NOTE IMDb
3,7/10
19 k
MA NOTE
Ajouter une intrigue dans votre langueA girl named Rachael Newman has developed a taste for murder and will stop at nothing to become a college professor's assistant.A girl named Rachael Newman has developed a taste for murder and will stop at nothing to become a college professor's assistant.A girl named Rachael Newman has developed a taste for murder and will stop at nothing to become a college professor's assistant.
- Réalisation
- Scénario
- Casting principal
Geraint Wyn Davies
- Daniels
- (as Geraint Wyn-Davies)
Avis à la une
For those that are huge fans of the Christian Bale masterpiece should whole heartily avoid this film at all costs. There is nothing, I repeat, nothing connecting these two films together outside of a title and a slight beginning reference to a man that never should have existed in the first place one elusive Patrick Bateman. From the beginning the story makes no sense, supposed serial killer Patrick Bateman kills again, leaving a small girl to finish what he started. From that point forward, she decides to do whatever it takes to kill/capture all the serial killers of the world thus becoming one in the process. Again, what should have just been in Bateman's mind destroys the concept that this film is balanced on so, all we are left with are views, images, goofy music, and acting that honestly came from a Cracker Jack box. Our lead this time is Mila Kunis, of "That 70s Show fame", jumping or should I say "bubbling" right out of her character on FOX to a nearly identical character for this film. Her goal for the film, become William Shatner's teaching assistant so that she can get into Quantico and thus fulfilling her dreams to capture serial killers. What actually happens in the film is that she kills everyone in her way (everyone else is oblivious to the pile of bodies) to get that respected position. Nobody is safe, and as we prepare for the ending, a twist so predictable is thrown our way that we could care less about her, the story, or the semi-terrifying ending. Our only hope is that they decide to end the series with this film. What could the story be next? Patrick Bateman's ghost returns for more non-existent killing?
From every angle of this film, I was disgraced. I was such an enormous fan of the original film (the insanity, the characters, the violence), that to be handed a stick of bubble gum after eating veal just felt insulting. There are those that actually enjoyed this film, which just boggles my mind. How could anyone, either a fan of the original or not, enjoy this cookie-cutter film? In the commentary, director Morgan J. Freeman even admits to being a "director-for-hire", which means the story was already in place all he needed to do was put that "direct-to-video" feel to it, and it was ready for packaging, sealing, and delivery to those unsuspecting viewers who were tied into just the title. Nothing worked in this film. The music took me away from the horrors that were happening, and made me feel that I was camping at a carnival. The selection made me want to shake my hips and chew some bubble gum (odd, this is transforming into a theme to this film). The cinematography was juvenile at best. Errors erupted with leaps and bounds, and again, during the commentary the director wasn't afraid to point them out. From these low points, the only place to go was further down with acting that somehow connected well to the carnival music. Shatner tried his best, but just couldn't pull off the womanizing teacher with connections to Quantico. The chemistry between him and the other ladies felt scripted and old. In just a short twenty days, one probably doesn't have the chance to get to know the rest of your cast, so just read your lines and pray for the best. For those wondering how Kunis did with this role, just listen to her in the commentary. Pathetic would be a good word, amateur would be another, and just to give you that third scoop, she was unbelievable at best. Freeman attempted to make her this convincing detail oriented killer, with a killer body, but the result was anything but scary in fact one could go so far to say that it was "killer funny". Can I say it one more time? Nothing in this film worked. I don't mean to be lacking detail, but from the initial scene it was obvious that we were on a downward path did Morgan J. Freeman even see the original?
I have no sympathy for this film. "American Psycho II: All American Girl" was a debauchery to the series, to the words that Bret Easton Ellis put on the page, and to cinema itself. I have no respect for those that say that this should not be paired with the original, but instead should just be watched on its own. The original "American Psycho" was well acted, nail-bitingly genre bending, and continually asks me to question the value of a male dominated workplace on Wall Street. In the original, the question became what happens to a man that has everything in the sequel, the question transforms into "What would a girl do to get everything?" The themes are even the same. This film is a prime example of Hollywood looking to capitalize on a cult film by merely selling the title. Oh, what a horrid experiment gone wrong.
If you wanted a cheap version of the original, I suggest this one. It contains no artistic value, no moral thought-provoking moments, and definitely nothing that could be called unique or creative. The word original was never in Morgan J. Freeman's dialog. Listen to the audio commentary if you don't believe me, these Freeman and Kunis give hope to the aspiring director (who doesn't mind selling out for a paycheck) as well as a disgraceful taste to the human race.
This was cheap with a capital C.
