Ash Wednesday: Le mercredi des Cendres

Ash Wednesday so titled because the action takes place on that day of repentance in the Catholic faith and into Lent. Leading character Edward Burns who directed as well keeps the ash cross on his forehead until almost the end of the film. Almost as if he was looking for protection. He and brother Elijah Wood sure needed it.

They play the Sullivan brothers at one time sons of a prominent Irish mobster. Seems as though the Wood killed a pair of Italian hoodlums and their relations are looking for payback.

Burns and local priest James Handy have created a fiction that Wood is dead and spirited him out of town where he's lived in Texas for 3 years. Now Wood is back to get his wife Rosario Dawson who has thought her husband was dead, part of the plan to make the death story believable.

Burns is well out of the rackets, but in his effort to protect his brother he's being dragged back in. Wood doesn't make it easy for him either.

Ash Wednesday is a nice if cheaply made film about family loyalty and sacrifice in a working class Irish American family. Note that this is set in the early 80s when Hell's Kitchen still had some working class blocks. It's pretty yuppified now, so Brooklyn's Greenpoint neighborhood stands in. This was the same setting for the Sean Connery/Dustin Hoffman/Matthew Broderick film Family Business which was done in the late 80s and also about family as well.

The characters are well drawn with no stereotyping at all. James Handy is not a typical priest by any means. No comparison to him and Bing Crosby as Father O'Malley in another film which also was set in Hell's Kitchen when it really was Irish working class.

Burns and Wood have good chemistry as brothers. Ash Wednesday has some fine characterizations done by some talented players.

This is a film about an ex mafia leader getting into trouble with gangs because his dead brother reappeared in the neighbourhood.

The film is initially boring because of poor character development. The film does not tell people what is happening very well, and only towards the middle do people get an idea what on earth was in fact happening. Elijah Wood is obviously miscast. Elijah Wood is very unconvincing as Edward Burns' younger brother, in fact he looks more like the son of Edward Burns. Looks, height, age and physique wise they are too different from each other. This makes the film a lot less credible than it should have been. Otherwise, the plot is not bad, the direction is good, and the sets are nicely done.

October 14, 2004. I viewed this film last night and I must say that I was in suspense the entire film. I truly believed that the younger brother was in imminent danger. The older brother (Ed Burns) was in danger as well. Trying to convince his brother of his stupidity was done not with yelling or shouting, but understated by a character who by his admissions had lived two lifetimes by the age of thirty.

I am a movie fan who does not expect "Gone With The Wind" or "To Kill a Mockingbird" with every film I watch. This film had an excellent cast who performed beautifully. The director kept an even pace throughout because of the impending double-twist surprise ending.

One gifted actor, who never gets enough credit from the public, only his peers and producers and directors is James Handy (Father Mahoney). I see him constantly appearing in one movie after another as well as numerous guest-starring appearances on TV. He was especially "despicable and conniving" on N.Y.P.D.Blue. Usually plays unsympathetic characters. He, like the rest of the cast were truly believable.

I don't know whether or not you'll be talking about this film for years and years. But I do know that most of you will enjoy this approximately 90 minutes of suspenseful entertainment, will recommend viewing to your friends and may watch this film a second and third time. I know I will!!

Regardless of how you feel about gangster movies, its nice to see a new star come and and take it on his own to make the movie he wanted to make. Edward burns did that here with "Ash Wednesday". With a story-line that might be a little more interesting for catholics and Newyorkers, the movie moves along like a great story with no concern for the lead up that most big hollywood movies have to include. Its nice to a see a person leaving to go meet a character everyone in the audience thinks is going to really reveal the climax of the movie and then get swept away in the "real life like" sidetracks that run us through everyday. Without giving away any of the story here, Id like to say i applaud Burns' obvious conviction to the movie, at times it seems as if he doesnt care if the viewer is comfortable with unfolding events or not. A good suspense mob movie is supposed to do just that, like that first time you watched "Goodfellas" and went crazy when Loraine Bracco and Deniro go for that walk that she realizes will certainly end her life. "Ash Wednesday" doesn't do it as well as "Goodfellas" did but when you are digging around at the video store and cant decide whether to see "Miller's crossing" for the umpteenth time or take a chance; I say Chance AWAY!

It's Ash Wednesday. You know that because everyone is running around with an ash cross on their foreheads.

The movie takes place on that single day in hell's Kitchen. Writer, actor, and director Edward Burns plays Francis, a reformed gangster, who spends most of the first part of the movie chasing down a rumor that his brother Sean (Elijah Wood) is still alive.

I thought I was watching Scarface. The language was just as bad. It was hard to find any line that could be repeated.

Fairly good story with great performances including the above and Rosario Dawson, as well as Oliver Platt.