La spagnola

This delightful Australian film came out of nowhere, as I doubt it was ever was shown commercially in this country, except maybe in some markets, but never in the N.Y. area, as far as I'm concerned. It is a film that holds one's attention because of what Steve Jacobs, its director, working on a screen play by Anna Maria Monticelli, has achieved. He deserves better than the obscurity this film seems to have gained. Had it not been for HBO Latino, we would have missed this funny Australian movie.

Perhaps most viewers get confused with this movie trying to be a lot of different styles, not settling into being just a comedy, or a black one, at that. There are lots of situations in the film that immigrants all over the world could easily identify with. There is a 'melange' of languages enough to confuse the most brilliant linguists, but in a funny kind of way. It's easy to follow what one sees on the screen.

The two principal actresses, Lola Marceli, and Alice Ansara, make this film enjoyable. Both women bring a fire to whatever they do in line with what one's expectations. Lola Marceli is a gorgeous creature who smolders the screen with the heat she projects. Ms. Ansara, as the long suffering daughter, is quite good herself.

The best thing in the film is Aunt Manola's version of the ritual of preparing the cucumber salad. Lourdes Bartolome is nothing less than genial as her facial expressions are seen in close ups. Not only that, but Aunt Manola adheres to the most hygienic ways of preparing food!

Watch this movie with an open mind and it will reward the viewer.

There's a lot of negative reviews about this film on this site, but in fact I found it to be quite quirky, funny and engrossing. If you get a chance to see it, do so - you'll be pleasantly surprised by this funny, fiery dysfuctional Austalian film (also good if you're studying Spanish or Italian)

"La Spagnola" (literally "The Spanish Woman", in Italian) is a searingly sexy black comedy from "down-under" that explores the dysfunctional relationship between the fiery and beautiful Spaniard, Lola (Lola Marceli in a star-making performance) and her sensitive and lonely daughter, Lucia (the beguiling newcomer Alice Ansara).

There is not a false note in the entire film. Under Steve Jacobs' assured direction, the faultless performances, stunning cinematography, playful musical score and songs, work their surprising and indelible magic upon us.

Anna-Maria Monticelli's achingly funny yet deceptively simple narrative rings with harsh truths about the migrant experience in 60s Australia, and propels this sublime human drama towards a touching conclusion.

"La Spagnola" is firecracker of a film and a sure-fire bet for the next "Best Foreign Film" Oscar.

The plot is tenuous, the action is repetitive, the cinematography is gawky industrial, the obsession with cars is cute, the multiple languages is interesting, the performances are adequate, the overall effect is "if you are tired watching Hollywood stuff you may want to check it out but then maybe not, just curl up in bed with a good book".

And if you are male, you may want to see it just for the blatant pleasure of ogling Lola Marceli in glorious 35 mm color.

La Spagnola had a lot of potential but didn't live up to expectations. The plot just was not strong enough. Despite fine acting this was a missed opportunity. It has its heart in the right place but not a lot really happens. Alice Ansara is a real find and is a young actor we will here a lot more from in the future.