Bogotá 2016

If it wasn`t for "After party", this would easily be the worst movie in history. Jaw-droppingly bad in every aspect, from writing (in case they did write something before filming), to acting, to directing, to the appallingly fake stages, oh, kill me now. "Quién paga el pato" is perhaps the most respectable of the three, but it still is a confusing, underachieved and pretentious beyond belief failure. "Zapping" is woeful, Basile's sense of humor falls flat every time and is irritating after ten minutes, and also it's sad to see such good actors shaming themselves in dumb roles like the ones they`re given. I sincerely hope Basile never grabs a camera again in this millenia. And don't get me started on "La Venus", wich is perhaps the worst piece of garbage ever to be filmed. You have to see it to believe it, folks. This guys make Ed Wood look like Orson Welles.

On this strange but refreshing movie we can find three different point of view of the Colombian future. The first segment "Quien paga el pato?" is some kind a thriller, involving the media, and the religion; the segment "La Venus Virtual" has the best plot of the movie, a bizarre tale of a dark city divided in two, the clean and the dirty citizens (the dirty are AIDS infected); "Zapping" the last one, is the parody of the classic TV Couple Contest. With a very low budget, "Bogota 2016" has a convincing outcome, with influences of Terry Gilliam's Brazil, Luc Besson's Last Combat and Jeunet's Delikatessen.

But the most important, this movie generates great expectations about the Colombian film making.