The Big O

The Big O is one of the most creative efforts to ever come out of Japan. Combining the rather dark style of Batman: The Animated Series in animation, the giant robot action of yesteryear, and combining some really surrealistic elements, it manages to entertain such people. It is not your fast paced show with action at every minute, but it has rather impressive fight sequences with cleverly designed mechs I might add. Then you add the rather interesting characters that somehow develop during it's 13 episode run, and you've got a rather impressive series.

It's not for everybody, but I'd recommend Big O to even the most avid fan of animation.

The only bad part is that it's only 13 episodes and it stops rather abruptly, so let's hope it can get more soon.

Big O is not like any other show I have ever seen. The writers clearly have extensive knowledge concerning Greek mythology and even Christianity. It is a cartoon sure, but the depth of the show is very subjective. The show itself gives the viewer just enough clues to allow one to believe that all of the other unending parade of questions will somehow be answered, but apparently, they won't. The show walks a profound balance of story and probability and divine vagueness.

I saw a few episodes of this show and became hooked like no other show I have ever seen. The overall themes are far from light. Two of them being memories and ultimately attempting to define life. What is the value of one's life without memories? What separates humans from androids in a futurist world without knowing which actually came first? And that is assuming who and what each character actually is, which is far from a given. My obsession with the show did eventually wane, largely because the show itself is rather slow at times. There are plenty of action scenes with enormous robots, also representing something I'm sure, to balance the pace, but those battles rarely excited me.

The truly strange aspect of this show is that the majority of it for me is window dressing. It's the symbolism that is scattered throughout each episode that elevates this show to atmospheric levels. This show is just smart enough and just open ended enough for each little mysterious detail to have some profound meaning. This show has everything within it to be the basis of a new religion in and of itself, seriously. The fact that all the answers can plausibly be answered, but aren't, makes Big O that much more life-like in nature.

Well 13 new episodes arrived in August and I have to say theyre are the same level or higher than the first 13.

Roger and Dorothy combat new enemies including copycats of Big O and Roger must again combat his former enemies and learns that his memories as a child in Paradigm city.

The only real complaint is that the son of a bitch, City Executive from last season is now portrayed as this wuzzy, weaking who didnt get along with his dad. LOL Who the hell cares besides that. The new episodes are great, they answer some question and leave a couple open.

Big O 2001 by Sunrise and Bandai Entertainment who brought Gundam Wing, and who made the Macross and Gundam games is one of the greatest cartoons I've seen in the year 2000.

This is a great series, one of the newest Japan Anime in 2001 and surely one of the best cartoons out there.

American animators cannot emulate the Japan Anime cartoons and Big O is proof.

It's gritty, romantic, touching, action packed and full of stories, and that is in every episode!!

The star is Roger Smith who is the head negotiator in breaking or sealing criminal cases or any cases where the police or military is afraid to get involved in.

He lives in Paradigm city, a dark city that has been torn by crime, military action and corruption.

In only his first days on the job, he catches the idea of an attractive and elegant young lady called "Dorothy".

Dorothy is not you're average woman, she is a whiz on the piano and has a certain way with people. Oh yeah Dorothy is a robot.

She is virtually indestructible,yet her softness in characters reveals she is not made entirely of metal.

Dorothy is cared for by her Grandfather. The Grandfather knows Dorothy is a robot but he protects her like his own daughter.

A hoodlum by the name of Beck Gold plots to steal Dorothy and Smith (having suspicions about Dorothy) tries to intervene. Dorothy's Grandfather is shot and Beck kidnaps Dorothy .

Smith rescues her eventually and they develop a mutual friendship between man and machine.

The series works because of it's likeable characters, musical soundtrack which uses the piano to produce a feeling of what's going on in a scene,and above all incredible animation. The musical scences with the piano also convey a soothing feeling to a long day.

Smith controls an undercover machine knows as "Megadeus" which is Big O.

The series reminds me of Voltron because Megadeus fights many bosses in every episode in spectacular fashion.

The series has been dubbed in English and currently showing in Cartoon Network's lineup.

The dubbing is amazingly good. It's one of the best dubbing jobs, I've seen so far. David Lucas (Roger Smith), Lia Sargent(Dorothy) lend their great voices to this anime.

Made through Bandai and Sunrise which produced Gundam Wing and Macross, these guys just keep making the hits.

Take it from this great critic, Big O is a big success.

"The Big O" returns with all-new episodes on August 31, 2003. In the meantime, you can enjoy re-runs of Season 1, now showing on Cartoon Network. It's gonna be a long, hot summer; let "The Big O" cool you down! Check your local listings.