Wasabi
- 2001
- Tous publics
- 1h 34min
NOTE IMDb
6,6/10
44 k
MA NOTE
Au Japon lors des funérailles de son amour perdu depuis longtemps, un détective français coriace apprend qu'il a aussi une fille adolescente et que sa vie est en danger à cause des Yakuza.Au Japon lors des funérailles de son amour perdu depuis longtemps, un détective français coriace apprend qu'il a aussi une fille adolescente et que sa vie est en danger à cause des Yakuza.Au Japon lors des funérailles de son amour perdu depuis longtemps, un détective français coriace apprend qu'il a aussi une fille adolescente et que sa vie est en danger à cause des Yakuza.
Jean-Marc Montalto
- Olivier
- (as Jean Marc Montalto)
Michel Scourneau
- Van Eyck
- (as Mikhel Scourneau)
Yan Epstein
- Jean Baptiste 2
- (as Yann Epstein)
Avis à la une
As others have commented, this is certainly light entertainment, not heavy on elaborate plot lines. I actually saw this movie today on a flight from Japan, and found it delightful. It certainly is a film that was pitched to a French Audience, tossing in simplified bits of Japanese pop culture (Witness: I have never encountered so many Japanese that could speak French, as in this movie). Nevertheless this is what I liked about the movie:
1. The interplay between Fiorentino (Jean Reno) and his sidekick Momo (Michel Muller) was consistently humorous throughout, with Muller delivering the punchline, and nearly upstaging Reno throughout. My favorite scene is when Fiorentino is eating generous gobs of Wasabi (hence the name of the film), and Momo, not wanting to be outdone by his mentor, nearly gags to death on the stuff. I was laughing out loud -- maybe because it reminds me too vividly of the first time I ever ate sushi, and nearly died doing the same thing as Momo!!
2. Ryoko Hirosue, who plays Yumi, the previously unknown daughter to Fiorentini, is one of the current hot young faces in Japan, and has appeared in many TV dramas and movies. She certainly provides all the eye candy I could ever wish for in this film. But I must admit a certain new found-respect for her acting abilities, as she pulled off her lines in French flawlessly, while maintaining her trademark cuteness and capturing the carefree attitude of today's Japanese youth. She provided a foil of a different sort for Reno, her bright colors (pink hair, pink everything) offering a striking contrast to Reno's darker, demure look.
The Yakuza were portrayed as mindless goons in this film, and there are certainly better films out there if you want to know more about Yakuza, but it appeared that they played their role, which was to showcase Reno's machismo, in a humorous way, something along the lines of Jackie Chan films -- they are more like props in the film than anything else.
All in all, I was entertained by this film, which is all I was looking for during my 11 hours crossing the Pacific.
1. The interplay between Fiorentino (Jean Reno) and his sidekick Momo (Michel Muller) was consistently humorous throughout, with Muller delivering the punchline, and nearly upstaging Reno throughout. My favorite scene is when Fiorentino is eating generous gobs of Wasabi (hence the name of the film), and Momo, not wanting to be outdone by his mentor, nearly gags to death on the stuff. I was laughing out loud -- maybe because it reminds me too vividly of the first time I ever ate sushi, and nearly died doing the same thing as Momo!!
2. Ryoko Hirosue, who plays Yumi, the previously unknown daughter to Fiorentini, is one of the current hot young faces in Japan, and has appeared in many TV dramas and movies. She certainly provides all the eye candy I could ever wish for in this film. But I must admit a certain new found-respect for her acting abilities, as she pulled off her lines in French flawlessly, while maintaining her trademark cuteness and capturing the carefree attitude of today's Japanese youth. She provided a foil of a different sort for Reno, her bright colors (pink hair, pink everything) offering a striking contrast to Reno's darker, demure look.
The Yakuza were portrayed as mindless goons in this film, and there are certainly better films out there if you want to know more about Yakuza, but it appeared that they played their role, which was to showcase Reno's machismo, in a humorous way, something along the lines of Jackie Chan films -- they are more like props in the film than anything else.
