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6,1/10
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MA NOTE
Ajouter une intrigue dans votre langueA failed assassination attempt in Harbin, China in 1909 changes the course of history. Now two JBI agents must find the connections between it and an ancient Korean artifact.A failed assassination attempt in Harbin, China in 1909 changes the course of history. Now two JBI agents must find the connections between it and an ancient Korean artifact.A failed assassination attempt in Harbin, China in 1909 changes the course of history. Now two JBI agents must find the connections between it and an ancient Korean artifact.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 12 nominations au total
Kim Gyu-ri
- Teacher
- (as Kim Min-seon)
Avis à la une
In an alternate time-line, in the near future(with some nifty tech), a young cop finds himself questioning why he and his men are fighting a group of... well, are they terrorists or are they freedom fighters? The story-line is nice and does get resolved, if there are subplots and events that either don't affect anything or, at least to me with my Western eyes, looked strange and unexplained. Maybe it would help if I knew more about Korea, because this is definitely a jingoistic piece on there, from there. Japan has taken over the aforementioned country, and is suppressing their independence. This leads to some melodrama, and though the two hour, 14 minute running time sans credits would be shorter if these instances were mercifully removed, this does really get to you, you find yourself caring and feeling the impact of bullets, and the grip of tension. The acting is pretty good. I watched this with subtitles, not dubbed, and while I had to read along to understand what they were saying, the power of the way they deliver the lines came through quite clearly. The action is all shoot-outs, it's quite well-choreographed, it's stylized(with slow-motion, and "frame-chopping") and it's cool. This has some well-done visuals. The FX are reasonable. There is a lot of bloody violence in this. The DVD comes with 8 and a half minutes of behind-the-scenes footage and four trailers. I recommend this to fans of Asian cinema, and John Woo type flicks. 7/10
An interesting opening and superb ending make up for a few less than stellar plot transitions as Lost Memories is one Action Drama that I won't soon forget. The music really complements this film and allows the slow motion sequences to make an impact. As for action its fairly standard and the acting is good but not award caliber. A solid Action drama with a few brief Science Fiction moments. Mixing Both Japanese (mostly the first half) and Korean the rest of the way, Lost Memories2009 is amongst a growing wave of multicultural/national Pan Asian films that could find an audience outside of Asia with a bit more exposure.
If a 100 is Perfect 81/100
If a 100 is Perfect 81/100
I didn't really know what this movie was about when I started it. I wasn't disappointed. The movie takes place in an alternate timeline where Japan owns Seoul and the rest of Korea. Korean terrorists wreak havoc in a fancy building for some as-yet unclear reason, and it's the job of two cops (one Japanese, the other Korean) to find out what's going on. What follows is one hell of a ride. Make sure you're resting while watching this movie, because you wouldn't want to get hurt.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
The first action sequence at the beginning of the movie sets the tone for the rest of the flick. The shoot-out has this incredible intensity and never lets up. The rest of the movie follows suit. You don't really know what's going on at first, but you know it's going to be explained, and that it's going to be worth it. The shoot-outs that follow only top one another, which, after seeing the first 15 minutes, is quite hard to believe. They're so incredible. They might not have the scale as 'Heat' or the budget of 'The Rock' but they sure as hell are as intense (if not more), and as good, if not better, than whatever comes out of Hollywood.
As with 'Shiri', the action in this movie rests on one great story. Throughout the movie, the characters become more and more like real people. No one is a hero, no one is Superman here. The characters are thrust into improbably situations, but they always stay rather believable. When they're not shooting guns, the drama part of the story takes over, and you're actually as impressed with what happens. You feel for the characters, and you're actually kind of glad you don't have to make the decisions they have to make. I could kind of see where some of the relationships were going, and I didn't really want them to go there, but I suppose they had to. The story, on the other hand, is a complete mystery. I never knew where it was going.
This movie actually says something, as well. Just like in 'Shiri', it's not action for the sake of action - it's action for the sake of actually saying something. It's slightly on the nationalistic side, but that doesn't really bother me, the message that the movie portrays is definitely worth the moments spent nationalism. It's really not as bad as some other movies I've seen. The movie is insanely political, I was actually very surprised. No Hollywood studio would have the guts to do something like this. I suppose the implications of the movie are universal, but they chose to have Japan control Korea. It's quite refreshing to see a movie, an action movie no less, with a thoughtful story.
The cinematography is gorgeous. I've seen all of 3 Korean movies and they all had this incredible visual style. This one is obviously included. Most of the movie is shot with a lot of blues and grays. It creates this nice, calm atmosphere among the instances of carnage. Add to that some great, invigorating music (which also reminded of the music in 'Shiri', but that's probably due to the fact that the same composer scored both movies), and the entire mood is perfectly set.
