Avril brisé

a Kadare's adaptation. who preserves the colors of lines, the light of phrases, the bitter splendor of small things. a film about family, duty and sacrifice. simple. touching. seductive because it presents just pillars of life without the desire to be more than a sketch. and becoming convincing portrait of a rural Brasil, a poor family, a shirt and its colors, a love story and a wise boy who change his world. the performances. the landscapes. the cinematography. each as a gem. for present a story who is only portrait of life. nothing new. only an old story from an Albanian writer. becoming a Brazilian movie as a kind of bridge of basic essential things.

This movie is one that will leave your mind wondering for days thinking how can a director mix imagery, sensitivity, and poetry in a simple story. This movie will inspire all of those that want to see different ways of making movies. The reason why, in my opinion, this movie is so great is because the movie does not give you all the information for you to understand it. It actually functions more like a book. In several different instances there are long sequences with no dialog, only body expression. This instigates the minds of the viewers to try to "fill-in the gap" by guessing what the character is probably thinking. If you are looking for a new way to experience movies, please try this one. I highly recommend it!!!

It is a MUST see! If you have the opportunity, please rent it! You'll not regret!

After reading some of the comments from American film fans on IMDb I must admit I was a little wary about going to see this movie. I needn't have worried though. To put it simply, this is the most beautifully shot film I think I have ever seen.

Walter Salles seems to bring so much colour and life out of the screen and into the theatre it was just an awesome experience. That scene with Clara on the rope, the scene with Tonio on the beach and the chase sequence at the beginning were just stunningly shot.

It was strange that I was the only person in the cinema to see this movie, and at the same time it's a pity that people would rather suffer the likes of Kate and Leopold or Collateral Damage (!) than a masterpeice like this. No matter how "clunky" you think some of the symbolism is, it was refreshing to see something as moving.

I read a review of this by Anthony Minghella, and he said, "It's as close to poetry as cinema gets", and I couldn't agree more.

Top marks 10 out of 10. And no mistake!

This is a wonderful portrayal of human pride and stubbornness along with love and duty. Most of the people in the western world don't understand what's shown here. It's not about glorifying violence but in certain cultures honor is everything and people would rather die than be dis-honored.

It shows the struggle between doing the right thing and doing the honorable thing. The struggle in Tonio between the duty and love. The "kid" Pacu steals the movie but the barren lands is just as much amazing as the movie itself. The cinematography adds just as much to the movie as the story. The same geography seen everyday seems so dreary but here it's so beautiful. All the characters are so helpless in their own situation and only two of them choose to break free. The girl and the kid. Yet they break everything apart what's holding the rest of them hostage.

It's a must see movie if you are one of those people who yearn for knowing more of what lurks inside our own hearts.

I bought this film by chance to give myself a shot of culture, and wasn't really expecting it to live up to much. I had never heard of it before, but I liked the cover and the story sounded OK. However, I was in for a real treat. Beautifully shot against Brazilian landscapes and told through a cast of tremendously talented actors, especially, and most surprisingly, Rodrigo Santoro, of Love Actually fame. However, it is the little boy who really steals the show. He is fantastic and will have you reaching for the Kleenex. The beautifully told relationships between the families and the drama of the feuds just makes this film one of the best foreign films ever, and, if you can be bothered to read subtitled films, this is one you won't regret getting. It is really that good, and the cinematography is astounding. Sorry to keep talking in hyperbole, but it really is phenomenal.