L'effet papillon

Ashton Kutcher plays Evan Treborn, a troubled man who suffered blackouts as a child. When he discovers a way to travel back into the body of his past self, his time trips start to cause negative results on his present. As he uses his powers to try to fix his past and present, the effect escalates, creating alternate realities, many of which are worse than the past that he is trying to change.

The Butterfly Effect is a terrific thriller that keeps you on the edge of your seat. The previews looked very intense and the whole film is pretty much like that. It held onto the audience right at the start and it didn't let go until the end. The plot is nothing new but the execution was very nice. It offers a bunch of interesting and unpredictable twists so it's hard to see where things are going. The whole film is like that, just one long engaging thrill ride.

The acting is okay, some people did better than others. Ashton Kutcher is surprisingly good as Evan and he does a good job for his first serious movie. Amy Smart is very pretty and talented and she plays Kayleigh perfectly. The only person I didn't really like was Melora Walters. She was pretty wooden and unconvincing. Besides for her, the acting was pretty good and convincing. No one really did a bad job.

This film was directed and written by both Eric Bress and J. Mackye Gruber. They did make their mistakes but the film is still pretty good. The critics never gave this movie a chance. As soon as they heard Ashton Kutcher was in it, they all prepared to give it thumbs down. The movie moves around a lot that its hard to keep up but it also keeps you paying attention. Plenty of movies have gone back in time before but this one does it so more effectively that its almost original in that sense. The beginning is done well, the middle it starts dragging but it starts picking up and the ending is done extremely well. This is one of the best films of 2004 and certainly an entertaining one. In the end, this underrated gem is worth checking out. Rating 8/10

What if you could go back to major junctions in your life and take the other path? What if there's an alternate life for you somewhere, out there, where the cumulative sum of your choices leads to a better reality, a happier and more fulfilling existence? On the flip-side - what if, at the end of the day, you really can't achieve a solid grip on these things, no matter how hard you try?

A great deal of science fiction works of art have tried to approach these meaningful questions throughout the years, all presenting many philosophical ideas and notions as to how one man can change his own fate, for better or for worse. In this surprisingly good sci-fi adventure from 2004, directors Eric Bress and J. Mackye Gruber (who are also behind the screenplay of Final Destination 2) raise all these questions once again, but use a different angle this time around. Time travel is not the issue here. Instead, our lead protagonist, Evan Treborn (portrayed by Hollywood prankster Ashton Kutcher – but more on that later) leads his whole life up until his early 20's without knowing he has a rare medical condition that seemingly helps him shut away traumatic incidents that occurred throughout his childhood and adolescence years. All he remembers from these various occasions are bizarre blackouts. But when a blast from his past comes back into his life only to leave it ever so tragically (Kayleigh Miller, portrayed by the lovely Amy Smart who we've since seen in films such as Just Friends and Crank), Evan learns that he can return to those important lost moments in his life and re-inhabit his younger body, thus changing the present and future. However, with every shift in the past comes an alternate present that may seem better at first, but is in fact a far harsher reality than the original one Evan has left.

What truly touched me about this film was the essence in which it captured the troublesome youth of my generation, that was born in the 1980's, grew up in the 1990's, and is ever since trying to adapt to the ever changing reality in which we all live in. Here, one man tries to alter all this, and his own personal journey is parallel in many ways to the journey many young people go through nowadays. Part of capturing this Generation X notion is the pop-culture presented throughout the film. When you see the young actors and actress fall in love, fight, and grow up real fast, it all happens amidst references to films of the period (Se7en, etc.), outfits, 1980's technology and other devices that fill you up with an overwhelming feeling of nostalgia and sentiment, as if you were there yourself, living these events and going through all these horrible/wonderful events.

Above all things, the makers of The Butterfly Effect do the unbelievable and turn Ashton Kutcher into a good actor – a feat I thought was unachievable at best. However, in this sci-fi epic it appears as though anything is possible. Bottom line, it was a fresh breath of air when I saw it, left me pondering for days, and gave me the inspiration and write something myself after a long period of writers block. If a film manages to be this inspirational and keep you on the edge of your seat throughout its 113 minutes duration, all I can do is humbly bow down in front of its makers' talents. I'm eagerly waiting for other outings by these young folks.

The film that was underrated. The film that only appeared on US cinemas. The Butterfly Effect.

I think Ashton Kutcher did a good job on this film, along with Andrea Treborn. I recall that Kutcher has never made a film like this, and his first thriller was somewhat peculiar. Not just any old thriller, this one would keep you on the edge of your seat from the start to the finish. A weird title however, but the tag line explains all. Change one thing, change everything. I think this automatically gets you thinking, and as the film proceeds, it gets harder. You like thinking? Get this film, because you will not want to miss it!

