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In America

  • 2002
  • PG-13
  • 1h 45min
NOTE IMDb
7,6/10
45 k
MA NOTE
In America (2002)
Home Video Trailer from 20th Century Fox Home Entertainment
Lire trailer2:01
3 Videos
29 photos
Le passage à l'âge adulteDrame

Une famille d'immigrants irlandais s'adapte à la vie du quartier mal fréquenté de Hell's Kitchen tout en pleurant la mort d'un enfant.Une famille d'immigrants irlandais s'adapte à la vie du quartier mal fréquenté de Hell's Kitchen tout en pleurant la mort d'un enfant.Une famille d'immigrants irlandais s'adapte à la vie du quartier mal fréquenté de Hell's Kitchen tout en pleurant la mort d'un enfant.

  • Réalisation
    • Jim Sheridan
  • Scénario
    • Jim Sheridan
    • Naomi Sheridan
    • Kirsten Sheridan
  • Casting principal
    • Paddy Considine
    • Samantha Morton
    • Djimon Hounsou
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    45 k
    MA NOTE
    • Réalisation
      • Jim Sheridan
    • Scénario
      • Jim Sheridan
      • Naomi Sheridan
      • Kirsten Sheridan
    • Casting principal
      • Paddy Considine
      • Samantha Morton
      • Djimon Hounsou
    • 291avis d'utilisateurs
    • 96avis des critiques
    • 76Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Oscars
      • 26 victoires et 66 nominations au total

    Vidéos3

    In America
    Trailer 2:01
    In America
    In America
    Trailer 2:30
    In America
    In America
    Trailer 2:30
    In America
    In America
    Trailer 0:35
    In America

    Photos29

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 23
    Voir l'affiche

    Rôles principaux38

    Modifier
    Paddy Considine
    Paddy Considine
    • Johnny
    Samantha Morton
    Samantha Morton
    • Sarah
    Djimon Hounsou
    Djimon Hounsou
    • Mateo
    Sarah Bolger
    Sarah Bolger
    • Christy
    Emma Bolger
    Emma Bolger
    • Ariel
    Neal Jones
    Neal Jones
    • Immigration Officer #1
    Randall Carlton
    Randall Carlton
    • Immigration Officer #2
    Ciaran Cronin
    • Frankie
    Juan Carlos Hernández
    Juan Carlos Hernández
    • Papo
    • (as Juan Hernandez)
    Nye Heron
    • Blind Man
    Jason Salkey
    Jason Salkey
    • Tony
    Rene Millan
    Rene Millan
    • Steve
    Sara James
    • Papo's Girlfriend
    Bob Gallico
    • Theatre Director
    Jason Killalee
    • Assistant Theatre Director
    Chary O'Dea
    • Mexican Woman with Child
    Adrian Martinez
    Adrian Martinez
    • Shopkeeper
    Merrina Millsapp
    • Marina
    • Réalisation
      • Jim Sheridan
    • Scénario
      • Jim Sheridan
      • Naomi Sheridan
      • Kirsten Sheridan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs291

    7,645K
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    Avis à la une

    10leftyguns2

    Welcome to America

    This is the story of an Irish family who comes into the US via Canada and settles in a rundown New York City neighborhood as n immigrant (exile) myself, I can very much relate to what the family was going through . Hot summers , different culture, eccentric neighbors, theft., illness. I recall my own bout with Nephritis shortly after arrival, along with a long hospital stay.My family settled in the most rundown corrupt city in the US . Newark NJ. So I know how it is to land in an undesirable town location.

    The family consists of a father , mother , two young girls, and the subtle presence of a boy who died shortly before the family emigrated. His presence however is felt through the film. .

    The mother becomes pregnant soon after , but must make a choice. If the child is born too early he/she would probably not survive, if carried to term the mother's life would be in peril.

    A subplot develops when the family befriend an eccentric black painter. Mateo. played brilliantly by Djimon Hounsou. They establish a bond that transcends their different backgrounds.

    The pregnant mother takes the courageous step not to terminate her pregnancy.

    As it is my practice I will not divulge anymore information, since It is my function as an author to comment on a film in order to either promote it or tell the reader it isn't worth his/her time. Also i'm not going to give away the best scenes and dialogue. That my dear reader you will see for yourself when you view this masterpiece of a film.

    You must see it.
    bob the moo

    A lot of strengths but they cannot over come the sentimental melodrama at the heart of the film

    Although they tell border control that they are on holiday, Johnny, Sarah and their two daughters have immigrated illegally into the US in the early 1980's. They move to New York into a block full of junkies and down-and-outs. With little money and no friends the family face all manner of stresses and strains in their present and from their past – stresses that threaten the family unit and their future together.

