L'auberge espagnole
- 2002
- Tous publics
- 2h 2min
NOTE IMDb
7,3/10
44 k
MA NOTE
Un étudiant français s'installe dans un appartement à Barcelone avec six autres jeunes venus de toute l'Europe. Ensemble, ils parlent la langue universelle de l'amour et de l'amitié.Un étudiant français s'installe dans un appartement à Barcelone avec six autres jeunes venus de toute l'Europe. Ensemble, ils parlent la langue universelle de l'amour et de l'amitié.Un étudiant français s'installe dans un appartement à Barcelone avec six autres jeunes venus de toute l'Europe. Ensemble, ils parlent la langue universelle de l'amour et de l'amitié.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 9 nominations au total
Kelly Reilly
- Wendy
- (as Keilly Reilly)
Cécile de France
- Isabelle
- (as Cécile De France)
Federico D'Anna
- Alessandro
- (as Fédérico D'anna)
Irene Montalà
- Neus
- (as Irène Montala)
Paulina Gálvez
- Flamenco Teacher
- (as Paulina Galvez)
Avis à la une
In France, Xavier (Romain Duris) is a young economist of twenty and something years, trying to get a job in a governmental department through a friend of his father. He is advised to have a specialization in Spanish economy and language to get a good position. He decides to apply in an European exchange program called "Erasmus" and move to Barcelona to improve his knowledges in Spanish culture and language. She leaves his girlfriend Martine (Audry Tautou), promising to keep a close contact with her, and once in Barcelona, he is temporarily lodged by a French doctor Jean-Michel (Xavier de Guillebon) and his young and lonely wife Anne-Sophie (Judith Godrèche) he had met in the airport. Later, he moves to an apartment with international students: the English Wendy (Kelly Reilly), the Spanish Soledad (Cristina Brondo), the Italian Alessandro (Fédérico D'anna), the Danish Lars (Christian Pagh) and the German Tobias (Barnaby Metschurat). Then the Belgium Isabelle (Cécile de France) and Wendy's brother William (Kevin Bishop) join the group, and Xavier learns Spanish language, and finds friendship and love in his experience living abroad. "L' Auberge Espagnole" is one of those movies the viewer becomes sad when it ends. The story is a delightful and funny tale of friendship and love, in a globalized world and an unified Europe. This very charming movie made me feel good and happy, although I have never experienced to live in a republic of students. The newcomer William provokes the funniest situations along the story, with his big mouth and short brain. Further, it great to see a fresh approach of students living together different from those dumb American fraternities and their stereotypes, common in American movies. My vote is eight.
Title (Brazil): "Albergue Espanhol" (Spanish Auberge")
Title (Brazil): "Albergue Espanhol" (Spanish Auberge")
This is a very good film on so many levels. Mostly, because it is such a memory-inducing film for me and I suspect for many.
Xavier (Romain Duris) is a French grad student going to Barcelona to learn economics and Spanish to be more competitive in the new European job market. Sadly, he left behind his girlfriend (Audrey Tautou) and family to seek new learning. His first words on arriving are prophetic: Xavier: When you first arrive in a new city, nothing makes sense. Everything's unknown, virgin... After you've lived here, walked these streets, you'll know them inside out. You'll know these people. Once you've lived here, crossed this street 10, 20, 1000 times... it'll belong to you because you've lived there. That was about to happen to me, but I didn't know it yet.
As one who has absorbed dozens of new cities in Europe and the US, I can immediately relate. There is an anxiety that cannot be described that will only subside when you are fully immersed in the culture. Xavier did that and it changed his life. It can only be felt by someone who leaves the protection of their life and culture as he did.
But, he had fun doing it. He made friends with Isabelle (Cécile De France), a lesbian that taught him about women, which came in handy with Anne-Sophie (Judith Godrèche), with whom he was having an adulterous liaison. He mixed with German, Dutch, Spanish, and English - even Wendy's (Kelly Reilly) obnoxious brother (Kevin Bishop), who really saved the day for his sister.
All-in-all a very funny coming of age comedy with a European twist that made it a delight.