All in all, I was entertained by this film, which is all I was looking for during my 11 hours crossing the Pacific.
Negative comments sort of miss the point, as this movie wasn't designed to be anything more than harmlessly amusing. To say anything bad about it is rather like kicking a puppy. You wouldn't kick a puppy, would you?
I needn't go into the plot, which you can click a few links to find, but I sought this movie out because Jean Reno is fun in anything he's in, and oh lookit that, Luc Besson wrote the screenplay-- can't go wrong with that, can you? (unless it's an American remake, which luckily this is not).
This movie is FUNNY, at times a little cheesy (which we can also call FRENCH), and the action is over-the-top enough to be cartoonish (when Hubert punches someone, they fly back 20 feet). This is essentially a wacky comedy with some action, something Americans aren't used to seeing, but well worth a look. It's harmless fun, but still more original than your average paint-by-numbers American romantic comedy. Or action film.
I needn't go into the plot, which you can click a few links to find, but I sought this movie out because Jean Reno is fun in anything he's in, and oh lookit that, Luc Besson wrote the screenplay-- can't go wrong with that, can you? (unless it's an American remake, which luckily this is not).
This movie is FUNNY, at times a little cheesy (which we can also call FRENCH), and the action is over-the-top enough to be cartoonish (when Hubert punches someone, they fly back 20 feet). This is essentially a wacky comedy with some action, something Americans aren't used to seeing, but well worth a look. It's harmless fun, but still more original than your average paint-by-numbers American romantic comedy. Or action film.
I never know how to rate these types of films. OK it's no masterpiece to bring some sort of existential meaning to your life and yes it is deeply flawed in many ways even by the standard at which it aims for but nonetheless, I found some endearing quality in its light hearted humour and entertaining style.
Any film with Jean Reno in the lead and Luc Besson behind the script is going to entertain and this does just that. Thankfully the film is kept short enough for none of the flaws to start to irritate and the kick ass French cop goes to Japan theme is done well enough to warrant a viewing.
My DVD had the option for French with English subtitles or English dubbed. Even though Jean Reno does his own over dubbing in the English version, I found the overall effect was a little stale. I restarted the film in French with subtitles and the energy and humour of the performances just shone through a lot better.
Any film with Jean Reno in the lead and Luc Besson behind the script is going to entertain and this does just that. Thankfully the film is kept short enough for none of the flaws to start to irritate and the kick ass French cop goes to Japan theme is done well enough to warrant a viewing.
My DVD had the option for French with English subtitles or English dubbed. Even though Jean Reno does his own over dubbing in the English version, I found the overall effect was a little stale. I restarted the film in French with subtitles and the energy and humour of the performances just shone through a lot better.
`Wasabi' is a high-spirited French action comedy with a Japanese name. This Luc Besson production stars Jean Reno in a wonderful performance as a tough-guy French cop who is as quick to use his tongue as his overeager fists. One day, out of the blue, Detective Fiorentino discovers that he has a 19 year-old daughter by a Japanese woman who left him almost 20 years ago, breaking his heart in the process. The girl, Yumi, turns out to be an orange-haired free spirit who hates cops and has been led to believe that her father raped her mother. Much of the film is spent with Hubert and Yumi getting to know one another, as they uncover secrets about her mother's past that seem to have made the young woman the target of some rather unsavory characters.
The plot is the least of the matter in this film. As directed by Gerard Krawczyk, `Wasabi' is really all about style. Besson's screenplay is fitfully amusing, doling out cleverness and cutesyness in roughly equal measure. Cinematographer Gerard Sterin brings out the colorful richness of the urban Japanese landscape and editor Yanne Herve doesn't linger longer on the jokes and sight gags than is absolutely necessary. These elements help to compensate for the somewhat desperate air that afflicts the screenplay from time to time.
