Ajouter une intrigue dans votre langueSeries of half hour parodies of British horror films of the 60s and 70s.Series of half hour parodies of British horror films of the 60s and 70s.Series of half hour parodies of British horror films of the 60s and 70s.
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This show is so funny and well written.
The jokes are so obviously but the audiences don't actually expect them thus resulting in laughter once said, one that would stick with me is 'I kicked her head in...the fire'
This is one of Steve Coogans best bits.
Like many other TV shows however, it has its bad bits, but the hilarity of the show and the plots will let make you forget about that in no time soon!
At least give it a try, it's like one of those things which you need to watch, just to say you have seen a classic piece of comedy, especially because of Coogan in his prime!
The jokes are so obviously but the audiences don't actually expect them thus resulting in laughter once said, one that would stick with me is 'I kicked her head in...the fire'
This is one of Steve Coogans best bits.
Like many other TV shows however, it has its bad bits, but the hilarity of the show and the plots will let make you forget about that in no time soon!
At least give it a try, it's like one of those things which you need to watch, just to say you have seen a classic piece of comedy, especially because of Coogan in his prime!
Steve Coogan is a master of character acting, and I would not disagree with any comparisons made between him and the late Peter Sellers. As a writer, he has a cultured background from which to create comedy, and he does so with style in this movie spoof anthology. If you are like me and grew up watching the classic British horror of Hammer Studios, the European spy stories of Sax Rohmer, and the psychological terror tales of the 1970s from the likes of David Cronenberg, then you will be delighted to see all of those film genres and more showcased here. Coogan's tales gives a stunning visual appreciation to their strengths while he pokes fun at their flaws, and he makes multiple references to the old films and their creators that can be a challenge for movie buffs to catch in one viewing, weaving both highbrow humor and lowbrow innuendo together to create something that stands on even footing with Monty Python and Mel Brooks with its high degree of wit. Vampires, voodoo, megalomaniac super-villains, science gone wrong, nightmares, and devil worship all play a part in this series, and the only thing that keeps me from giving it a perfect ten is that it never lost its pace but only lasted six episodes. Even though ten years have passed since its inception, I would look forward with great anticipation to a second series that gives a good-natured ribbing to these great films.
When I first heard about Dr. Terrible's House of Horrible I remember being pretty excited. Not only was this the latest Steve Coogan vehicle but it also was basing itself around old British horror movies that I was very fond of. Unfortunately the idea was greater than the execution and the series didn't attract the predicted audience figures and was not recommissioned for a second season. It's a shame that the series wasn't better, as the potential in the idea is so obvious, while the cast used throughout is really very impressive. It also has pretty decent production values with some fine period detail in all the instalments. The biggest single issue is with the writing, as despite being a comedy it really isn't very funny too often and some of the story lines are handled in quite a clunky manner.
The three studios synonymous with British horror of the 60's and 70's are spoofed, namely Hammer, Amicus and Tigon. The entries focusing on the latter two are probably the best instalments in the whole series. 'And Now the Fearing' mimics the horror anthology series specialised by Amicus and unlike the others is set in more modern times in the early 1970's, so it really stands out from the other instalments on that basis alone. 'Scream Satan Scream' is the final episode and it parodies the 17th century-set Tigon horror films, most obviously Witchfinder General (1968). In it, Coogan plays probably his most well-conceived character - the sleazy Captain Tobias Slater, Witch Locator. The remaining episodes, however, aren't as good as these and overall are at best somewhat middling. Overall, I enjoyed the series up to a point, in that I like the concept of it and it is certainly good in places but its not essential stuff really and would probably have been more enjoyable if more care had been taken with the writing.
The three studios synonymous with British horror of the 60's and 70's are spoofed, namely Hammer, Amicus and Tigon. The entries focusing on the latter two are probably the best instalments in the whole series. 'And Now the Fearing' mimics the horror anthology series specialised by Amicus and unlike the others is set in more modern times in the early 1970's, so it really stands out from the other instalments on that basis alone. 'Scream Satan Scream' is the final episode and it parodies the 17th century-set Tigon horror films, most obviously Witchfinder General (1968). In it, Coogan plays probably his most well-conceived character - the sleazy Captain Tobias Slater, Witch Locator. The remaining episodes, however, aren't as good as these and overall are at best somewhat middling. Overall, I enjoyed the series up to a point, in that I like the concept of it and it is certainly good in places but its not essential stuff really and would probably have been more enjoyable if more care had been taken with the writing.
