Un homme s'infiltre dans une prison pour trouver des informations qui l'aideront à poursuivre ceux qui ont tué sa femme. Il tombe sur un complot impliquant un détenu du couloir de la mort et... Tout lireUn homme s'infiltre dans une prison pour trouver des informations qui l'aideront à poursuivre ceux qui ont tué sa femme. Il tombe sur un complot impliquant un détenu du couloir de la mort et sa cachette d'or de 200 millions de dollars.Un homme s'infiltre dans une prison pour trouver des informations qui l'aideront à poursuivre ceux qui ont tué sa femme. Il tombe sur un complot impliquant un détenu du couloir de la mort et sa cachette d'or de 200 millions de dollars.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
- Little Joe
- (as Michael 'Bear' Taliferro)
Avis à la une
The director, Don Michael Paul, seems to have no ability to direct an action scene, martial art OR weapon-oriented. He uses annoying techniques like slow-motion or fast-motion to try and be "edgy", I guess. He also has problems telling a story, with some notable gaps that filled would have made some plot points more clear. He was working with a tight budget, which explains some things like numerous close-ups and somewhat impoverished sets. (Plus outdoor locations that clearly aren't in the United States, even though the movie is supposed to be taking place there.) Still, the movie moves along with nary a slow spot, and as problem-filled as it is, it's slicker and less annoying than Seagal movies like TICKER and THE FOREIGNER.
That's not to say Half Past Dead did not bother me. First and foremost, my feelings for most contemporary music (rap, metal, rock, country, etc) artists range from mild appreciation to utter disgust for reasons that belong in another review, in another discussion. The music that a number of action sequences were cut to was from said contemporary music, more specifically, from the "disgust" portion of the spectrum. Thus, I was tempted to play the action sequences in mute.
Also, I was disappointed to see Nia Peeples kick the crap out of Ja-Rule only to be put down with one punch (?!) and then throw in a typical villain's anti-climactic death. But there I go with my own expectations, thinking for some silly reason that someone who can dish out punishment should be able to take it . . . that and my desire to see rappers in films die.
Finally, the hostage switch towards the end of the film . . . okay, this is a Steven Seagal action film. I'm willing to accept a lot of BS for the sake of an action film. BS such as choosing the single dumbest, most vulnerable, position for the coming gunfight; Nia's makeup and outfit; the chain fight; Ja Rule's constant winking; the storyline with the Sasha character . . . but the cheap surprise with the judge so the filmmakers can pat themselves on the back and say, "We fooled the audience" is pushing me over the line.
But, yeah, there were mindless fist fights, there were mindless gunfights, there were mindless explosions, chases, a plot that's just an excuse to bridge said sequences together, and no real ambition to go any further everything I was expecting when I picked it up for the rental.
What can I say, though? It was fun watching Steven start a fight with prison guards more or less because he can. It was a blast watching Nia in her oddball makeup beat the living crap out of Ja Rule (why, oh why, didn't she get to kill him?). I found it hilarious that these prisoners were so eager to defend their prison so they can serve the rest of their sentence in peace and quiet. And wow, how great was it seeing Steven and Ja Rule prepare for a confrontation by trapping themselves in the exposed cockpit of a crashed helicopter that's up in the rafters with no way to get down? Shooting missiles down with the helicopters guns was the icing on this outrageous cake of disbelief.
They say timing is everything; this also applies to when one sees a movie and how much they enjoy it. I consciously watched Half Past Dead full well knowing I've hated other films for less, but still got a kick out of what I observed on the screen. Which provokes an interesting thought: between timing (including state of mind/mood) and expectations, both of which heavily influence a critics opinion, how much room is there for "objective" reviews? I'm glad I've never claimed to be an objective critic.
Note - I particularly enjoyed the scene where deep cover FBI op Seagal is asked by a fellow prison inmate if there isn't something more to him than just another inmate whereupon he willingly blows his own cover and admits he's an agent. Exit undercover agent. Enter birdbrain.
Le saviez-vous
- AnecdotesIn an article for the German publication Berliner Kurier, Wolfgang Lindner recalls the eccentricities of Steven Seagal on the set. Reportedly, Seagal traveled everywhere in the company of a Buddhist adviser whose verdicts on the state of Seagal's karma would be reason enough for Seagal to halt filming for a day.
- GaffesWhen Judge Jane McPherson is thrown out of the helicopter at the end of the movie you can see a parachute under her shirt.
- Citations
Little Joe: [Little Joe standing with a big "Rambo" gun] Hey, how do I look?
Twitch: Like a big-ass prom queen.
- Crédits fousDuring the end credits, 'Twitch' and his 'wife' engage in a hilarious conversation in the visiting room at the prison.
- ConnexionsEdited from Charlie et ses drôles de dames (2000)
- Bandes originalesGangstafied
Written by Andre Parker, Irving Lorenzo, Jeffrey Atkins, Caddillac Tah, Ronnie Lane
Performed by Ja Rule, Caddillac Tah, Ronnie Bumps and Chink Santana
Courtesy of Murder Inc. Records L.L.C.
Under license from Universal Music Enterprises
Meilleurs choix
- How long is Half Past Dead?Alimenté par Alexa
Détails
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 567 860 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 820 536 $US
- 17 nov. 2002
- Montant brut mondial
- 19 233 280 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1