An amazing movie with brains and brawn, everybody should enjoy this movie.
No, we are not talking about another Matrix-esque film where the world is really a virtual reality dream/nightmare...this is a film that takes a serious look at one of the many great "what if's" in history and shows how the world would have been. One of my favorite things about this film is that it shows the extremes of what people will do to either keep that history or change it. Its race against race; father against son; and friend against friend in a race for a nation's identity. Who will win, who will lose, and who will ultimately decide the fate of the world? Fantastic action sequences that seem almost too real. The bloodshed abounds in this film as we see repeated scenes of terrorists face off against police forces in shoot-outs that can only end with the annihilation of one group or the other. The battle scenes are realistic in that you don't see your standard "good guys never miss while bad guys can't hit the broad side of a barn" routine, these are truly horrific battles with a large casualty count from both sides.
The film, however, isn't all about action. The story itself stands on its own as you try to piece together the jigsaw of clues and dead-ends to find out what in the world is the truth. Even when you arrive at the climax of the whole story you are left on one cliff-hanger after another, wondering if this will be the final bullet to decide it all...and at the ending there is no cliff hanging, the writers have thrown you off the cliff and you wonder what awaits you at the bottom.
Despite this nail biting ending, the film had is draw backs: 1) a plot that progresses like a starting train, VERY slow at first before gaining tremendous steam at the end; 2)lots and lots of blood, not for the squeamish; 3)the ending had a loose end that was never explained; and 4)you will want more character background and insight from the two main characters.
A very good film that had plenty of room for improvement.
The film, however, isn't all about action. The story itself stands on its own as you try to piece together the jigsaw of clues and dead-ends to find out what in the world is the truth. Even when you arrive at the climax of the whole story you are left on one cliff-hanger after another, wondering if this will be the final bullet to decide it all...and at the ending there is no cliff hanging, the writers have thrown you off the cliff and you wonder what awaits you at the bottom.
Despite this nail biting ending, the film had is draw backs: 1) a plot that progresses like a starting train, VERY slow at first before gaining tremendous steam at the end; 2)lots and lots of blood, not for the squeamish; 3)the ending had a loose end that was never explained; and 4)you will want more character background and insight from the two main characters.
A very good film that had plenty of room for improvement.
LOST MEMORIES is the second South Korean time travel movie I have seen. I don't know if there has been others, but I'm only familiar with this one and the romance IL MARE.
Time travel movies are risky, and the plot invariably gets badly convoluted in an attempt to explain everything. Some films just ignore explanations, but the good ones take the chance. LOST MEMORIES uses a more "parallel world" angle, but it's still all about time travel.
Don't let the South Korea/Japan collaboration fool you. The film is all South Korean, with nearly every single Japanese character coming across as incredibly evil. Cartoonishly so, in fact. If not for this, I would have given LOST MEMORIES a better grade. AS it stands, it's just too cartoonish, too crude, and too loud for its own good. Also, the music is quite terrible.
The best part of the film is the leading male, who seems to be channeling Chow Yun Fat. An incredible starring turn, and I look forward to seeing him in other movies.
6 out of 10.
Time travel movies are risky, and the plot invariably gets badly convoluted in an attempt to explain everything. Some films just ignore explanations, but the good ones take the chance. LOST MEMORIES uses a more "parallel world" angle, but it's still all about time travel.
Don't let the South Korea/Japan collaboration fool you. The film is all South Korean, with nearly every single Japanese character coming across as incredibly evil. Cartoonishly so, in fact. If not for this, I would have given LOST MEMORIES a better grade. AS it stands, it's just too cartoonish, too crude, and too loud for its own good. Also, the music is quite terrible.
The best part of the film is the leading male, who seems to be channeling Chow Yun Fat. An incredible starring turn, and I look forward to seeing him in other movies.
6 out of 10.
Le saviez-vous
- AnecdotesBok Geo-il, author of the source novel Bimyeong-eul Chajaseo ("Looking for an Epitaph") (1987), refused to be associated with the finished product, and successfully sued the film-makers to have his name removed from the credits.
- GaffesWhen Sakamoto dives behind the couch you can see that next to his gun holster, on the back of the couch, there is a mound exactly where the squib for the gunshot is going to go off.
- ConnexionsReferences Uisa Ahn Jung-geun (1972)
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Détails
Box-office
- Budget
- 7 000 000 $US (estimé)
- Montant brut mondial
- 12 049 825 $US
- Durée2 heures 16 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was 2009: Lost Memories (2002) officially released in India in English?
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