Time has been neither kind nor cruel to this relatively obscure Steve Coogan series (only 15 imdb reviews to date). Watching in 2020, I still have the same likes and problems with it as I did when it went out.
Of the 6 episodes, two are bona fide tv classics. One, And Now The Fearing, is a perfect pastiche of early 70s Amicus portmanteau horrors - every single cliché gets thrown into the mix with fantastically cheesy results. The way it's all crammed into 30 minutes is also impressive.
The other, The Curse Of The Blood Of The Lizard Of Doom is a deliriously silly yet engaging sci-fi tinged 19th Century body horror. The slew of knowingly horrendous one-liners in this episode had me creasing, the attention to detail of the sets (and the bad-on-purpose special effects) were spot on, and even the newspaper headlines were genius. Everything about this episode is great, and I wish it had been a full length movie.
Then there's one decent episode, Voodoo Feet Of Death. The premise/set up here is original, and the script has some funny moments, but overall it felt a bit drawn out and convoluted. Worth watching though.
The remaining 3 episodes were a bit of a slog to get through and Coogan seemed to be stuck on autopilot in all of them. Frenzy Of Tongs was especially weak, almost the entire episode seemingly taking place in a big dark cupboard. The other two were historical period pieces and vaguely forgettable, although in fairness all 3 of these had at least one moment that made me laugh.
As a series overall, I'd say of Steve Coogan's non-Partridge tv work this ranks below Paul Calf's video diaries and Coogan's Run, but above Saxondale (overrated), The Trip (yawn) and Tony Ferrino.
Of the 6 episodes, two are bona fide tv classics. One, And Now The Fearing, is a perfect pastiche of early 70s Amicus portmanteau horrors - every single cliché gets thrown into the mix with fantastically cheesy results. The way it's all crammed into 30 minutes is also impressive.
The other, The Curse Of The Blood Of The Lizard Of Doom is a deliriously silly yet engaging sci-fi tinged 19th Century body horror. The slew of knowingly horrendous one-liners in this episode had me creasing, the attention to detail of the sets (and the bad-on-purpose special effects) were spot on, and even the newspaper headlines were genius. Everything about this episode is great, and I wish it had been a full length movie.
Then there's one decent episode, Voodoo Feet Of Death. The premise/set up here is original, and the script has some funny moments, but overall it felt a bit drawn out and convoluted. Worth watching though.
The remaining 3 episodes were a bit of a slog to get through and Coogan seemed to be stuck on autopilot in all of them. Frenzy Of Tongs was especially weak, almost the entire episode seemingly taking place in a big dark cupboard. The other two were historical period pieces and vaguely forgettable, although in fairness all 3 of these had at least one moment that made me laugh.
As a series overall, I'd say of Steve Coogan's non-Partridge tv work this ranks below Paul Calf's video diaries and Coogan's Run, but above Saxondale (overrated), The Trip (yawn) and Tony Ferrino.
I am somewhat bemused by the relatively luke warm reaction that this sublime series has received. Yes it is all nonsense but that is the idea. The most common, and most ill informed, criticism is that it is merely parodying old Hammer films. This is true of the first story "Vampire Lovers of Lesbian Lust". As the title unsubtley suggests it is a pastiche on those latter day, early seventies Hammer films, such as The Vampire Lovers and Lust for a Vampire, which mixed vampirism with lesbianism, and briefly stayed Hammer's commercial decline. Other installments have found other targets. And Now the Fearing, the best episode, brilliant takes the mickey out of those sixties/seventies Portmanteau films made by British horror studio Amicus (a series that included Doctor Terror's House of Horror). Scream Satan Scream is a spoof of witchhunting, non Hammer films such as The Witchfinder General and The Mark of the Devil. Hand of Tongs takes its starting point from the Fu Manchu stories though it does share many plot similarities with the 1977 Doctor Who story The Talons of Weng-Chiang. Rather than disguising its roots the series does give nods to its influences. The linking story in And Now the Fearing is set in an office complex known as Amicus House. Scream Satan Scream features a dwarf named Tigon, that being the name of the production company responsible for The Witchfinder General. The opening shot of Hand of Tongs shows a sign reading Talon Street E.14. The Talons of Weng-Chiang featured in Doctor Who's classic fourteenth season. Doctor Terrible was without doubt a televisual highlight from 2001. If you disagree with me all I can say is - "You, Sir, are a big crab!
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By what name was Dr. Terrible's House of Horrible (2001) officially released in Canada in English?
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