NOTE IMDb
7,5/10
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MA NOTE
La vie problématique d'étudiants adolescents pour qui la musique rêveuse de la chanteuse Lily Chou-Chou est le seul moyen d'échapper à une société aliénante, violente et insensible.La vie problématique d'étudiants adolescents pour qui la musique rêveuse de la chanteuse Lily Chou-Chou est le seul moyen d'échapper à une société aliénante, violente et insensible.La vie problématique d'étudiants adolescents pour qui la musique rêveuse de la chanteuse Lily Chou-Chou est le seul moyen d'échapper à une société aliénante, violente et insensible.
- Récompenses
- 4 victoires et 1 nomination au total
Avis à la une
Lilly Chou-Chou is quite a perculiar movie experience, there is no over riding message, there is no moment to reflect, everything that this movie expresses appears in an instance and then is lost again in the great 'ether'. Throughout I felt lost, not merely due to the disjointed narrative but the pacing and overall premise did not register to me as 'a movie'. Trying to find meaning in Lilly Chou-Chou is similar to attempting to find meaning in ambient electronic music, as we watch the movie we are detached, the story, so to speak, unfolds gracefully but the audience can not relate to the characters, but can only attempt to make sense of it all.
Lilly Chou-Chou is in my opinion a great achievement of movie making, interms of acting, editing, sound mixing and visual flair, fans of cinema are treated to something entirely fresh, but there is the overall feeling of dissatisfaction, I wanted more from the story, I wanted to see more of the characters, more of their lives and their interaction with one another. Yet the director withholds much of this from the viewer, choosing to present the characters relationships with one another in small doses, leaving the visuals and sound to complement the rest. And this I feel is one of the dissapointments of this movie, so much is conveyed yet so little is actually on screen, the watching of this movie requires a level of understanding of emotions, and the viewer is called upon to make sense of it all.
This would be the movies strongest point, and one of its weakneses. I urge anyone with a curiosity for this movie to watch it.
Lilly Chou-Chou is in my opinion a great achievement of movie making, interms of acting, editing, sound mixing and visual flair, fans of cinema are treated to something entirely fresh, but there is the overall feeling of dissatisfaction, I wanted more from the story, I wanted to see more of the characters, more of their lives and their interaction with one another. Yet the director withholds much of this from the viewer, choosing to present the characters relationships with one another in small doses, leaving the visuals and sound to complement the rest. And this I feel is one of the dissapointments of this movie, so much is conveyed yet so little is actually on screen, the watching of this movie requires a level of understanding of emotions, and the viewer is called upon to make sense of it all.
This would be the movies strongest point, and one of its weakneses. I urge anyone with a curiosity for this movie to watch it.
The one agreeable thing that can be said about Shunji Iwai is that he makes beautiful images. Lily Chou Chou is his most recent release (and let me state, since someone incorrectly wrote it is pronounced "Choo Choo" it is not, it is spoken "Shoo Shoo"), and one of his most coherent films. For some reason this movie seems to puzzle a lot of people... maybe it is the translation from English to Japanese (I watched the movie in Japanese dialog only, so I don't know if they killed it with subtitles or not), but the movie's plot is really not so complicated. If you know a little bit about Japanese life and culture, the emotions of youth, and devotion to an artist then you can watch this movie and understand it. Even for those who were confused by the plot, another one or two viewing should clear up any misunderstandings. Iwai does have some issues with complicating plot stories, or leaving out plot at all. As a writer he is great, but not perfect. As a director of film and photography he is mind blowing. The images that Iwai creates and displays to the audience are the most beautiful presented. Whether or not the story behind this movie shines to you, the images should be enough to blow your mind. Iwai uses re-occurring themes to present lovely contrasts. He also chose a beautiful selection of music to accompany his film, from Debussy to old Okinawan songs to Lily Chou Chou's own. If you pay attention to the gentle subtleties presented in this film, there is no way you can walk away with your life unchanged. I know this film has changed my life, and has become my main source of inspiration.
This is a film that makes you feel more than it makes you think. Combination of poetic images and magnificent music takes you to a new level of emotion. Iwai used emotional space of each characters as well as physical space very well throughout the entire film, it is hard not to make connection with them. This is what the cinema is all about in my humble opinion. Emotions be felt by images and sound.
I just watched Lily Chou Chou and I was completely blown away by it. It displayed the struggles of Japanese teens so elegantly. I stayed in Japan for a summer a few years back and attended a high school there. There is a big change going on in Japan's youth today and this is the only time I have seen it portrayed. More films about the real Japan should be made and that's one reason why Iwai is such a good director. He may over do it a little but its what people need to wake up to the struggles in a changing Japan. Americans may think the struggles of being a teen are hard, but Japanese teens have it even harder. Stuck in an extremely difficult academic path without nearly as many choices as we get. That's why escapism through music is so important for them. Its one of their only ways to get out of the social and academic pressures of every day life. The song Glide for me summed up the feeling of the movie. "I wanna be"
I had the pleasure of seeing this movie alone on a quiet weekday night. I wasn't prepared for the power of this film, and how much it would hurt me and inspire me when i saw it.
The film moves fluidly, and seems like a work of art more than entertainment. As we watch we are shown a side of Japanese youth not often seen in such an honest light. This world is shocking and scary, yet there is a comfort in seeing it in such an honest way. Much of the film is short with a music video quality to it, but it is the careful, intimate direction that keeps this film grounded as it shifts from situation to situation. I will not tell much about the story, since any spoiling of the plot might weaken the effect of the first viewing. I can say that this is truly a rare achievement in film, and it deserves to be seen.
The film moves fluidly, and seems like a work of art more than entertainment. As we watch we are shown a side of Japanese youth not often seen in such an honest light. This world is shocking and scary, yet there is a comfort in seeing it in such an honest way. Much of the film is short with a music video quality to it, but it is the careful, intimate direction that keeps this film grounded as it shifts from situation to situation. I will not tell much about the story, since any spoiling of the plot might weaken the effect of the first viewing. I can say that this is truly a rare achievement in film, and it deserves to be seen.
Le saviez-vous
- AnecdotesAt one point a character describes Hoshino's mom as looking like Izumi Inamori. This is the actress that plays Hoshino's mom.
- Citations
Yûichi Hasumi: For me, only Lily is real.
- Crédits fousThe opening takes the form of social media messages from a number of people, depicted as though they were being typed at the moment, using a QWERTY keyboard but with Japanese installed as the language. providing assorted viewpoints of Lily and her impact. This is repeated at the end credits. Also, although the film is in Japanese, the end credits are in both Japanese and English.
- Versions alternativesThere are two versions available. Runtimes are: "2h 26m(146 min)" and "2h 37m(157 min) (original cut)".
- ConnexionsReferenced in Kill Bill: Volume I (2003)
Meilleurs choix
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- How long is All About Lily Chou-Chou?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Khúc Cầu Siêu Của Tuổi Trẻ
- Lieux de tournage
- Iriomote-jima, Okinawa, Japon(Summer 1999)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 26 485 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 064 $US
- 14 juil. 2002
- Montant brut mondial
- 171 781 $US
- Durée
- 2h 26min(146 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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