Le Cercle : The Ring

I think Aiden is way more frightening than Samara.

I must say that I consider myself to be a lover of horror, but much too often, sex and gore is subsituted for real horror and you don't get that feeling of genuine fear in the pit of your stomach. Not so with "The Ring". Never have I seen a film that has affected me so. The images seem to tug at your subconscious, at the dark things we keep inside. I haven't been able to close my eyes without replaying bits of the film behind my eyelids. I have slept with the light on since I've seen it, and we can't stop talking about it. Hands down, it was the best, the scariest, the creepiest, and the most intense horror film ever. The audience in the theater all gripped their armrests, breathed heavily and felt everything the characters were experiencing. It was excellent! But beware.... don't expect to leave "The Ring" in the movie theater, it will certainly be with you for a long time.

The Ring, an American remake of the Japanese film "Ringu", is in my honest opinion a spectacular and enthralling film. The writing, directing, performances and replay value are amazing in and of themselves. I especially love the premise, and I will review this movie as it's own film, not a remake. What really makes it wonderful is the incredible performances and suspense. I really love all the actors' and actresses' dedication and believability, there being very memorable deliverances of lines and scenes after the film is over. The suspense is top-notch, because of how well the movie is played out and how creepy and fun the material is, that I was both eyes on the screen every second. Naomi Watts is radiant and brilliant; the scenes where she slowly puts the pieces of the puzzle together, or uncovers something dark and haunting are haunting themself because of how marvelous she makes this material.

Do not get me wrong, the material itself is great, but it would have been nothing were it not for the cast. The characters are all interesting, and the main story is quite saddening and effective when it is slowly revealed through many different aspects. While it seems as though the main threat, a "killer videotape", would be a ridiculous and stupid threat, hard to make convincing, it undoubtedly works to the fullest here and is entirely convincing, the videotape's images and the events themselves all being very interesting and entertaining. While the movie is not a masterpiece, it is not too short from it, having a great replay value and being one of the top 20 most effective horrors of the 00s, in my opinion. I am glad it receives a lot of positive reception, for it deserves every bit of it.

This film is the American take on the Japanese original and while it absorbs its source material intact, it twists around its formula a bit in order to make it fit its new surroundings. The story is the same: a journalist, after losing her niece to a mysterious circumstance, investigates and discovers a cursed videotape, which gives a viewer only seven days to live.

Like its predecessors, the film doesn't spend that much time on the supernatural elements, but focuses more on the mystery. However, The Ring features a lot more supernatural elements immediately and throughout the film than either previous version, perhaps to make more obvious and visceral the impending doom that faces our protagonist. Visually, The Ring has been injected with a shot of adrenaline, being less the brooding mystery of the original and more immediate and menacing. The color palette is colder than Ringu and the story is also more detached and focused on the ghostly mechanics than the human story, which leads the film to be more recognizably intimidating.

The story itself is a little more mysterious in that the backstory of our villain is rather thin and unexplained. Furthermore, the villain is clearly portrayed as senselessly malevolent; this weakens at least two significant scenes. The ending, I think, is more clever than the previous versions. I like that there is something to the relationship between the protagonist, Rachel, and her ally, Noah, but it still seems a little weak when compared to Ringu--where one line can effortlessly show the development in the relationship.

As far as a horror movie goes, The Ring is a blunt, but nonetheless creepy example. Losing some of the trappings of its predecessors helps simplify the story for faster flow and to create room for more visual creepiness, but also loses some of the complexity that helped the story have more depth. It's more of impressive frightfest than Ringu, but is a little weaker in story resonance. In the end, that makes The Ring just as effective overall: if you want more chills, catch this version. If you want more meat, catch Ringu. Decent entertainment. 7/10.

A one line review of this film would simple be `The Ring does what most scary films promise, but never deliver'. That should be enough for any scare enthusiast to justify the price of the ticket, and for the most part no one will be disappointed. I say `for the most part' because it is tough to define what is scary for everyone, and I don't deny that this film may not scare many people as easily as others. It must be said however that this film is probably one of the more successful scare flicks, in the spirit of movies like ‘The Exorcist'.

Well crafted, extremely well developed and perfectly executed this remake of the 1998 Japanese Horror film ‘Ringu' is one movie to fit into your top 10 scare flicks. Disturbing from start to end the film quite effectively leaves you writhing in your seat, grasping a loved one until its gripping conclusion without a single piece of gore at all. An art often lost on modern films and obviously inspired by the original (I have not seen the original), the subtle approach to making these kinds of films is delivered to the screen close to an eerie perfection.

The Ring is about a tape, a tape that features some rather disturbing yet very `student film' like snapshots of what can only be described as someone's nightmare. The problem is when the tape concludes, the phone rings and a voice tells you that you will die in exactly seven days. When four teenagers die, simultaneously at 10pm exactly seven days after secretly staying at a secluded cabin a reporter named Rachel, who was the mother of a boy named Aidan, who was a cousin to one of the girls decides to investigate. Partially motivated by the will of the dead girls parents to find an answer as to how their daughter's heart simply stopped, Rachel successfully finds the tape the group watched. Unfortunately for her, she watches it and to her horror she receives a phone call, she now has seven days to solve the puzzle or end up like the others. What follows is an exposition mystery about the chilling origins of the tape, and the power behind the sudden death of each viewer.

Notably, there is nothing terribly exceptional about the acting in this film, it is by no means truly award worthy. It is however extremely well suited to the film and very well executed. Naomi Watts as Rachel holds up very well as the centrepiece of the film and remains a constant link to the audience making the drama more real. Martin Hendersen as the X-Husband Noah was quite well played and David Dorfman as Aidan was not only well cast, but will most likely go on to be apart of many more films that involve a child like this (very much like the Sixth Sense).

The most notable part of this film is its visual and auditory construction, which is responsible for creating most of the tension and scares in the film. There is a great deal in the sound design that will go unnoticed by the average movie-goer, but it features some very subtle sound ranging from scratching to moans and groans and a few other twisted noises. These are woven into the films music to create a deep sense of abnormality during the films more freaky moments and mood sequences.

The visual aspects of the film are close to perfect, a delightful blend of colour that looks digitally graded as opposed to filtered. A strong cold blue dominated throughout the entire film, very rarely mixed with any warmth at all, with the exception of a few scenes. The autumn colours are used quite sharply in contrast to the cold to create another level of abnormality that accompanies the sound design and makes certain aspects of the film standout quite deliberately. From there the camera captures the direction on screen perfectly and with some very well paced editing you end up with a visual treat as much as a formidable film. Much of the story is told with the camera and most of the stories best moments come from effective use of visuals.

I am afraid now that I can't go on without spoiling the film, except to say that the climax is one of the more simplistic yet terrifying moments I have had in a cinema. To watch the packed audience all twist in their seats, gasp and groan in a sort of painful anxiety while the events unfolded on screen was just as much of a treat as the film. This film should scare or at least in the best part disturb you, but I am not promising anything as there have been the odd one or two who claim they found nothing frightening in it at all. Still, scary or not, it is one of the better made Hollywood horror films and more importantly it does not stick to the Hollywood formula not does it give us a Hollywood ending.