Grade: * out of *****
From every angle of this film, I was disgraced. I was such an enormous fan of the original film (the insanity, the characters, the violence), that to be handed a stick of bubble gum after eating veal just felt insulting. There are those that actually enjoyed this film, which just boggles my mind. How could anyone, either a fan of the original or not, enjoy this cookie-cutter film? In the commentary, director Morgan J. Freeman even admits to being a "director-for-hire", which means the story was already in place all he needed to do was put that "direct-to-video" feel to it, and it was ready for packaging, sealing, and delivery to those unsuspecting viewers who were tied into just the title. Nothing worked in this film. The music took me away from the horrors that were happening, and made me feel that I was camping at a carnival. The selection made me want to shake my hips and chew some bubble gum (odd, this is transforming into a theme to this film). The cinematography was juvenile at best. Errors erupted with leaps and bounds, and again, during the commentary the director wasn't afraid to point them out. From these low points, the only place to go was further down with acting that somehow connected well to the carnival music. Shatner tried his best, but just couldn't pull off the womanizing teacher with connections to Quantico. The chemistry between him and the other ladies felt scripted and old. In just a short twenty days, one probably doesn't have the chance to get to know the rest of your cast, so just read your lines and pray for the best. For those wondering how Kunis did with this role, just listen to her in the commentary. Pathetic would be a good word, amateur would be another, and just to give you that third scoop, she was unbelievable at best. Freeman attempted to make her this convincing detail oriented killer, with a killer body, but the result was anything but scary in fact one could go so far to say that it was "killer funny". Can I say it one more time? Nothing in this film worked. I don't mean to be lacking detail, but from the initial scene it was obvious that we were on a downward path did Morgan J. Freeman even see the original?
I have no sympathy for this film. "American Psycho II: All American Girl" was a debauchery to the series, to the words that Bret Easton Ellis put on the page, and to cinema itself. I have no respect for those that say that this should not be paired with the original, but instead should just be watched on its own. The original "American Psycho" was well acted, nail-bitingly genre bending, and continually asks me to question the value of a male dominated workplace on Wall Street. In the original, the question became what happens to a man that has everything in the sequel, the question transforms into "What would a girl do to get everything?" The themes are even the same. This film is a prime example of Hollywood looking to capitalize on a cult film by merely selling the title. Oh, what a horrid experiment gone wrong.
If you wanted a cheap version of the original, I suggest this one. It contains no artistic value, no moral thought-provoking moments, and definitely nothing that could be called unique or creative. The word original was never in Morgan J. Freeman's dialog. Listen to the audio commentary if you don't believe me, these Freeman and Kunis give hope to the aspiring director (who doesn't mind selling out for a paycheck) as well as a disgraceful taste to the human race.
This was cheap with a capital C.
Grade: * out of *****
Hello, okay before all of the American Psycho fans get really bent out of shape let me start by saying, the first American Psycho. It sucked! I hated it! I went to the movies and paid eight bucks to go see that piece of crap. Really badly written! The first one had the psycho killing his victims, while bringing up the musical talents of people, listening to their albums. Okay, now that part was minorly entertaining, at least enough to laugh at. Then, I had to watch parts like when he chased one victim down the hall of an apartment, with a chainsaw roaring. What a load of crap! Give me a bring. As if nobody in the whole apartment complex had heard it, while she's running and screaming. So now, this brings me to the sequel. First, I was surprised to see one of the cast memebers of that 70's show. Almost laughable. Not that she is a bad actor, she's really talented, just unexpected. At first, her character came off slightly annoying and I didn't know if I was going to like the movie or not. As the movie went on, there wasn't too much of a plot. Basically, she wanted to work aside William Shatner's character, because he studied serial killers. Those who got in her way, in her opinion had to die. She was going to get the job and that she that. There was no alternative. I must say by the end of the movie I found myself enjoying the movie, laughing and actually at sick as it sounds cheering her on as she knocked one person off and then the next. Overall, I had a good time and I didn't feel that I wasted my time. And as open as they left this movie, it more than beat the horrible ending of the first one I had to endure.
Rumor has it that Lions Gate Films took an old, un-used script and tweaked it just a little bit to make it a sequel to Universal's 2000 controversial hit "American Psycho." It's easy to see why this went straight to video. Played off as more of a dark comedy than the first one, and severely lacking any gore, nudity or intensity, this is a very weak follow-up and leaves a lot to be desired. Mila Kunis, as gorgeous as she may be, was absolutely annoying during her narrations - I couldn't help but think of "Family Guy" the whole time! I seriously almost took the tape out of the VCR several times, I just got so frustrated. This movie is very low-quality and was obviously made with a shoe-string budget -- which isn't a bad thing, as long the filmmakers know what they are doing, but director Morgan J. Freeman (no, not the guy from "Shawshank Redemption") doesn't seem to take the material seriously enough to make it work (there's a lot of interviews out there of him trashing the first film and the people who made it). Overall, it plays more like a made-for-TV movie and a very cheesy, bad attempt at dark comedy. A few twists here and there might perk your interest, but other than that, this girl is D.O.A.
