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IMDbPro

L'aubergine était presque farcie

Titre original : Zeroka no onna: Akai wappa
  • 1974
  • Unrated
  • 1h 28min
NOTE IMDb
6,6/10
1,1 k
MA NOTE
Miki Sugimoto in L'aubergine était presque farcie (1974)
ActionCrimeDramaThriller

Ajouter une intrigue dans votre langueAfter a politician's daughter is kidnapped by a ruthless gang, a brutal policewoman is released from jail and sent after them.After a politician's daughter is kidnapped by a ruthless gang, a brutal policewoman is released from jail and sent after them.After a politician's daughter is kidnapped by a ruthless gang, a brutal policewoman is released from jail and sent after them.

  • Réalisation
    • Yukio Noda
  • Scénario
    • Fumio Kônami
    • Hirô Matsuda
    • Tooru Shinohara
  • Casting principal
    • Miki Sugimoto
    • Eiji Gô
    • Tetsurô Tanba
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    1,1 k
    MA NOTE
    • Réalisation
      • Yukio Noda
    • Scénario
      • Fumio Kônami
      • Hirô Matsuda
      • Tooru Shinohara
    • Casting principal
      • Miki Sugimoto
      • Eiji Gô
      • Tetsurô Tanba
    • 24avis d'utilisateurs
    • 27avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos80

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    Rôles principaux30

    Modifier
    Miki Sugimoto
    Miki Sugimoto
    • Rei, Zero woman
    Eiji Gô
    Eiji Gô
    • Yoshihide Nakahara
    Tetsurô Tanba
    Tetsurô Tanba
    • Zengo Nagumo
    Hideo Murota
    • Masashi Kusaka
    Yôko Mihara
    Yôko Mihara
    • Katsuko Yano
    Ichirô Araki
    • Saburô Seki
    Seiji Endô
    • Tôru Inaba
    Hiromi Kishi
    • Kyôko Nagumo
    Rokkô Toura
    Rokkô Toura
    • Tani
    Iwao Dan
    • Yamanaka
    Kôji Fujiyama
    Kôji Fujiyama
    • Mishima
    Ralph Jesser
    • Richard Saxon
    Emi Kakizawa
    • Amy
    Naoyuki Kanno
    • Tsuguo Noro
    Genji Kawai
    • Katô
    Osamu Kimura
    • Police
    Toshie Kokabu
    • Female Prisoner
    Akira Kuji
    • Inoue
    • Réalisation
      • Yukio Noda
    • Scénario
      • Fumio Kônami
      • Hirô Matsuda
      • Tooru Shinohara
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs24

    6,61.1K
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    10

    Avis à la une

    6ChungMo

    High style / Low, Low Sleaze

    Once again the Japanese tantalize with extremely well made trash. Nothing like this is apparently possible from American cinema. Excellent photography and art direction go hand in hand with horrific human behavior.

    The plot is well summarized elsewhere. The deviance is graphically portrayed with several extended rape/torture scenes. The kidnapped girl is frequently beaten. Zero Woman's police tactics seem to include being beaten and raped until the point she can pull out the deadly red handcuffs. The criminals are crazed and the politicians/cops are crooked and conniving. What a wonderful world.

    Much of the film is set in sleazy areas or abandoned neighborhoods giving the film an atmosphere much like Mad Max. Sometimes the colors are vivid to the point of unreality. At one point the director does some very unusual color lighting tricks that work well. Depending on your stomach this is a very well made exploitation film.

    The weak points are the ridiculous flying handcuffs that do things that would be unacceptable in a cheap kung fu picture, what was easy to draw in the original manga was obviously hard to reproduce in real life. And the big car chase/shootout that looks like they are driving 15 miles per hour.

    The lead actress is very good and has no problem delivering serious lines unclothed. The other actors are good or hammy in a way that fits with the over the top tone of the film.

    Recommended for hard exploitation fans.
    10gtstang48

    70's Japanese exploitation at its best!

    Don't confuse this with those 90's Zero Woman films, this original film is the cream of the crop! Long unavailable on DVD anywhere in the world, Discotek has finally made it available to Western audiences. Red Handcuffs is based on the original manga series written by Toru Shinohara, who also created the Prisoner Scorpion manga.

    This movie is ruff, nasty, raunchy, and as over the top as you can get! Nudity, violence, and sex fills the film from beginning to end. Zero (played by the beautiful Miki Sugimoto) is a rebel cop that is not afraid to shoot first and ask questions later. This kind of behavior gets her thrown in jail with the same trash that she is used to cleaning off the streets. Given a chance at redemption, she is brought back on a secret mission to rescue a high ranking politician's (played by the legendary Tetsuro Tanba) daughter from a gang of crazed rapists.