THE BUTTERFLY EFFECT- THEATRICAL CUT (4 outta 5 stars)

THE BUTTERFLY EFFECT- DIRECTOR'S CUT (3+ outta 5 stars)

Now normally I tend to prefer movies that let the writer/director tell the story that they want to without having to water it down for mass consumption. In this case I have to say that the ending they they were forced to re-shoot for the theatrical release of this movie is a much more emotional, resonant and appropriate ending than the bleak, cold and grotesque finale they had originally planned. On the US DVDs you get the choice of which version to see (foreign editions only have the less compelling director's version)... so North American viewers can make up their own mind about which ending they prefer. I would suggest watching the theatrical cut first... and then check out the director's cut... which would you prefer to think of as the "real" ending?

As for the movie itself... don't be put off by the idea of Ashton Kutcher in the lead role. He does quite a good job in a serious part quite different from his usual TV persona. He plays a college student who, having been plagued by mental blackouts all his life, devotes himself to the study of human memory. Eventually he finds that by re-reading old journal entries he can will himself back in time to experience the events he had blacked out... and even CHANGE THEM using the knowledge that his older self possesses. Unfortunately one small change in the past causes some HUGE ramifications in his present day world. Can't say too much more about the plot without giving away the many fun surprises. Believable performances and a basic seriousness give the film an urgency that is sometimes missing in modern fantasy films of this type.

Every so often we all seem to move away from the usual nothings we talk about amongst our friends, and instead get into a deeply philosophical conversation about the workings of Chaos Theory and the existence of parallel universes. No? Okay, just me then. In any case, this discussion just the other day led to a friend recommending The Butterfly Effect, a film that puts both a stylistic and sinister spin on the idea that even the mere flapping of a butterfly's wings can result in drastic changes in another place or time. Being initially sceptical because of the generally negative reaction from critics, I was certainly not disappointed by film's end.

Ashton Kutcher couldn't be more different that his concurrent role as the dimwitted Kelso from That '70s Show in his lead performance as Evan Treborn, a man who has suffered blackouts since his childhood, and realises that he can access and relive vital gaps in his memory through the help of other sources like journals or images. He uses this skill to, in his eyes, right the wrongs of the past. Namely, injustices that were performed upon his friends Lenny and Tommy and only love Kayleigh (Amy Smart). What he doesn't realise is that the changes he thinks are made for the better actually result in a severely changed future that threatens his own life.

Without trying to sound like a sadist, The Butterfly Effect excels in presenting a consistently dark, melancholy atmosphere. Indeed, there is hardly a happy moment in the entire film, although that may be untrue depending on which ending you watch (more on that later). Any event that looks as if it might provide a slim ray of hope for Evan to make things right is quickly dashed by a sudden escalation of the plot, maintaining the viewer's interest the whole way through. The film doesn't shy away from heavy subject matter either, including prostitution, murder, paedophilia and drug use, all of which culminates in an enjoyably gritty, underground tone.

Positively, the menacing nature of the movie isn't weighed down by comic relief. I suppose when many of us think of this sort of plot, we first think of the Simpsons Halloween special when Homer invents the time-travelling toaster. Not knowing quite how dark the film would turn out to be, I was concerned The Butterfly Effect would go down a similar path, in which Evan keeps returning to the present to find that all humans have grown wings or Pauly D has become President. Instead, any changes are limited to the persona of the characters, rather than altering the physical environment, which was definitely the professional path to take.

The pacing is another strength. For a film that comes in well under two hours, directors Eric Bress and J. Mackye Gruber deserve credit for packing a lot in, and doing it well. Certainly, some thrillers benefit from slow-moving scenes to draw suspense (the superb Eyes Wide Shut, for example) but Butterfly manages to combine compounding urgency with engaging character development in constructing a fast-moving film that requires both thought and stamina to decipher, without being needlessly confusing.

Oddly, the film possesses four different final scenes, and so the lasting message of the movie may differ depending on the copy viewed. My favourite ending is the 'official' one applied to the theatrical release. It is satisfying, yet open-ended, as is the case with its alternate cut. Another is uncharacteristically upbeat and illogical, perhaps suggested in the editing room as a way of appeasing confused screen-test viewers. But if you really want to get down to brass tax, go with the Director's Cut: a far more morbid conclusion with a surreal twist. Intrigued? Don't let me stop you.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review.*