Xavier (Romain Duris) is a French grad student going to Barcelona to learn economics and Spanish to be more competitive in the new European job market. Sadly, he left behind his girlfriend (Audrey Tautou) and family to seek new learning. His first words on arriving are prophetic: Xavier: When you first arrive in a new city, nothing makes sense. Everything's unknown, virgin... After you've lived here, walked these streets, you'll know them inside out. You'll know these people. Once you've lived here, crossed this street 10, 20, 1000 times... it'll belong to you because you've lived there. That was about to happen to me, but I didn't know it yet.
As one who has absorbed dozens of new cities in Europe and the US, I can immediately relate. There is an anxiety that cannot be described that will only subside when you are fully immersed in the culture. Xavier did that and it changed his life. It can only be felt by someone who leaves the protection of their life and culture as he did.
But, he had fun doing it. He made friends with Isabelle (Cécile De France), a lesbian that taught him about women, which came in handy with Anne-Sophie (Judith Godrèche), with whom he was having an adulterous liaison. He mixed with German, Dutch, Spanish, and English - even Wendy's (Kelly Reilly) obnoxious brother (Kevin Bishop), who really saved the day for his sister.
All-in-all a very funny coming of age comedy with a European twist that made it a delight.
"L'Auberge Espagnole" collected the audience wherever it was shown. It gathered audience awards on many film festivals all over the world. And it is not strange. We have the ability to watch a cheerful and an astonishing piece of art. And it is wise by the way. "L'Auberge Espagnole" is a very funny comedy about youth and growing up. But most of all it is about the lights and shadows of living in the European Union.
The main character of the film is a French student of economy Xavier. For his future carrier his is sent for one year of studying to Barcelona. In Spain it turns out that the lectures are being given in Catalonian language. That probably doesn't help the increasement of knowledge. But it helps in tightening the relationships inside the group of foreign exchange students. Especially if they rent a big flat together. There are 3 girls: English, Belgian and Spanish, as well as three boys: German, Danish and Italian. Our French guy will also get there. A year is a very long time. Long enough to get close and make friends. And get to know some European stereotypes while trying to break them apart.
Klapisch treats this special case of a process of uniting Europe with humor and without pecky didactism. He comes out of the idea that young people are everywhere just the same. They like jokes. They like to make irresponsible relationships. But they don't neglect their aspirations. The most interesting is the sum of experience of this little community. They live together in the fire of everyday tasks fighting with the surrounding reality. They are full of unusual ideas for life. Young Europeans come back to their countries to take up a life of an adult on their own. They are Europe's hope to fight the many problems of the Union. For example, the terrifying administration system. In the end they proof that not only can they communicate and make friends despite the many differences. But they also now how to live the full of life. And they won't allow taking that full of life away from them.
The main character of the film is a French student of economy Xavier. For his future carrier his is sent for one year of studying to Barcelona. In Spain it turns out that the lectures are being given in Catalonian language. That probably doesn't help the increasement of knowledge. But it helps in tightening the relationships inside the group of foreign exchange students. Especially if they rent a big flat together. There are 3 girls: English, Belgian and Spanish, as well as three boys: German, Danish and Italian. Our French guy will also get there. A year is a very long time. Long enough to get close and make friends. And get to know some European stereotypes while trying to break them apart.
Klapisch treats this special case of a process of uniting Europe with humor and without pecky didactism. He comes out of the idea that young people are everywhere just the same. They like jokes. They like to make irresponsible relationships. But they don't neglect their aspirations. The most interesting is the sum of experience of this little community. They live together in the fire of everyday tasks fighting with the surrounding reality. They are full of unusual ideas for life. Young Europeans come back to their countries to take up a life of an adult on their own. They are Europe's hope to fight the many problems of the Union. For example, the terrifying administration system. In the end they proof that not only can they communicate and make friends despite the many differences. But they also now how to live the full of life. And they won't allow taking that full of life away from them.
I have long been torn between Madrid and Barcelona, the former a dignified repository of old Spanish architecture and customs (a Catholic parade at 11 PM!) and the latter a Ramblas-rambunctious splash of youth and energy (Oh, that Olympic harbor!). Cédric Klapisch's `L'Auberge Espagnole'(`Euro pudding') now tips the scales to Barcelona for me as I watch a group of 20 somethings negotiate life in a communal apartment. They represent the emerging melting pot of Europe, learning each other's language and purging themselves of racism and sexism. The film is alive with change.