2/10
2/10
You can just imagine the scene in some movie producers office :
" You know that movie set in the 1980s where Christian Bale kills his colleagues ? "
" Yeah vaguely "
" Well I just wrote the sequel "
" Is that the one where both Bale's character and Bale himself don't make an appearance , instead we have a teenage bimbo bumping off people she doesn't like ? "
" Yeah "
" Then why's your screenplay called TEENAGE BIMBO GOES ON KILLING SPREE ? Shouldn't either the words American or Psycho appear if it's a sequel ? "
" Hey I never thought of that "
"And it's probably illegal to call something a sequel if it has absolutely no connection with the original movie "
" Thanks for pointing that out boss . I'll rewrite the opening scene even if it contradicts the first movie . Let's do lunch "
I'm sort of guessing the producers had what's known in Britain as " A liquid lunch " or possibly they had something even stronger . As many people on this site have pointed out AP2:AAG not only hints that not only does it have nothing in common with the original movie it also seems to contradict AP . The story centres around Rachael Newman who would have been about four years old during the events of the first film . Why did anyone have to use the character of Patrick Bateman to set up the story here ? It's not even a plausible set up and it's not a plausible story in the first place . Perhaps the most ridiculous thing is how on earth Rachael would be physically able to commit these crimes because Mila Kunis doesn't look an inch taller than five foot , doesn't look an ounce heavier than ninety pounds and yet is able to commit acts of extreme violence with a sharp object . Realising this unlikely scenario the director wisely often cuts to a different scene when Rachael bumps off a victim . But this doesn't stop other massive plot holes like the police not checking for DNA when the victim of a car crash is found at the end of the movie
AP2:AAG is yet another cynical attempt to sell a stupid movie as a " Black comedy " but this is done in an even more cynical manner since it's a serial killer screenplay marketed as the sequel to a totally unrelated movie . It might have funny moments but these I'm sure are totally unintentional . If you saw the original you will hate this , if you haven't you will still hate this . Perhaps the motive behind it was to make the original appear much better than it actually was . If so then the producers have succeeded
" You know that movie set in the 1980s where Christian Bale kills his colleagues ? "
" Yeah vaguely "
" Well I just wrote the sequel "
" Is that the one where both Bale's character and Bale himself don't make an appearance , instead we have a teenage bimbo bumping off people she doesn't like ? "
" Yeah "
" Then why's your screenplay called TEENAGE BIMBO GOES ON KILLING SPREE ? Shouldn't either the words American or Psycho appear if it's a sequel ? "
" Hey I never thought of that "
"And it's probably illegal to call something a sequel if it has absolutely no connection with the original movie "
" Thanks for pointing that out boss . I'll rewrite the opening scene even if it contradicts the first movie . Let's do lunch "
I'm sort of guessing the producers had what's known in Britain as " A liquid lunch " or possibly they had something even stronger . As many people on this site have pointed out AP2:AAG not only hints that not only does it have nothing in common with the original movie it also seems to contradict AP . The story centres around Rachael Newman who would have been about four years old during the events of the first film . Why did anyone have to use the character of Patrick Bateman to set up the story here ? It's not even a plausible set up and it's not a plausible story in the first place . Perhaps the most ridiculous thing is how on earth Rachael would be physically able to commit these crimes because Mila Kunis doesn't look an inch taller than five foot , doesn't look an ounce heavier than ninety pounds and yet is able to commit acts of extreme violence with a sharp object . Realising this unlikely scenario the director wisely often cuts to a different scene when Rachael bumps off a victim . But this doesn't stop other massive plot holes like the police not checking for DNA when the victim of a car crash is found at the end of the movie
AP2:AAG is yet another cynical attempt to sell a stupid movie as a " Black comedy " but this is done in an even more cynical manner since it's a serial killer screenplay marketed as the sequel to a totally unrelated movie . It might have funny moments but these I'm sure are totally unintentional . If you saw the original you will hate this , if you haven't you will still hate this . Perhaps the motive behind it was to make the original appear much better than it actually was . If so then the producers have succeeded
The makes of this film must not have needed BEE permission to make this sequel because I don't know how BEE could have let Hollywood trash the concept of his great book, American Psycho. This sequel was nothing but some B slasher movie with a bad story and really weak killings because no gore or blood is shown. It has nothing to do with the first film. To tie it in so they could use the title American Psycho, they make up the way Patrick Bateman died by saying a young girl was there and killed him as he killed her babysitter. Later on, some ridiculous story line ties the dead babysitter to one of the girl's college teachers, so we know why she is so obsessed with him. The only cool scene was when the girl gets this dead body out of her closet with flies all around after it has been there for months. Now that was gross!
FINAL VERDICT: Bad. Don't watch it.
FINAL VERDICT: Bad. Don't watch it.
Le saviez-vous
- AnecdotesThe film began production with no association to American Psycho (2000), and it wasn't decided to repurpose it until it had already started filming. Bret Easton Ellis, the author of the original novel, claims the studio wanted to include a serial killer subplot in Les lois de l'attraction (2002) but the filmmakers objected to the idea, leading to this film.
- GaffesEven if the real Rachel burned up in the car with Robert the autopsy would conform the bodies were already dead making it impossible to conclude they died in the fire.
- Citations
Rachael Newman: [after strangling Brian with a condom] Ribbed, for her pleasure.
- ConnexionsEdited into American Psycho 2: Deleted Scenes (2002)
- Bandes originalesIn the Meantime
Performed by The Dirtmitts (as Dirtmitts)
Written by The Dirtmitts (as Dirtmitts)
Courtesy of Sonic Unyon Records
Published by Sonic Unyon Distribution
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- American Psycho II: All American Girl
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Durée
- 1h 28min(88 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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