    All hell breaks loose once she's undercover and the blood, clothes, and Red Handcuffs start flying! In order to keep her cover she must endure everything this sick gang of psychos can throw at her. Keeping cool she stays close to the kidnapped girl and close to her weapon of choice while waiting for her opportunity to strike. Climaxing in a blood filled showdown in a windy deserted Navy base, this film is a nonstop ride from beginning to end. The video quality and packaging are top notch. Inside the limited slip cover is an alternate cover that features some of the nastier and naughtier scenes. I've read that these limited versions will be sold out very soon and the packaging won't be duplicated once gone. Highly recommended and a must-have for fans of Japanese cinema!
    6Uriah43

    A Provocative and Sexually-Explicit Japanese Crime-Drama

    "Rei" (Miki Sugimoto) is an undercover police officer who is working on a case involving the brutal murder of a young woman. One night at a nightclub she makes the acquaintance of a foreigner who buys her several drinks and then takes her to his apartment room where he intends on dispatching her in the same manner he murdered his other victim. Fortunately, she turns the tables on him and kills him first. Unfortunately, when it is discovered that the man was a foreign dignitary the police chief decides to throw her into prison without a trial or charges being preferred to avoid a possible scandal. Her situation changes, however, when the daughter of the incoming Prime Minister is kidnapped and Rei's services are required to rescue her at all costs. Now rather than reveal any more I will just say that this was a provocative crime-drama which featured plenty of action along with two attractive actresses in Hiromi Kishi (as the Prime Minister's daughter "Kyoko Nagumo") and the aforementioned Miki Sugimoto. On the flip side, some of the acting was a bit over-the-top as were some of the special effects as well. I should probably also mention that this is an extremely violent film which had several brutal scenes involving rape and nudity which might not appeal to all audiences. In any case, it's an interesting movie and I have rated it accordingly. Slightly above average.
    chaos-rampant

    Satisfying Japanese grindhouse cinema

    Miki Sugimoto is Rei; undercover cop who dresses in a very cool red overcoat and delivers her own brand of vigilante justice that would be in good company with a certain Inspector Harry Callahan. She's sent after a bunch of crooks who have kidnapped a wealthy and up-and-coming politician's daughter and soon all hell breaks loose. While not as sleazy as something like Terrifying Girls Highschool or as exhilarating fun as Girl Boss Guerilla, fans of the genre will not be disappointed. It's (very) bloody, it has the requisite rape and nudity scenes that make any film of this sort work and just enough of a plot to keep you from glancing at your watch. It kind of drags in the middle but makes up for it with a blistering final act that involves among other things, blood gushing from gunshot wounds, a man burnt to a crisp and handcuff strangling.

    One of the problems I had with it is that the first scene establishes Rei as this uber-cool badass cop chick with a style all her own; red handcuffs, gun and overcoat. A comic-book character that you can see kicking all sorts of butts. But then for the next hour she becomes this very passive character that gets tossed around and abused by a bunch of hoodlums. She's obviously trying to be as Meiko Kaji circa Lady Snowblood as possible (cold stare, silent, all that) but I like her better when she goes wild. All in all a decent pinku with a central character that could have been a lot better, but enough gore and sleaze to keep me happy. There's also a cameo by Tetsuro Tamba.
    8christopher-underwood

    Surprisingly gory thriller

    A surprise in many ways is this little seen but clearly influential thriller. Extremely violent and explicit with several rapes, beatings and torture scenes as extreme and varied as I have seen. It's not all blood and guts, there is humour too and wonderful cinematography with fine close-ups and dramatic angles, plus a fine stylised performance from the leading lady in red. A thrill a minute and ever violent this movie still has time for jibes at Japanese culture and politics. 'You can't just kill me like this' screams one of the baddies to a cop whilst his grave is dug, 'It makes you as bad as us' Recommended for those with a strong stomach.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Body count: 19.
    • Connexions
      Referenced in Fear, Panic & Censorship (2000)
    • Bandes originales
      Claw Marks of a Woman (Onna no Tsume-ato)
      Music & Arranged by Shunsuke Kikuchi

      Lyrics by Masao Ishizaka

      Performed by Miki Sugimoto

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    FAQ11

    • How long is Zero Woman: Red Handcuffs?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 mai 1974 (Japon)
    • Pays d’origine
      • Japon
    • Langue
      • Japonais
    • Aussi connu sous le nom de
      • Les menottes rouges
    • Société de production
      • Toei Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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