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Parfum de violettes

Titre original : Nadie te oye. Perfume de violetas
  • 2001
  • PG-13
  • 1h 30min
NOTE IMDb
7,1/10
2 k
MA NOTE
Ximena Ayala and Nancy Gutiérrez in Parfum de violettes (2001)
The history of friendship of two females teenagers and how it's cracked up by the miss information about sexual education and violence against women.
Lire trailer2:37
1 Video
7 photos
Drama

Ajouter une intrigue dans votre langueThe history of friendship of two females teenagers and how it's cracked up by misinformation about sexual education and violence against women.The history of friendship of two females teenagers and how it's cracked up by misinformation about sexual education and violence against women.The history of friendship of two females teenagers and how it's cracked up by misinformation about sexual education and violence against women.

  • Réalisation
    • Marisa Sistach
  • Scénario
    • José Buil
    • Marisa Sistach
  • Casting principal
    • Ximena Ayala
    • Nancy Gutiérrez
    • Arcelia Ramírez
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    2 k
    MA NOTE
    • Réalisation
      • Marisa Sistach
    • Scénario
      • José Buil
      • Marisa Sistach
    • Casting principal
      • Ximena Ayala
      • Nancy Gutiérrez
      • Arcelia Ramírez
    • 13avis d'utilisateurs
    • 8avis des critiques
    • 74Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 17 victoires et 16 nominations au total

    Vidéos1

    Trailer
    Trailer 2:37
    Trailer

    Photos6

    Voir l'affiche
    Voir l'affiche
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    Rôles principaux22

    Modifier
    Ximena Ayala
    Ximena Ayala
    • Yessica
    Nancy Gutiérrez
    • Miriam
    Arcelia Ramírez
    Arcelia Ramírez
    • Alicia, madre de Miriam
    María Rojo
    María Rojo
    • Madre de Yessica
    Luis Fernando Peña
    Luis Fernando Peña
    • Jorge
    Gabino Rodríguez
    • Héctor
    Pablo Delgado
    • Juan
    Eligio Meléndez
    • Padrastro de Yessica
    Rosario Zúñiga
    • Prefecta
    Soledad González
    • Directora
    César Balcázar
    • El Topi
    Josefina Marín
    • Maestra de historia
    Clarissa Malheiros
    • Maestra de gimnasia
    Carlos García
    • Maestro de mecanografía
    Guadalupe Sánchez
    • Maestra de matemáticas
    Mayahuel Tocozautla
    • Marchanta mercado
    Zury Mora
    • Enfermera
    Roberto Cabral
    • Jefe de Alicia
    • Réalisation
      • Marisa Sistach
    • Scénario
      • José Buil
      • Marisa Sistach
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs13

    7,11.9K
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    10

    Avis à la une

    zio ugo

    Another little gem from Mexico

    Almost a new generation Italian neo-realist film minus the political commitment, plus a sense that there is more to suffering than poverty alone: decades of social fragmentation and of "me" ideology have left us all as closed as Leibnitzian windowless monads: packed everywhere, but incapable of any elementary form of communication.

    The Italian neo-realists, more or less close to various forms of socialism, had here and there glimpse of (naive, as it was to be seen) hope into the "new man." No such feeling is present here. The sky has closed upon us and is not going to open anytime soon.

    All in all, a superb, if terribly dramatic film. The final scene is an absolute masterpiece, hinting at unspeakable horrors directed towards the already beaten, raped, and victimized protagonist, with the exquisite restrain not to show them at all.

    A great film, which takes on important themes (sexual violence among teenagers, the dissolution of family and social bonds, the apathy of society towards "inconvenient" realities) without puritan restrain but without unnecessary gore. Highly recommended.
    bob the moo

    Important issues with well acted roles and only some problems in the narrative

    Yessica is a troubled teenage tomboy who moves schools again after being expelled for hitting her teacher. She lives in poor conditions with her brother Jorge, mother and two other very young siblings and she befriends the sweetly naïve Miriam who appears to Yessica to be living in luxury with her mother. The two become very good friends and spend a lot of time together. One day Jorge agrees to set up Yessica to be raped by one of his friends in exchange for money and afterwards threatens Miriam to keep quiet about it. Yessica's increasing reliance on Miriam puts pressure on their relationship.

