Ma femme est un gangster

I understand that there is supposed to be an element of comedy in this movie, but I failed to see the humor in it all. In fact, lot of what was supposed to be funny was disgusting and nauseating. I didn't like the husband character at all. He really looked out of place. Many of the other characters had no class at all. Although they're gangs, and supposed to look no class, they weren't acting in this case. Humors were of violent sort, and somehow wasn't funny, but gross.

I liked "My wife is a gangster 3", so I tried to like this one as well, but I couldn't. Lady who played the wife wasn't pretty or charming. It's also wasn't a story driven plot either.

So I failed to see anything good in this movie. This is my review, and I'm putting down what I felt. I don't care what others have opinion wise about this movie.

It was a horrible viewing experience. I felt like doing what people were doing to each other in this movie to the people who made it.

MWIAG is an action comedy, based I believe on a Korean comic series. The blend is biased a little towards the comedy side, but what quantity the action might like is more than made up for by quality.

Backdrop: Cha Eun-Jin has been raised as a Jopog (gangster) since childhood, and has risen through the ranks to 'Big Brother', no. 2 in the organisation. She also happens to be a female, but this is a detail that is largely considered to be irrelevant - especially by her. She's smart, confident, ruthless, and as luck would have it a fantastic fighter. The movie begins with a fight, filmed in the rain with dark shadows and slow motion creating a very artful effect. Two gangster are up against a group of many, and about to get killed when their savior appears - Eun-Jin silhouetted against the light looking full on comic-book cool before she somersaults into the ground and spins, kicks, twists, rolls and slashes her way through all comers. The dark lighting, rain and camerawork create a wonderful look and mood for this, and the choreography is easily up to anything Hong Kong has offered us for years. Short, but very sweet.

Eun-Jin would possibly carry on like this happily for the rest of her life, but the discovery of her sister whom she hasn't seen since childhood introduces new complexity. Her sister has cancer, and may not live much longer. Her one wish is to see Eun-Jin get married before she dies.

Eun-Jin's sudden need to address her feminine side, and the fact that she wants the husband she chooses to remain unaware of her profession, is the basic dynamic from which any number of comic situations are derived. The transplanting of her gangster persona & gangster cronies into totally non-gangster circumstances is a cool 'fish out of water' scenario, and very effectively spoofs the gangster attitudes and conventions.

The main backbone of the movie, as with most strong movies, is the characters. Eun-Jin is a wonderful character, and the performance by Shin Eun-Gyeong is absolutely spot on. Tough, cool, mean and thoroughly hilarious. The supporting cast are all just as well developed too.

The movie is paced quite gently, shifting from amusing situation to amusing situation without feeling the need to hurry the plot along too fast. Action scenes break out quite frequently, but there is a marked difference between the 3 scenes in which Eun-Jin fights (beginning, middle and end) and the remainder of the action. Her men, the thugs, fight street - grappling, stumbling, beating with whatever they can reach. Sometimes this is played for laughs, sometimes not. Realistic, but not massively exciting. When Eun-Jin fights however... it is a thing of beauty. Clearly modelled on HK action, with a little Samurai thrown in too, these scenes are amazingly choreographed and filmed. Between this and Bichunmoo (which MWIAG easily surpasses), and hopefully Musa when it arrives, it looks like Korea is making a very strong bid for Hong Kong's action crown.

If you buy the movie just for the action, doubtless you'll love it - but really it's not the strongest part of the movie. The characters, the performances and the humour are all equally well developed and fill more screen time. If you buy it for these... doubtless you will love it also. Can't really lose out on this one in fact :)

What makes Korean comedy so great? The Koreans possess the quality of humility. They laugh at themselves: their weaknesses, their vanity, their shortcomings. They laugh at their own humanity; and thusly, overcome it; to show us something more than merely human. Maybe it is a glimpse of the divine. Best scenes: the wedding, the recitation of the American (!) author.

My Wife is a Gangster is unique blend of different genres; action, comedy, and drama. It's main focus is on comedy, so don't see this movie thinking it is wall to wall action. It does have a couple of great fight scenes - one in the rain, one in a field of tall grass, and one in the rival gang's hideout. The action choreography and camera work is done superbly, very stylish.

The story centers around a female JOPOK (equivalent to Yakuza in Japan). She finds her long lost sister only find she is dying of some kind of disease. Her dying wish is that she sees her sister get married before she dies. The poor unsuspecting husband, who by the way looks like Sammo Hung's Korean cousin, is put through so much tribulation through the movie, you can help but feel sorry for him!

The movie has some great comedy, which had me busting out loud. The movie also has some drama thrown in, which is done to great effect. Overall, this movie works and is unique in it's own right. 9/10

In contrast to the glowing reviews from other viewers, I would give this film a 6, maybe a 7, out of 10. While the fight scenes are well choreographed and entertaining, the humor in this film fits awkwardly with its melodrama. Humor there is and, when dealing with the misfit gangsters working for the protagonist, it is genuinely funny. However, Ms. Eun-Kyung Shin, in the lead role as the gangster wife, has the difficult job of trying to portray a character we are intended to feel sympathetic toward, in some scenes, while in other settings she presents as a vicious and ruthless sociopath. Her relationship with her husband exhibits tenderness a little too late for a credible attachment to develop. Her husband's nebbish character seems to capitulate more for the script than any believable budding affection, particularly after the abuse he suffers from her. We are asked to sympathize with the gangsters even though there is little reason to feel any sympathy for them, they are either clowns or killers. The fumbling attempts at injecting soap opera-like themes in the film gives the movie an asymmetry, not a richer story.