Iris

"Iris" is too short.

I wanted more about Iris Murdoch before she descends into Alzheimer's disease (stunningly portrayed by Judi Dench), other than a few lectures, and more explanation on why the young Iris fixed on her husband.

I haven't read the memoirs by the husband; it's possible that because the books and thence the movie are from his view point that we can't get inside Iris's head young, old, or befuddled.

The Young Iris segments mostly point up again that Kate Winslet has a beautiful naked body (was this before or after her baby?) and I didn't see how she did enough otherwise to justify the award nominations.

The Young Husband looks amazingly like the old Broadbent, so that the flashbacks are completely seamless, and both are terrific.

It's nice to see on screen a house as much of a mess as mine, filled with reading material, but I think we were supposed to react negatively at the sight and scream doesn't the British health services provide home health aides?

Altogether a very moving movie, helped by James Horner's music, especially sympathetic to what a caregiver goes through.

(originally written 3/3/2002)

Dench and Broadbent do a fantastic job charting the devolution of Iris' faculties as she struggles with Alzheimer's; the problem with this film is during the flashback scenes. Winslet is average, not great in her portrayal, but that's partially because the script doesn't present Iris Murdoch in her early days as a very sympathetic character. Instead of coming off as a free spirit she's far more of a sexually confused egotistical dilantette who uses everyone around her. Scenes where Iris is supposedly revealing her shady past and her motivations fall completely flat...there's not enough of a sense of vulnerability or that she really NEEDS her husband. Ultimately that takes away from the Dench-Broadbent storyline. I felt badly for Broadbent's character as he clearly was in way over his head trying to take care of Iris, but I was puzzled as to why he stayed with her in the first place as she treated him so awfully when they were young.

The flashbacks also aren't handled quite right, the interaction between the "present" and past scenes is too jarring. I suspect that it was a conscious choice to do it that way in an attempt to describe the ravages of Alzheimer's, but the film really suffers as a story because of it. This film would have been better served as a straight linear narrative without the constant flashbacks, focusing on either the young or old stage of Iris' life.

This episodic story of Iris Murdoch, best selling novelist, and her husband John Bayley, is not for the faint-hearted. There are no illusions here, and those that seem to exist are shattered by grim reality.

The film pulls no punches, showing Iris as a self-absorbed, stream-of-consciousness woman who becomes ill with Alzheimer's disease. Her husband, in sickness and in health, seems to always be a step behind her. However, he is enthralled with her - totally devoted and ultimately alone.

Yet, this portrait is beautiful and episodic, filled with symbolism, wonderful flashbacks, and the threads of a relationship built and undone. The four leads are just wonderful, with Jim Broadbent deservedly receiving an Oscar for his performance. Superb cinematography, editing, and direction support the actors and the great script.

Highly recommended. I give it 9 out of 10.

Iris Murdock was an author and a shining light within the literary community in England. As an older woman she holds the same enthusiasm but is gradually being given over to the effects of Alzheimers. Her husband, John, tries to cope watching his wife slip away while he remembers how things were when they were young and falling in love.

I knew of this film due to Broadbent rightly taking the Oscar for it (with an exclamation of `stone the crows!') but I noticed it wasn't really in the running for anything else and never got round to seeing it. Seeing it now I am in two minds as to whether it works or not - I think it depends on what you take the film's aim to be. As a story about Iris herself I didn't think it really worked. It told me very little about her and didn't give me much to work with in regards her character or her relations when she was younger. We are given images and scenes from Iris and John's youth but I never felt that I ever really connected with who they were at that young age. The stuff with them as an elderly couple works well but again it could have been any elderly couple and it made no difference to me that Iris was a writer or any woman.

What works excellent is the portrait of an elderly couple struggling with the effects of Alzheimer's on their lives - hers as a sufferer and his as one watching his wife vanish day by day. I was very moved by all of that side of the film and found some of it very hard to watch. Most of this is due to Broadbent and it is this that he won his Oscar for. I felt his pain throughout the film and it was intense considering what a normal cheerful old man he played. Dench is excellent and her portrayal of Iris is very strong in terms of being an Alzheimers sufferer but not so much as a character I'm meant to learn about. The playing of both Winslet and Bonneville is good but I came away with the feeling that they were just assigned to do impressions of their senior co-stars; they don't manage to shed light on the past very much but they are good background.

Overall this film is not great if you are expecting to learn about Iris the author. However a film about Alzheimers it excels and is well worth seeing. Broadbent is wonderful and deserved his Oscar - his pain and his loss is so very real throughout the film that it is impossible not to feel something even if the film doesn't manage to do great development with the characters.

Judi Dench's performance as Dame Iris Murdoch was not only flawless, pitch-perfect, and deeply moving, but it was also the performance of a lifetime. The Academy was ridiculous in overlooking her lost gazes, her subtle inflections in voice, her trembling hands, her puzzled mouth. Kate Winslet lost herself inside the young Iris, developing an entirely new set of facial expressions and voice tones. The movie accurately captures the intense passion for life and love that John Bayley describes in his novel, "Elegy For Iris." Altogether, a brilliant film, concise, humurous, terribly sad--and enhanced by four brilliant performances.