    The names in this project attracted me to it and I did have high hopes for it. The film itself though is a strange, rather frustratingly mixed affair that is really good in some regards but annoyingly soapy in others. The plot is not really a plot in the traditional sense but more the recollections of moving into the new world told from the perspective of elder daughter Christy. I was fine with this approach and hoped that it would be convincing, engaging, moving and so on. Although you can see everyone working against it, the film cannot avoid the spirit of sentimentality and soapy-drama seeping into the majority of the scenes. This takes away from the grit and reality of the drama and does make it harder to get into because it doesn't engage in the way that the same events may have if they had been delivered with more grit and less of the soapy-inspirational quality.

    It is a shame that the film cannot shake this off but it is not the fault of the cast who are roundly really good. Considine yet again gives me good reason to respect him as an actor, likewise Morton who works well with him as well as individually. They are really well supported by two very natural and engaging performances from the Bolger sisters; they are "cute kids" but not in a way that is cloying or annoying. Hounsou has a strong presence in the film and to his credit he delivers this despite the material handed him – not because of it. The cast doesn't really have a weakness and one can only imagine what this film would have been if Sheridan had been given people capable of a lot less.

    Overall then this is a mixed affair. The performances and direction makes it better than it could otherwise have been, but these cannot shake off the sentimentality and soapy feel that much of it has. The end result is a film that has great moments and a story that I really wanted to lose myself in but ultimately was just too melodramatic at its core for all the strengths to totally overcome.
    7=G=

    Odd man out

    "In America" is about an Irish family of four who enter America at the Canadian border, sell their car for money, take up residence in a slum-like walkup in NYC inhabited by losers and druggies, and proceed to do really stupid things like let their little girls eat ice cream across the street unattended or bet all their money on a stupid carney game or enter an unknown black man's apartment while trick or treating. The film continues from there fabricating, manufacturing, and contriving moments with the obvious purpose of evoking emotions...joy, pathos, angst, woe, etc. And it worked. I could go on but anything I write will simply be lost in the wake of plaudits from all corners. "In America" is a hugely popular flick with a good cast, excellent performances, and solid production value recommended for everyone but me. (B)
    olgabill

    Simply the finest film I've seen this year. What a thrilling experience.

    As a film director I attend many screenings. As a film lover I have been going to films all my life since I was a "kid" in the Bronx. This film, "In America" is one for the ages. Not one false note or as we say in the "biz"--not one hiccup. Jim Sheridan has been a extraordinary film-maker since "My Left Foot"--but this film is simply beyond words!
    9Xstal

    Loss, Love, Redemption...

    If you're of a sensitive caring disposition, are empathetic, loving and genuinely see the best in people then this is a film for you. No leaps of faith needed here as Paddy Considine and Samantha Morton share with us the plight of those less well off than most. After suffering a traumatic family event we find them in a new country, a new city, with all its cultural variations and contradictions to overcome - a landscape of limited opportunity. Join them on their journey but be warned, their daughters Christy and Ariel will steal your heart, break you in two, stream tears from your soul. Join them on their journey and let it remind you what it means to be alive.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Originally written to take place in 1982 when E.T., l'extra-terrestre (1982) first came out, but budget cuts obligated it to be set in 2002 when it was made. Coincidentally, the 20th anniversary edition of E.T. played in many cinemas in 2002, so that plot point didn't have to be changed.
    • Gaffes
      The early scenes, when the family first arrive in New York, are set in summertime, yet they drive through Midtown at night past people dressed in winter clothing, a Christmas-season Target billboard, and the Radio City Music Hall Christmas tree.
    • Citations

      Johnny: Are you okay little girl?

      Christy: Don't "little girl" me. I've been carrying this family on my back for over a year, ever since Frankie died. He was my brother too. It's not my fault that he's dead. It's not my fault that I'm still alive.

      Johnny: Ah, Christy.

      Christy: Mom was always crying because he was her son. But he was my brother too. I cried too... when no one was looking. I talked to him every night.

      Ariel: She did, Dad.

      Christy: I talked to him every night, until...

      Johnny: ...until when?

      Christy: Until I realized I was talking to myself.

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Cat in the Hat/The Cooler/In America/The Last Samurai (2003)
    • Bandes originales
      Ezee Does It
      Written by Robert Besdesky (as Beast) and Michael Wallace (as Michael Dwane Wallace)

      Published by Extreme Music Library PLC

      Courtesy of Extreme Music Library PLC

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    FAQ20

    • How long is In America?Alimenté par Alexa
    • When is this film set?
    • Is the film based on a true story?

    Détails

    Modifier
    • Date de sortie
      • 25 février 2004 (France)
    • Pays d’origine
      • Irlande
      • Royaume-Uni
      • États-Unis
    • Langues
      • Anglais
      • Espagnol
      • Gaélique d'Irlande
    • Aussi connu sous le nom de
      • Tierra de sueños
    • Lieux de tournage
      • Irlande
    • Sociétés de production
      • Hell's Kitchen Films
      • East of Harlem (UK) Ltd.
      • Irish Film Industry
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 15 539 656 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 205 229 $US
      • 30 nov. 2003
    • Montant brut mondial
      • 25 382 911 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 45min(105 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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