The prime asset of `Wasabi' is Jean Reno's performance. Reno perfectly mines the comic potential inherent in the material through the tone of weary cynicism and superiority to all around him that he conveys throughout. As an actor who has played this type of rogue-cop character many times in his career, Reno obviously relishes this opportunity for a little good-natured self-ribbing. And he does a splendid job.
`Wasabi' is little more than a piffle when all is said and done, but Reno makes it worth seeing.
The plot is the least of the matter in this film. As directed by Gerard Krawczyk, `Wasabi' is really all about style. Besson's screenplay is fitfully amusing, doling out cleverness and cutesyness in roughly equal measure. Cinematographer Gerard Sterin brings out the colorful richness of the urban Japanese landscape and editor Yanne Herve doesn't linger longer on the jokes and sight gags than is absolutely necessary. These elements help to compensate for the somewhat desperate air that afflicts the screenplay from time to time.
The prime asset of `Wasabi' is Jean Reno's performance. Reno perfectly mines the comic potential inherent in the material through the tone of weary cynicism and superiority to all around him that he conveys throughout. As an actor who has played this type of rogue-cop character many times in his career, Reno obviously relishes this opportunity for a little good-natured self-ribbing. And he does a splendid job.
`Wasabi' is little more than a piffle when all is said and done, but Reno makes it worth seeing.
This film is about a French man suddenly finding himself having a rebellious Japanese daughter.
I thoroughly enjoyed the film. The plot is fun and dynamic, it mixes humour, mystery and action all in a film. The soundtrack is great, the music is upbeat, which enhances the youthful and fun atmosphere of the film. Japanese culture is portrayed in the film. It is in fact quite comprehensive in its portrayal of tradition and culture. It shows traditional culture like food, Japanese architecture and ninjas. It also shows modern culture like the cute girls dyeing their hair brown or blonde, clubs, and various video game arcades. Ryoko Hirosue gives a fine performance as a teenage girl, and speaks convincing French. I really enjoyed this film, it is so funny!
I thoroughly enjoyed the film. The plot is fun and dynamic, it mixes humour, mystery and action all in a film. The soundtrack is great, the music is upbeat, which enhances the youthful and fun atmosphere of the film. Japanese culture is portrayed in the film. It is in fact quite comprehensive in its portrayal of tradition and culture. It shows traditional culture like food, Japanese architecture and ninjas. It also shows modern culture like the cute girls dyeing their hair brown or blonde, clubs, and various video game arcades. Ryoko Hirosue gives a fine performance as a teenage girl, and speaks convincing French. I really enjoyed this film, it is so funny!
Le saviez-vous
- AnecdotesRyoko Hirosue didn't know a word of French; she learned all of her lines phonetically.
- GaffesAfter arriving in Tokyo, Hubert asks Momo to drive him to Shinjuku district to meet the lawyer. However, the following scene shows Hubert getting out of the car at Akihabara (the famous electronics shopping district) which is on the other side of Tokyo. This is evident by the iconic Akihabara pedestrian crossing under the green train bridge where he gets off. Later on, Hubert again leaves "Shinjuku" from what is clearly Akihabara and its electronics shops in the background.
- Citations
Maurice 'Momo': How wonderful, Hubert. Let me look at you. You look good man, just arrived and already in deep shit.
- ConnexionsFeatured in Rental Reviews: Underrated Action Movies (2019)
- Bandes originalesKorega Watashino Ikirumichi
Written by Tamio Okuda
Performed by Puffy AmiYumi
Remixed by Yasuharu Konishi
©Sony Music Artists Inc.
administré par Sony Music Publishing France
©1999 Sony Music Entertainment (Japan) Inc.
avec l'aimable autorisation
de Sony Music Entertainment (France) S.A.
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- How long is Wasabi?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La petite moutarde qui monte au nez
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 300 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 97 220 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 560 $US
- 29 sept. 2002
- Montant brut mondial
- 10 366 360 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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