Rent

So I'm reading the reviews...none seem too terrible, most are lukewarm, and some are even good. But one theme seems to override them: the material is "dated." Figures that journalists, whose livelihoods depend on presenting news flashes that will easily fall into the shadows after something more captivating happens, would find this material dated. You really think the topic of people living with -- not dying from -- AIDS is dated? Wake-up, friends...I'm not one to throw around statistics, but even I can tell you that AIDS is a much bigger problem today than when Jonathan Larson -- a genius in his own right -- wrote this almost 20 years ago. And drug addiction? Yeah let's not even guess how much that statistic has surged.

True, the material is not as shocking as it was when it first graced the stages of NYC 10 years ago. But -- though I never knew the man -- I have a feeling Mr. Larson was not going for shock value. I am sure he realized in his day that his masterpiece would create quite a stir, but I highly doubt that was his purpose. What was it, then? If you ask me, it is obvious ...the human condition.

The elements of humanity that satiate the stage version are virtually all apparent in the film version. These characters are vastly different from each other on the surface -- but listen to their songs. They are all experiencing life. And not only that, for the most part they aren't afraid to experience life -- the devastations, the love, the convictions, the laughter, the tears. Just listen to Seasons of Love -- it's all in there. That song, to me, is the premise of Mr. Larson's story -- this is life. It isn't necessarily glamorous, it isn't always glorious, but this is what happens in a year of these peoples' lives. And the one thing that gets them through it is the fact that they have each other -- their love for one another overshadows all of the intricacies of day-to-day life. And that theme, to me, is never dated, especially when it is portrayed so well, as Chris Columbus and the incredible cast have managed to do.

I applaud everyone who had any part in this film -- aside from the excellent adaption of Jonathan Larson's exquisite piece of art, I think it is extremely important to constantly expose our society to controversial topics, about which most of us don't like to think. And I think the ones that are dubbed "dated" are the most important, because it means that those are probably the ones we have forgotten. But just because it seems "dated" does not mean it has gone away.

Everything said in the first post is pretty much correct - except some minor points. I'm a MAJOR Musical Theater fan, but I've never been much of a 'Rent-head', (I find the story a bit pretentious and self aware - basically a modern version of "Hair") - yet the emotion and energy is real and infectious, fueled by an incredible and memorable score.

As I remember, though, both the songs "Halloween" and "Goodbye, Love" were NOT in the final cut I saw last night (11/6), but the interview with the cast and director was inspirational!

The best factor for me was that Director Columbus made a decision to shoot it AS A MUSICAL and not try to hide it's musical theater roots (like say, "Chicago"). Also, he cast many members of the original cast (a throwback to old movie musicals). These were brave and successful moves, and should finally knock down that door to MORE movie musicals.

HIGHLY RECOMMENDED!

I am very surprised at some of the negative reviews for this film. I never saw the Broadway musical on which the movie was based, so I don't have the advantage of having the live performance to compare to the movie. I have to say that the film really touched me, and I generally haven't liked most of the recent musical films that I've seen. All of the songs in Rent have heavy and deep meanings behind them since there's hardly any spoken dialogue. This means that Rent moves forward on the strength of its songs. Each number furthers the plot and reveals another aspect of a character.

Playwright Jonathan Larson was an amazing human being with such a talent for - at the time he wrote it back in the early 90's - being so "out there" and taking the risk of writing about AIDS and homosexuality, and ultimately having his work find its way into the hearts of so many people. If you wrote an actual script in which the young author of such a wildly successful Pulitzer winning musical dies the night after its dress rehearsal after being misdiagnosed by two different hospitals, nobody would believe you, but that is exactly what happened. It is also a shame that the actual reality of life in Alphabet City (now very much gentrified) and the nature of the AIDS crisis and treatments have changed so much that many people might not consider this film's greatness because they will regard it as out of date. I guess I just found the movie to be brilliant because it wasn't supposed to be absolutely realistic, it was supposed to evoke emotion, and that it did, at least for me. None of the individual relationships get that much screen time, yet I really cared deeply about all of these characters, both as a group and individually.

