.blogspot.com/
The movie is rather simplistic and there is not an awful lot of tension or even surprises in this movie really. Yet the movie is effective since it is well made, has nice characters and a rather nice main plot line that it follows.
The movie is build up well and sets up a good feeling and atmosphere of 1942 occupied Paris and the characters of the movie. Too bad that about half way through the movie the movie suddenly takes another approach and becomes an almost entirely different movie, with different settings and also for some part different characters. It's also obvious that they spent most time and effort on the first halve of the movie that is definitely better looking, more believable constructed and has a better flow. In the second halve of the movie some unlikely events occur and the movie and story at times feels like it was done in a hurry and not everything flows well or reaches a satisfying conclusion.
The movie has some good and enjoyable characters in it and the movie gets carried by Gérard Jugnot, who also directed and wrote the movie, who plays a rather unsympathetic and anti-hero at first but as the story develops he gets more and more human so the speak and starts showing his emotions and expresses his thoughts. This is a nice approach for the main character that also works well for the story. It's a great role by Gérard Jugnot, who shows how multi-talented he is. The young Jules Sitruk also was great in a quite big role. Jean-Paul Rouve was also greatly cast as the future son-in-law and collaborator.
The movie is a good watch but overall the movie is just a bit too light and simplistic to leave a really lasting or powerful impression.
6/10
http://bobafett1138.blogspot.com/
Although some of the characters are clichés, they are all well acted. The film manages to mix its humor with the seriousness of the subject without the awkwardness and maudlin artificiality of "Life is Beautiful." I don't know if this has been released in the U.S. (I saw it on an Air France flight), but it is worth looking for.
10tordiway
Probably the best film I have seen so far this year. We recently screened it for our Film Festival Selection Committee and the response was near-unanimous - four stars. The previous commenter's accusations of "terminal cuteness" baffle me - this is the best good-old-fashioned solid three-act structure Hollywood movie I have seen in a long time - and it was made in France. The distributor claims that they cannot find an American distributor who will meet their terms - therefore, there are no plans for American release. If you can find it playing at your local Jewish Film Festival (about the only place you are likely to find it in the US - a shame, really, since it is not a film only for Jews)by all means buy your ticket and go.
Comedy/drama with splendid performance from Gerard Jugnot as a grocer who becomes involved numerous risks and adventures to save three little Jews . 1942 Paris is under Nazi occupation , there a store keeper named Edmond Batignole (Gerard Jugnot) benefits this situation . He lives with his spouse (Michelle Garcia) and daughter (Alexia Portal) in a small flat in the building of his grocery . Thanks to his future son-in-law , a notorious collaborationist (Jean-Paul Rouve) he organizes banquets for Germans . However his life changes when a Jewish little boy appears in his door asking for help . Batignole hides and protects him against his fateful destination by any means , despite risking to lose his privileged position . Later on , there appears his two Jews cousins , then Batignole decides to travel with three kiddies to Switzerland .
This is an interesting comedy/drama/war developed in an occupied France during the 40s and based on writing credits by Philippe Lopes and Gerard Jugnot. It's the feeling story about a humble grocer with sweet moments, humor and amusing situations . Interesting film is sometimes slipping into banal sentimentality , comedy or outright melodrama, three things that in this powerful portrayal are well combined . Over-all this is an engaging look to infancy friendship with periods of heavy-handed sentimentality . Extraordinary performances from duo protagonist, Gerard Jugnot acting similarly to Louis De Funes with excessive gesticulation , he plays an insignificant shop keeper turned into liberator hero and Jewish saving , and a likable kid stunningly interpreted by Jules Sitruk . Enjoyable relationship between the obstinate shop keeper and the Jewish know-all boy . This stirring and highly acclaimed riveting war comedy about a grocer who has intense relationship with a Jew boy is powered by marvelous performances being very well directed by Gerard Jugnot . He is a magnificent director and actor , his greatest hit was , of course , ¨The Chorus¨ . He has directed eleven films, generally , dramas and comedies , such as : 2008 Fashion victim, 2000 Meilleur Espoir Féminin 1994 Casque bleu , 1988 Sans Peur et sans Reproche ,1985 Scout Toujours , 1984 Pinot simple flic . ¨Monsieur Batignole¨ at his best and a highly rated film . Better than average , worthwhile watching .
This is an interesting comedy/drama/war developed in an occupied France during the 40s and based on writing credits by Philippe Lopes and Gerard Jugnot. It's the feeling story about a humble grocer with sweet moments, humor and amusing situations . Interesting film is sometimes slipping into banal sentimentality , comedy or outright melodrama, three things that in this powerful portrayal are well combined . Over-all this is an engaging look to infancy friendship with periods of heavy-handed sentimentality . Extraordinary performances from duo protagonist, Gerard Jugnot acting similarly to Louis De Funes with excessive gesticulation , he plays an insignificant shop keeper turned into liberator hero and Jewish saving , and a likable kid stunningly interpreted by Jules Sitruk . Enjoyable relationship between the obstinate shop keeper and the Jewish know-all boy . This stirring and highly acclaimed riveting war comedy about a grocer who has intense relationship with a Jew boy is powered by marvelous performances being very well directed by Gerard Jugnot . He is a magnificent director and actor , his greatest hit was , of course , ¨The Chorus¨ . He has directed eleven films, generally , dramas and comedies , such as : 2008 Fashion victim, 2000 Meilleur Espoir Féminin 1994 Casque bleu , 1988 Sans Peur et sans Reproche ,1985 Scout Toujours , 1984 Pinot simple flic . ¨Monsieur Batignole¨ at his best and a highly rated film . Better than average , worthwhile watching .
Le saviez-vous
- GaffesWhen Pierre-Jean threatens Edmond with the cleaver, the blade is vertical in shots from the front but is horizontal in shots from behind Edmond.
- ConnexionsFeatured in Gérard Jugnot - artisan réalisateur (2013)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- On pouvait pas savoir...
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut mondial
- 9 502 387 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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