    What starts as a comment on the problem of sexual abuse in Mexico's cities turns into more of a specific dramatic story that is good for the most part but gets weaker as it goes. For the most part the film looks at the friendship between Yessica and Miriam and how both it and Yessica herself are changed when she is repeatedly raped by her brother's friend. For the vast majority of the film this is very involving and seems very real and rather moving; this changes a little near the end where events go further than they really should in the aim of bringing the film to a dramatic close, but it's point is still made. It is not really easy to get into mainly because Yessica is never once made an easy character to feel for – she is troubled, unpleasant and difficult and the film rightly challenges us that these characteristics may not be there, they may have been caused and we are wrong to judge her or label her. The plot maybe lacks enough going on to fill out the time and parts of the second half feel like they drag a little bit, but this is a minor problem and it is hard to lose interest due to the nature of the story.

    The characters are pretty well drawn despite being a little bit basic outside of the lead two. Both Yessica and Miriam change over the duration of the film. Yessica is the most convincing but Miriam's is harder to understand despite also being engaging and interesting. It is fortunate that both characters are very well acted. Ayala takes the hardest role and manages to make it work well; she wins the audience's sympathy but not by just becoming pathetic or needy. Gutiérrez is sweeter and a more sympathetic character and manages to be realistic even when the plot turns and makes her character more difficult to follow along with. The rest of the cast are good with their smaller roles and I didn't think there were any bad performances in the piece.

    Overall this is a difficult film but one that is worth seeing. The plot deals with an important issue and manages to do it well despite overextending itself towards the end. The performances are natural and really drive the film. It is far from perfect and it is lacking in several areas but it is involving and important enough to be worth a watch at least once.
    8mweston

    3.5 stars

    The main character, Yessica, is a tomboy who is often in trouble. As a result, she is transferred to a new school, where she meets Miriam, who lives with her mother in what seems to Yessica like luxury. While Miriam's mother's main concern is saving enough money to get a better television, Yessica doesn't even have a bedroom to sleep in or money for the most basic school supplies. When Yessica's step-brother arranges for her to be raped, things go from bad to worse. In her environment she doesn't feel like there is anyone she can tell, so she must suffer silently, which reminded me of how the women in "Missing Young Woman" were often not missed.

    This film, which was Mexico's nomination for best foreign language film of 2001, is difficult to watch, but it's worth the effort. My notes also indicate that I liked the soundtrack. Seen at Cinequest (the San Jose, CA film festival) on 2/27/2002.
    10selfubam

    A true eye-opener

    I used to live in Mexico and this was definitely the best movie I saw there, and by far the best movie ever made on the life of the poor people of La Ciudad de México. Although Mexico to me is a very distinct place from the one described by the movie, it was shocking to see that these people living in true agony passed by the same places where I'd been and took the same bus as I did. It gave me a totally new perspective on my ride when I sat on that bus again the next morning. Life to most people on this planet is extremely cruel, but sometimes we seem to forget it, even if it's right beneath your very own eyes. Perfume de violetas opened my eyes; I think it would be good to remember that there are over 20 million people living in Mexico City, with the number rising by nearly 3000 every day, and that most people aren't even as well-off as Yessica, and definitely not as lucky as Miriam. Viva Mexico, eh!?!
    8Pursewarden

    A Powerful Dramatic and Sour Urban Tale

    After watching PERFUME DE VIOLETAS one wonder's if Mexican Cinema can go beyond portraying the sour and depressing stories of urban life. This is not the first entry of the "true life" story gender. Not withstanding looking at the film the cinematic process stands-out beyond anything else. The actresses are great, if one considers that this was their film debut, the surprise is even bigger, great work by the director. The photography also adds to the realm of desperation and reality, a careful camera work with saturated images and colors, changing the lighting and atmosphere between the homes of the two girls. Probably the low point of the film is the music use. It's so directed to the marketing of the soundtrack that make's you wonder if there was other consideration in its use. When the image and the song show the same thing then one or the other is overstating and therefore a waste. Good work and an appalling ending. Its going for the Oscar but probably will be left before the nominees, but it's worth watching.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Selected as Mexico's official entry for the Best Foreign Film category at the 74th Annual Academy Awards.
    • Connexions
      Featured in Horrible Reviews: Best Movies I've Seen In 2023 (2024)
    • Bandes originales
      Cuarteto de Cuerdas #1
      Written by Sina Engelman

      Courtesy Sina Engelman

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    FAQ15

    • How long is Violet Perfume: Nobody Hears You?Alimenté par Alexa
    • Is this a true story?

    Détails

    Modifier
    • Date de sortie
      • 17 décembre 2003 (France)
    • Pays d’origine
      • Mexique
      • Pays-Bas
    • Langue
      • Espagnol
    • Aussi connu sous le nom de
      • Violet Perfume: Nobody Hears You
    • Sociétés de production
      • Centro de Capacitación Cinematográfica (CCC)
      • Cnca
      • Consejo Nacional para la Cultura y las Artes (CONACULTA)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby

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