You could really feel the urgency of time pressing on the characters that had AIDS - the urgency to create, the urgency to love, - since, in 1990, there were not a lot of therapies that effectively prevented HIV from turning into full blown AIDS as there are today. Also, if you are not moved by Collins' tribute to Angel in the reprise performance of "I'll Cover You", all I can say is that you have no soul. Jesse Martin does a splendid job of displaying a genuine sense of loss, grief, and love that is the best performance in the entire movie.

Rent is one of those few films that I like to watch over and over just to see if I have missed anything. It does seem like some of the movie's detractors are being a bit snobby about the fact that Chris Columbus, who is well known for directing family films, directed this movie. Unfortunately, Bob Fosse is no longer with us, because I have found myself wondering more than once what he would have done with this material.

"Rent" is an excellent adaptation of the stage musical. It is handsomely filmed and very well acted. The movie version takes the story out into city's real locations.

Most of this movie is singing, but it is so well done it never breaks the 'suspension of disbelief' that as an audience we grant the fiction we are watching.

This 'rock operetta' is about a group loft-dwelling 'Bohemian' New Yorkers, some of whom have AIDS. The stage version has a devoted following of 'Rentheads' including director Chris Columbus, for whom this film was a labor of love.

I saw it with several young people and they really connected with the story's message of friendship, tolerance and living every day to the fullest. Some elderly members of the audience thought the music was being played too loud and they couldn't identify with the lifestyle depicted in the story.

This movie could attain the cult status of the stage musical.

It's obvious this musical has an incredible fan base. That became evident when we saw the movie version the other day. There were a lot of young people in groups that came to see what director Chris Columbus did to the musical that is still running on Broadway after nine years. The screen adaptation is by Steve Chbosky.

"Rent", written and composed by Jonathan Larson, started as a small musical at the NY Theater Workshop and then was transferred to the Nederlander theater where it's still playing. The film has six of the original cast members in it, the exception being Freddie Walker who is substituted by Tracie Thoms and Daphne Rubin-Vega who was the original Mimi, a role that went to Rosario Dawson in the film.

This movie will definitely resonate with a younger audience. The music is targeted to them. This is a pop-rock opera and make no mistake about it. Don't go thinking you are going to find anything resembling Puccini's "La Boheme". The musical is extremely loosely based on the characters from the opera, but that's where all the comparison ends. The people one sees in the musical are more real because the pain of what is going on in their lives is clearly evident. The AIDS epidemic affects a few of the characters; there are gays and lesbians just being themselves without anyone judging what they do. At the bottom of it all is every day survival in that environment.

What "Rent" is, it's a celebration of the life on that side of New York during the 80's when anarchists populated the lower east side of Manhattan squatting in abandoned buildings and living precariously at the edge of a society that didn't want them around. The young people that were attracted to the area brought with them a new way of living without prejudice.

Alas, everything comes to an end. In fact, just a tour of the area today will show the gentrification that is taking place after Mayor Giuliani and his ilk got these bohemians evicted in order to give way to condominiums and new luxury dwellings where the people the movie celebrate will have no chance to live in them at all. This seems to be the problem when artists create spaces that later on are taken over by the establishment, only to displace the creators, as has happened in Soho, Dumbo, and will not be too far behind in displacing the Williamsburg's artistic settlers.

As a film, "Rent", has great moments. Even though one has heard the songs many times, there is still a fresh take on them by the talented cast that sing them. Anthony Rapp, Adam Pascal, Wilson Jermaine-Heredia, Jesse Martin, Taye Diggs, Idina Menzel, Tracie Thoms and Rosario Dawson work as an ensemble under the direction of Mr. Columbus, who would have appeared as an unlikely candidate for directing the film, but who brings the best from his talented cast.

By the way, "Rent" was filmed in the west coast, so don't go looking for any authentic East Village locations, since most of what one sees was probably shot in a studio. The Horseshoe bar is shown on the outside, and a scene of Tompkins Square Park, but the rest is fake.