Quo vadis

Filmed in 2001, the latest version of Quo Vadis is finally being released in a region 1 version with English subtitles. I waited SO long for the opportunity to see this film and it does not disappoint. While I wouldn't go so far as to say it is a "must see," I found it to be very well made on most levels and I recommend it without any reservations.

The costumes, sets, and special effects are very realistic and believable and the film makes a sincere attempt to stay true to the historical events and people on whom the story is based.

Although the burning of Rome could have been improved upon, the scene of the Christians being torn to pieces by the lions makes up for it. This scene is not over-the-top gruesome, yet remains horrifying to watch. The terror of the Christians is clearly felt,likewise, the scene of Christians being burned alive.

While every actor/actress in this film did an admirable job, the part of Petronius (played by the great Boguslaw Linda) is outstanding. In fact, Linda may have been just a little too good. Although the character of Petronius is an integral part of the storyline, the character is still that of a supporting role, however, Linda's portrayal is so powerful that in every scene in which he appears, the attention of the viewer remains riveted on Linda. This can at times make the acting of everyone else seem a little less convincing. Linda does not intentionally upstage, but rather he is so good that he can't help but stand out.This is one one of Boguslaw Linda's best performances and I would love to see him cast in more dramas.

Although this film is not preachy, it is about the early days of Christianity and the final scene of the film does leave a Christ centered message.This message can be interpreted several different ways, but to me, the message was that faith in Christ as well as obedience to his teachings is still imperative in the modern world and a necessity in order to achieve salvation. Hence the title of the film, Quo Vadis?; where are you going?

This new Polish version of a Polish novel, written in the 1890's by Henryk Sienkiewicz (who won the Nobel prize), is an excellent movie, gripping, exciting and deeply moving. Unlike the 1951 MGM version, which was a costume epic typical for its time, this new film seems to be about real people caught in the maelstrom that was Nero's Rome, in the struggle between decadent paganism and the emerging new faith of the Christians. The book is a favorite of mine and the screenplay's fidelity to the novel is highly commendable. The actors are vivid in their portrayals. This Nero, for instance, seems like a real madman, not a fine actor hamming it up (as did Ustinov in the 1951 film). The Petronius is excellent, the two leads both young and handsome. The conversion of Vinicius and Chilon are convincing and moving. This nearly-three-hour film moves quickly and covers a lot of ground. The ending gave me pause, and it's a stunner. The movie deserves a much wider audience than it's going to get in the US, because, face it, most people who go see foreign language films are not the same people who go to see religious, historical epics. I hope it gets a video release, at least. Hollywood would have given this film costlier and better special effects - the burning of Rome is a bit anemic - but Hollywood could not have filmed this movie as honestly, truthfully and brilliantly.

I thought this was one of the most beautifully filmed movies I've ever seen. I found it much more visually interesting than the earlier Hollywood version, and a lot more sly maneuvering is shown, making it more than a simple love story. I thought it showed considerable character development and made me want to learn more about that period in early Christianity.

This movie impressed me greatly. Seeing the grand coliseum scenes, movies like Gladiator feels like cheap imitations.

Excellent acting, pacy, and sensitive, I consider Quo Vadis on par with UNDERGROUND, the Emir Kusturica classic.

Hope a wider audience can catch this in theaters, even a DVD wont pay justice to the wonderful sets, costumes etc. I saw this in the Polish film festival in Chicago.

Jerzy Kawalerowicz's Quo Vadis is a great adaptation, based on the novel by the Nobel Prize winner, Henryk Sienkiewicz. This is one of those films which make you wonder: What are our priorities in life? You cannot just leave the cinema and go back to reality and forget what you've seen. Wonderful acting is an unquestionable virtue of this Quo Vadis. Saint Peter played by Franciszek Pieczka, is not the esteemed, serious Saint Peter we can see on paintings or sculptures in churches, he's not this stern guardian at heaven's gate, the one who keeps the key to heaven. Ke is an eye witness of Christ's life and death, and he is a sage you may ask for advice in difficult moments of your life. He is one of us - the man who understands the love of young people - Marek and Ligia, and doesn't find anything wrong in it.

Jerzy Trela, in my opinion, in the role of his lifetime as Chilon, starts off as a comic character, as a cheater, plotter, unscrupulous liar, who isn't afraid to bertray people causing their death. For such a role, so comic and tragic, a great actor is needed. Jerzy Trela is undoubtedly a wonderful artist, the right actor for this role. I was crying with laughter at the beginning, and of emotion at the end of the film, watching his Chilon Chilonides.

A good idea, I think, was giving the role of Neron to a singing actor, Micha³ Bajor. This red-haired artist created a wonderful character, despite the role being so difficult. His musical and singing talents were spot on this film.

The best female performance was Ma³gorzata Pieczyñska's role of Acte, the only woman who really loved Neron - a love expressed so convincingly.

A breathtaking scene is the fight between Ursus (Rafa³ Kubacki) and the bull, especially, considering there were no computer or other special effects. Although Rafa³ Kubacki clearly isn't a professional actor, his fighting skills and sheer on screen power are worthy of respect.

Quo Vadis isn't a Hollywood style film. This film is not like Cleopatra or Gladiator. Comparing Quo Vadis to these films is a pointless exercise. The only thing these films have in common is the place of action: ancient Rome. The rest is quite different. The last scene of the film (I hope you will watch this film, and see this scene) begs the question: "Quo Vadis XXIst century world?"