Protagonist Xavier (Romain Duris) is moving from Paris (a city against its type here-repressive and decidedly unromantic) to Barcelona for a year in order to qualify for a business job that demands immediate experience in Spain. Leaving his girlfriend (Audrey Tautou) and his hippie mother behind, he witnesses love in forms his shy French persona would have never encountered, including adultery and lesbianism. That he will be different, more urbane and wise, is preordained by the decision to move; that the director wishes us to see the allegory of a polyglot Europe is all too obvious.
But the photography through the narrow streets, even in the barrios, is muscular and lyrical, especially when it takes us all to the top of the Gaudi Cathedral to survey the messy world below (Xavier eventually comments the world is `badly made').
Beyond my affection for Spain, this film reaffirms for me the salutary effect travel has on the uncertain heart. After one year on his own, Xavier is ready to make a serious decision, but not about Paris vs. Barcelona-it's whether the corporate world that started this string of events is the one he wants or the artful one in his heart. Tennyson's Ulysses says, `I cannot rest from travel.' Xavier, on the other hand, found his rest in travel.
Protagonist Xavier (Romain Duris) is moving from Paris (a city against its type here-repressive and decidedly unromantic) to Barcelona for a year in order to qualify for a business job that demands immediate experience in Spain. Leaving his girlfriend (Audrey Tautou) and his hippie mother behind, he witnesses love in forms his shy French persona would have never encountered, including adultery and lesbianism. That he will be different, more urbane and wise, is preordained by the decision to move; that the director wishes us to see the allegory of a polyglot Europe is all too obvious.
But the photography through the narrow streets, even in the barrios, is muscular and lyrical, especially when it takes us all to the top of the Gaudi Cathedral to survey the messy world below (Xavier eventually comments the world is `badly made').
Beyond my affection for Spain, this film reaffirms for me the salutary effect travel has on the uncertain heart. After one year on his own, Xavier is ready to make a serious decision, but not about Paris vs. Barcelona-it's whether the corporate world that started this string of events is the one he wants or the artful one in his heart. Tennyson's Ulysses says, `I cannot rest from travel.' Xavier, on the other hand, found his rest in travel.
The first thing I wanted to do after watching this film was watch it again (because I'd missed lots with all the laughing I did). I'm European and I've studied abroad and I've as good as lived with Spanish, french, Italian and German people. The film was full of stereotypes, which, more often than not, p*** people off, and reading some of the other reviews I see that it did p*** people off. But, this film gets the stereotypes so right I cannot fault it. Except for maybe the way the french guy became a drunken party animal. The English guy was the perfect "geezer" stereotype. Drunk, annoying, insulting but shines through in the end. As well as the stereotypes the film also got the emotional aspect of studying abroad correct. At first he's shy, doesn't know anybody, misses home, doesn't know his way around. As time progresses it becomes his home and when the time comes to leave, it is extremely difficult. A feeling people can only understand if they've experienced it. I highly recommend this film.
Le saviez-vous
- AnecdotesThe first instalment of a trilogy written and directed by Cédric Klapisch, which follows the journey of Xavier from student to family man. This is followed by "Les poupées russes", released in 2005, and completed with "Casse-tête chinois", released in 2013.
- GaffesNext to the telephone, on the board indicating how to say a roommate is not there in many languages, the colors on the German flag are wrong. (It looks like a Belgian flag rotated 90 degrees clockwise.)
- Citations
Wendy: Xavier's gone to school. Okay?
Xavier's Mother: Ah, oui! Il est à la fac.
Wendy: What?
Xavier's Mother: La fac!
Wendy: LA "FUCK"?
Xavier's Mother: Yes. After fac he can telephone maman.
- Crédits fousIn the opening credits, each actor is credited along with the flag of the country where their character is from.
- ConnexionsFeatured in European confusiòn: Making-of 'L'auberge espagnole' (2002)
- Bandes originalesL'Auberge Espagnole
Performed by Mathieu Dury (as Kouz-1) Feat Ardag
( Ardag / Loïc Dury (as L. Dury) / Mathieu Dury (as M. Dury) )
Simon Andrieux / Guillaume Dutrieux / Cyril Guiraud: Brass
Didier Combrouze: Guitar
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- How long is The Spanish Apartment?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Spanish Apartment
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 300 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 3 897 799 $US
- Week-end de sortie aux États-Unis et au Canada
- 57 692 $US
- 23 mars 2003
- Montant brut mondial
- 33 272 835 $US
- Durée
- 2h 2min(122 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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