Beyond the Limits

this film has to be seen to be believed!

i was in tears of laughter yet pain at the same time if you imagine a bad cheap porn film script and then forget to add any sex in it what so ever then this is the film you would end up with. it even manages to change style completely half way through starting as a modern day gunfest and yet changing into a medieval swordfest without any explanation at all. a great film for watching with friends whilst drunk or lending to people you detest with every fibre of your body.

absolutely the worst film i have ever endured.

"Beyond the Limits" was a big surprise for me since I am very disappointed in the latest movies concerning the special effects because I hate those cartoon-like computer effects. Olaf Ittenbach is absolutely fabulous as the gore master from Germany because he likes to do the FX the classic way without the help of computer animation.

The movie is composed of two "Tales from the Crypt"-like stories and the main subject is the trip of the "eternal heart" through time, from the alchemistic Middle Age to present days, causing a gore marathon on its way.

The main characters are sadistic psychos who really enjoy to torture and kill their victims in the most gory way someone could imagine. The acting is quite good and impressive for this kind of movie because it makes you really feel the terror and pain of the victims.

This is not a scary movie, it's just a very well done splatter horror from Europe, much better then many Hollywood movies of the genre.

I give it a 10 out of 10 because Olaf Ittenbach rules!

okay the actors in the first story are clearly amatures but given motivations and content Ie - a reason to show graphic Ittenbach effects, I guess they were playing by numbers but the story and perfomances in the med-evil story are quite engaging - Darren Shalavi (I-Spy)is quite remarkable as the quite sorry Dennis who decides to use his impressive fighting abilities to defeat Brewster played with gusto by Rusell Friedenberg (Legion of the dead) and the evil lord Demming to save his love. the visual effects, graphic as they are compare on a higher level to Ittenbachs earlier work - Black past and Burning Moon and Premutos but this time using dual stories tied in by a beautiful reporter and graveyard caretaker tryiong to explain things for us, we get a more complex and anticipated story. the main problem with this film is that no matter how great Shalavi, Ittenbach and some of the rest of the cast are or not, as with the gangsters in the first story, the effects do add some craziness to the film and as with Ittenbachs last film Legion of the dead they will be cut from most releases as they ended up being here in Germany due to the increadable realism, so you get a diluted version which may not make to much sense. Heck though if you like gore and sword fights along with your torture this is the film for you, seek out the directors cut though.

As far as i know potatoes were brought to europe in 1493....... Then how is it possible that they were SLICING potatoes in 1452?????

Anyway nice blood

Having read a lot about Premutos (another Olaf Ittenbach movie, often mentioned in the 'goriest horror of all time' debate), but unable to get hold of a copy cheaply enough, I opted instead for Beyond the Limits, a movie which might not have got such great reviews, but also promised to deliver its fair share of splattery delights.

And boy, does the blood flow in this one. Ittenbach and his crew have created a gore drenched anthology-style movie with some of the most brutal scenes I have seen in a long time. In the wraparound story, a young female journalist interviews a cemetery caretaker for her newspaper; he tells her the shocking tale behind one of his recent 'customers' and then follows that up with another set in medieval times.

The first story has a dinner party (attended by a group of mobsters and their wives) interrupted by a pair of ruthless killers. The sadistic assassins, hired by a man seeking vengeance for the death of his wife, set about slaughtering the party guests. But all is not as it first seems...

The second sees a bloodthirsty inquisitor and his henchmen slaughtering innocent people in a quest to revive an ancient demon. Chock full of torture and gruesome deaths, this is definitely not for the squeamish.

Ittenbach handles the direction confidently and there are some well filmed action scenes and great use of scenery and lighting. Unfortunately, he does also succumb to the use of annoying visual trickery and unnecessary MTV style editing (a particular bugbear of mine). The quality of acting varies from reasonable to very bad, but let's face it—it's the gore that really counts, and that is of a very high standard indeed: vicious, unrelenting and downright unpleasant, but very convincing.

Beyond the Limits is not a film that should be watched by casual horror fans (it's way too disturbing for most viewers, I fear), but those who enjoy 'extreme' movie-making should be more than happy with the tour de force of revolting effects that splash across the screen.